The Greek theater and its drama

by Roy C. Flickinger

INDICES

INDEX OF PASSAGES

(Boldface figures refer to the pages of this volume. Works which are known to us only by title or short fragments are indicated by an asterisk.)

• Aeschylus (525-456 B.C.)
• Agamemnon (City Dionysia, 458 B.C.): vss. 1 ff., [225], [285], [291], [305]; 40 ff., [298 f.]; 589, [255]; 810, [255 f.]; 855 ff., [155], [166]; 905-57, [276]; 1343-45, [128], [229]; 1344-71, [134], [158-60]; 1348-71, [44]; 1372, [128]; also [137], [198], [256], [258 f.]
• Eumenides (City Dionysia, 458 B.C.): vss. 1 ff., [305]; 33-64, [286]; 64 (schol.), [285]; 79, [206]; 93, [286 f.]; 94, [287]; 140-79, [151], [287]; 234, [247], [250]; 244, [151]; 306-96, [153 f.]; 744, [232]; 746-53, [171]; also [136 f.], [198], [232], [247], [258 f.], [274]
• Libation-Bearers (City Dionysia, 458 B.C.): vss. 10-16, [210 f.]; 22 f., [150]; 766 ff., [166]; 886-902, 892 (schol.), [178]; 900-903, [170]; 904, [128]; also [125], [137-39], [198], [248], [258 f.]
• Niobe,* [230]
• Persians (City Dionysia, 472 B.C.): arg., [299]; vss. 1 ff., [150], [208], [299]; 155 f., [208 f.]; 231-44, [219 f.]; 249-90, [165]; 302-526, [128]; 348, 474 f., [220]; 681, [106], [225 f.]; 761, [206]; 849 ff., [175]; also [56], [124], [134], [136], [139], [166 f.], [192], [226], [248 f.], [276], [298], [305]
• Prometheus Bound (ca. 470 B.C.): vss. 3, 12, [210 f.]; 81-88, [174], [228]; 85, [210 f.], [88 ff.], [305]; 124-29, [290]; 133 f., [150]; 136-40, [210]; 272-82, [290]; 284-87, 397 ff., [289 f.]; 1067, [137]; 1093, [228]; also [20], [134], [137], [139], [166-68], [174]; [192], [226-28], [258]
• Prometheus the Fire-Kindler,* frag. 207 (Nauck), [30]
• Prometheus Unbound* (ca. 470 B.C.), [227 f.], [258]
• Proteus* (City Dionysia, 458 B.C.), [198]
• Seven against Thebes (City Dionysia, 467 B.C.): arg., [23]; vss. 1, [206]; 4-7, [210]; 78-180, [230]; 214, 240, [150]; 235, [206]; 375-676, [275 f.]; 800-821, [128]; 961-1005, [175], [179], [283]; also [134], [136-38], [166 f.], [205], [226]
• Suppliants (ca. 490 B.C.): vss. 1 ff., [150]; 1-175, [230]; 12, 176, [209]; 234-480, [165], [230]; 234-503, [163 f.], [166], [169]; 247 ff., [209]; 524-99, [252]; 775-980, [173]; 776-836, [174]; 907-53, [164], [166]; 953-80, [174]; also [56], [133 f.], [136-38], [163 f.], [167-69], [192], [205], [226], [234], [265], [298], [304 f.]
• Weighing of Souls,* [292]
• Agathon (first tragic victory, Lenaea, 416 B.C.)
• Antheus,* [124]
• Alexis (Middle Comedy), frag. 107 (Kock), [147]
• Antiphanes (Middle Comedy), frag. 191 (Kock), [127], [316]
• Apostolius (born ca. 1420 A.D.), xiii. 42, [12 f.], [21], [29]
• Archilochus (ca. 680-640 B.C.), frag. 77 (Bergk), [7]
• Aristophanes (ca. 444-386 B.C.; Old Comedy)
• Acharnians (Lenaea, 425 B.C.): vss. 20, [207]; 100-104, [171], [173], [187]; 133-74, [254]; 237-79, [36]; 262, [42]; 280-83, [37], [151]; 347-92, [41 note], [42 note]; 399 and (schol.), [288]; 408, [288]; 408 (schol.), [285], [287]; 479, [288]; 490-625, [41 note], [42 note]; 501-7, [196 f.]; 640, [218]; 719-835, [41]; 732, [91 f.]; 860-970, [41]; 1000-1068, [41 note], [42 note]; 1003-7, [242]; 1069 f., [210]; 1069-1142, [41]; also [327]
• Babylonians* (City Dionysia, 426 B.C.), [196], [327]
• Banqueters* (Lenaea, 427 B.C.), [326]
• Birds (City Dionysia, 414 B.C.): arg., [330 f.], [335], [337]; 310 f., [151]; 644 f., [212]; 786 ff., [197]; 801-902, [41 note], [42 note]; 1101 f., [214]; 1118-1268, 1494-1705, [41 note], [42 note]; 1615-79, [171], [173], [187]; 1763-66, [214]; also [234]
• Clouds (City Dionysia, 423 B.C.): vss. 1, [238], [243]; 126-32, [311]; 184 (schol.), [285]; 218 ff., [292]; 269, [151]; 537-39, [46]; 734, [46]; 1486 ff., [98]; also [135], [138], [207], [213], [235]
• Frogs (Lenaea, 405 B.C.): vss. 1-460, [88-91], [207], [248]; 154 f., [225]; 209 ff., [142]; 299 (schol.), [91]; 315, [142]; 416-30, [51-53]; 454 f., [225]; 555, [171], [173], [187]; 644-66, [132]; 674-737, [204]; 810 f., [122]; 830, [310]; 866-69, [203 f.]; 1411 ff., [171], [173], [187]; also [127], [135], [138]
• Knights (Lenaea, 424 B.C.): vss. 149, [91]; 230-32, [213]; 461-97, [50]; 512-14, [327]; 522 f., [54]; 544-50, [216]; also [138 f.], [327]
• Lysistrata (Lenaea, 411 B.C.): vss. 1-6, [309]; 78-246, [171], [173], [187]; 385, [207]; 725, 881, [256]; also [41], [278]
• Peace (City Dionysia, 421 B.C.): vss. 80 ff., [292]; 296 ff., [151]; 765-68, [214]; 962-65, [216]; 1039-1126, [50]
• Plutus (388 B.C.): vss. 255, [151]; 322-486, [49]; 626, [254], [257]; 770, [146]; 789-99, [216]; 821 f., [240]; also [41], [43], [92]
• Proagon* (422 B.C.), [205]
• Wasps (Lenaea, 422 B.C.): vss. 57, [48]; 58 f., [216]; 1342, 1514, [91]; also [274]
• Women at the Thesmophoria (ca. 411 B.C.): vss. 67 f., [240]; 96, 265, [288]; 284 (schol.), [287]; also [188], [207], [278]
• Women in Council (Lenaea, 392 B.C.): vss. 46-265, [44]; 311-478, [251]; 729, [146]; 871-1160, [138]; 876, [146]; 1152, [91]; 1154-58, [214]; 1158-62, [200]; 1179-83, [214 f.]; also [41], [43], [92], [135], [188], [278]
• Aristophanis Vita, § 11, [145]
• Aristotle (384-322 B.C.)
• Constitution of Athens, c. 56, [273]
• Didascaliae,* [319-21], [324], [329 f.], [337]
• Dionysian Victories,* [324 note 1]
• Poetics: 1448a31 f., [47]; a32-34, [51]; b1, [8]; 1449a8, [xi]; a9-13, [6 f.], [16], [36], [44]; a18, [66], [236]; a19 ff., [21-23], [29]; a22 f., [22]; a37-b9, [35]; a38, [54 f.]; b3, [55]; b5-9, [50 f.]; b12-14, [257]; b33, [xi]; 1450a10, [xi]; a38 f., [261]; b17-21, [xi]; b22-35, [261 f.]; 1451a15-22, [262]; b25, [125]; b26, [301]; 1452b18, [93]; b24 f., [93], [96]; 1453a19, [125]; a27, [93]; b1-3, [xi]; 1454a31-33, [267]; b1, [293]; 1455a28, [93]; 1456a6, [125]; a26-32, [144-49]; 1459b22-28, [263]; b25, [93]; 1460a11-17, [93], [95 f.]; 1461b21, [293]; 1462a12, a14-17, [xi]; also [xxi], [6 note 1], [17], [246], [317]
• Politics, 1336b28 f., [190]
• Problems, 918b26, 920a9, 922b17, [93]
• Rhetoric, 1403b33, [xii], [162], [190]
• Athenaeus (ca. 230 A.D.): p. 211B, [94]; p. 347E, [17]
• Bacchylides (ca. 468 B.C.)
• Theseus, [10], [16]
• Clemens Alexandrinus (ca. 200 A.D.): p. 11 (schol.), [285]; p. 688, [96]
• Corpus Inscriptionum. See [Inscriptions]
• Cratinus (Old Comedy; first victory at City Dionysia, 452 B.C.), frag. 15 (Kock), [273]
• Dionysalexandros* (ca. 430 B.C.), arg., [330], [332-36]
• Demosthenes (ca. 384-322 B.C.): xviii. 180, xix. 337, [93]; xxi, arg. 2 f., [132]; xxi. 74, [197]; 178-80, [132]
• Diodorus Siculus (ca. 48 B.C.), xi. 10, [94]
• Diogenes Laertius (ca. 200 A.D.): iii. 56, [18 f.]; v. 92, [20]
• Ecphantides (Old Comedy; first victory ca. 455 B.C.), frag. 2 (Kock), [48]
• Epicharmus (ca. 485 B.C.), frag. 132 (Kaibel), [8]
• Etymologicum Magnum (tenth century, A.D.), s.v. θυμέλη, [18];
• s.v. τραγῳδία, [27-29]
• Eupolis (Old Comedy), frag. 244 (Kock), [48]
• Αἶγες, [30]
• Euripides (485-406 B.C.)
• Alcestis (City Dionysia, 438 B.C.): arg., [330-32]; vss. 1 ff., [206], [300], [305]; 22 f., [240], [300]; 24-26, [211]; 77, [252]; 206, [240]; 243 ff., [306]; 391, [129]; 393 ff., [179], [189]; 423 f., 435-76, [152]; 452, [218]; 476, 506, [239 f.]; 747-861, [234 f.], [250 f.], [306]; 837 ff., [306], [311]; 861 ff., 934-61, [307]; 1102, [315]; 1144-46, [232]; also [199], [201], [205], [265]
• Andromache (ca. 430 B.C.): vss. 1, 16, [206], [306]; 445-49, [219]; 547, [179]; 547-766, [170]; 732 ff., 881, [176]; 815-25, [159], [240]; 877-79, [281]; 1231 ff., [259], [295]; also [219], [257]
• Andromeda,* [292]
• Bacchanals (City Dionysia, posthumous): vss. 1, [206], [291]; 170-79, [210-12], [212]; 526, [7]; 1024-1152, [128]; 1212 ff., [98]; also [124], [154], [291], [314]
• Bellerophon,* 292
• Children of Heracles (ca. 430 B.C.): vss. 120 ff., [166]; 309-15, [218]; 642 f., [242 f.]; 1026-29, [218]; 1052, [128]; also [218]
• Cyclops (ca. 440 B.C.): vss. 11 ff., [126]; 79 f., [31]; 445 f., [240]; 479-82, [241]; 507 f., [240]; 601 ff., [153 f.]; 608-27, 648, [154]; 653, [153 f.]; 655-62, [154]; 668, [222]; 694 f., [241]; also [22], [29], [126], [167], [199], [224], [241], [253]
• Electra (ca. 413 B.C.): vss. 1-53, [259]; 168 ff., [151]; 341 ff., [281]; 434-78, [139-41], [143]; 1165-67, [128]; 1238, [259]; also [125], [260]
• Hecabe (ca. 425 B.C.): vss. 1-58, [226], [302]; 68 f., [226]; 105, [151]; 736-51, [312]; 1034-55, [131], [159]; 1056, [222]; 1132-1237, 275
• Helen (412 B.C.): vss. 1-67, [301]; 184, [151]; 306, 317, [143]; 385, 515, [251]; 1165-68, [248]; 1186-1300, [170]; 1301-68, [142]; 1387 ff., [156], [160], [294]; 1629 ff., [143]; 1662, [249]
• Hippolytus (428 B.C.): vss. 42 f., [302]; 61-72, [141]; 129 ff., [151]; 178-81, [240]; 565-600, [241 f.]; 710-14, [156]; 776-87, [159]; 1060-63, [312]; 1102-19, [140]; 1342, [222]; 1423-30, [295]; also [235]
• Hypsipyle,* vss. 1579 ff., [179 f.]
• Ion (ca. 412 B.C.): vss. 72 f., [302 f.]; 183-228, [160]; 234 f., [151]; 666 f., [157]; 675, [177]; 760, [157]; 1130 ff., [177]; 1520 ff., [312]; 1553 ff., [302 f.]
• Iphigenia at Aulis (City Dionysia, posthumous): vss. 1, [225]; 164 ff., 187 f., [151]; 303, 307, [310]; 794-800, [140]; 1211 ff., [267]; 1532 f., [242 f.]; also [205], [302]
• Iphigenia among the Taurians (ca. 414 B.C.): vss. 42 f., [308]; 66, [252]; 1061-68, [156], [160]; 1068-70, [88]; 1234-83, [142 f.]; 1392, [294]; 1435 ff., [201 f.], [294 f.]; 1446-61, [295]; 1447, 1462, [249]; 1467 f., [160 f.]; 1497 ff., xvii, [215]; also [205]
• Madness of Heracles (ca. 421 B.C.): vss. 158-205, [275]; 749-54, [128]; 822 ff., [260], [310]; 1029 ff., [128], [288 f.]
• Medea (431 B.C.): arg., [266 f.]; vss. 1 ff., [307 f.]; 49-52, [307]; 56-58, [240], [308 f.]; 131 ff., [151]; 230-66, [156 f.]; 465-575, [275]; 663 ff., [293]; 824 ff., [xviii], [217]; 1053 f., [159]; 1271 ff., [179]; 1279 ff., [160]; 1312 ff., [159]; 1321 ff., [292]; also [237], [266 f.]
• Orestes (408 B.C.): vss. 1, [238], [243]; 26 f., [306]; 131-211, [153]; 1103 f., [156]; 1245, [177]; 1251, [143 f.]; 1313-20, [222 f.]; 1353 ff., [143 f.]; 1554, 1591, [177]; 1625-32, [292 f.], [295 f.]; 1691 (schol.), [215]; 1691 ff., [xvii], [215]; also [303]
• Phaethon,* frag. 773 (Nauck), [93]
• Phoenician Maids (ca. 410 B.C.): vss. 88-102, [178], [191], [281], [291]; 93 (schol.), [178]; 192 ff., [93], [282]; 202 ff., [151]; 202 (schol.), [139]; 261-73, 357 f., [249]; 638-75, [140]; 801-27, [140 f.]; 1019-67, [140]; 1264-82, [178], [181]; 1308, [222]; 1764 ff., [xvii], [215]; also [136], [138], [205]
• [Rhesus] (possibly a fourth-century production): vss. 1 ff., [299]; 10, [209]; 565-674, [251]; 627 f., 885 f., [291]; also [92], [148], [224], [253]
• Suppliants (ca. 421 B.C.): vss. 403-8, [219]; 510-13, [171]; 598-634, [257]; 1071, [129]; 1183, [294]; also [137 f.], [205], [218], [231 f.]
• Trojan Women (415 B.C.): vss. 1 f., [305]; 143-45, [151]; 208 f., [218]; also [274]
• Eusebius (ca. 300 A.D.)
• Chronica, Ol. 47, 2, [14]
• Eustathius (twelfth century A.D.), p. 976, 15, [287]
• Hegemon (Old Comedy), [217]
• Herodotus (ca. 484-428 B.C.): i. 23, [9 f.]; v. 63, [11-15]; v. 82 f., [37]
• Homer (ca. 875 B.C.)
• Iliad iii, [255]; xxii. 205 f., [95]
• Odyssey iv, [280]; iv. 121 f., vi. 102 ff., [255]; xi. 185 f. and 445, [254 f.]; xxiv. 417, [282]
• Also [245], [266], [277], [279 f.], [282], [289], [301], [304-6]
• Horace (65-68 B.C.)
• Ars Poetica: vss. 119 ff., [266]; 189 f., [193]; 192, [186]; 220 f., [28 f.]; 276, [19]
• Inscriptions
• From Athens, [72], [74], [90], [319-30]
• From Delos, [59 note], [107 f.]
• From Delphi, [185]
• From Oropus, [108 f.]
• From Paros, [14], [21], [38]
• Jerome (Hieronymus; ca. 400 A.D.)
• Chr., Ol. 47, 2, [14]
• Liber Glossarum, [46]
• Lucian (ca. 150 A.D.)
• Lucius sive Asinus, § 47, [94]
• Lysias (458-378 B.C.), xxi. 1-5, [271]
• Magnes (Old Comedy), [54]
• Marmor Parium (264 B.C.): p. 13 (Jacoby), [38]; p. 14, [14], [21]
• Medea* (unknown author; fourth century B.C.), [146], [148]
• Menander (New Comedy; 342-291 B.C.)
• Girl with Shorn Locks, [147], [304]
• Hero,* [304]
• Imbrians* (ca. 301 B.C.), arg., [331 f.], [336 f.]
• Jernstedt frag., [147]
• Parian Chronicle. See [Marmor Parium]
• Pausanias (second century A.D.), viii. 9. 1, [7]
• Philemon (New Comedy; died ca. 262 B.C.), frag. 79 (Kock), [309]
• Philostratus (ca. 200 A.D.)
• Apollonius of Tyana, p. 245, [203]
• Photius (died 891 A.D.)
• Lexicon, s.v. ἴκρια, s.v. ληναῖον, s.v. ὀρχήστρα, [63]; s.v. οὐδὲν πρὸς τὸν Διόνυσον, [12 f.], [21], [29]
• Phrynichus (first tragic victory, 511 B.C.)
• Capture of Miletus (ca. 490 B.C.), [124]
• Phoenician Women (City Dionysia, 476 B.C.), [56], [124], [141], [192], [205], [210], [276], [298], [305]
• Pindar (522-442 B.C.)
• Olym. xiii, [7], [9]
• Plato (428-347 B.C.)
• Laws, p. 659A-C, [216]; 700B, [7]
• Minos, p. 321A, [16]
• Republic, p. 394C (schol.), [7], [11]
• Symposium, p. 194B, [205 f.]
• Plautus (died 184 B.C.)
• Amphitruo, vss. 1 ff., 463 ff., [304]; also [208]
• Braggart Captain: vss. 79 ff., [304]; 88, [208]; 145 ff., [303 f.]; 523 ff., [243]
• Captives: vss. 69, [256]; 460-768, [255 f.]; 897, [256]
• Carthaginian, vss. 94, 372, [207]
• Casket: vss. 89 f., [123]; 149 ff., [304]; 156-59, [123]
• Churl: vss. 1-3, [207]; 448, [238]
• Fisherman’s Rope: vs. 32, [208]; also [236]
• Haunted House, vss. 1, [240]; 248, [238 f.]
• Menaechmi: vss. 8 f., [207]; 956, [249]
• Merchant, vss. 3-5, [309]
• Persian, [278]
• Pseudolus (191 B.C.), vss. 720 f., [233]
• Plutarch (ca. 90 A.D.)
• Aratus xxiii, [103]
• Brutus xlv, [94]
• Demetrius xxxii, [94]; xxxiv, [101-3]
• Lycurgus vi, [101]
• Nicias iii, [271]
• Pompey xlii, [81]
• Solon xxix, [17-19]
• Praecepta Ger. Reip., p. 823B, [102]
• [X Oratorum Vitae], p. 841D, 852C, [69]
• Also [60 note]
• Pollux (second century A.D.)
• Onomasticon: iv. 123, [18 f.], [78 f.], [97-99]; 124, [100 f.]; 127, [60], [78 f.]; 128, [287]; 132, [106]; also [94], [213]
• Pratinas (ca. 499 B.C.), frag. 1 (Bergk), [7]
• Seneca (died 65 A.D.)
• Agamemnon, vss. 981 ff., [188]; also [141]
• Hercules on Mt. Oeta, vss. 104 ff., 583 ff., 1031 ff., [141]
• Medea, vss. 973, 995, [60]
• Simonides (556-467 B.C.)
• Memnon,* [11]
• Solon (639-559 B.C.)
• Elegies,* [8 f.], [11]
• Sophocles (497-406/5 B.C.)
• Ajax (ca. 440 B.C.): vss. 1 ff., [291]; 134 (schol.), [139]; 143, [151]; 344, [287]; 372 ff., [306]; 593, [287]; 814, [247], [250]; 865, [129], [282]; 892, 915, [244]; also [244]
• Antigone (ca. 441 B.C.): arg., [330 f.], [335]; vss. 18 f., [240]; 101, [206]; 164 f., [151]; 334-75, [142]; 639-723, [275]; 806 ff., [306]; 1016-22, 1080-83, [131]; 1115-52, [142]; 1293, [128]; also [139], [192 f.], [282]
• Electra (ca. 420-414 B.C.): vss. 4, [206]; 15, 32 ff., [259 f.], [310]; 129 f., [151 f.]; 310 ff., 516 ff., [152]; 660 ff., [168]; 1202-4, [155 f.]; 1296-1313, [222]; 1404, [128]; also [125]
• Maidens of Trachis (ca. 420-410 B.C.): vss. [1-48], [302]; 103, [151]; 167 f., [314]; 307-27, [176 f.]; 983-1263, [129]; 1170-73, [314]; also [139]
• Nausicaa,* [169]
• Oedipus at Colonus (402 B.C.; posthumous): vss. 1 ff., 38, [212]; 117, [151]; 494-506, [171]; 1099-1555, 1457-99, [182], [187]; 1611 ff., [187]; also [180-82], [205], [218], [227], [231], [236]
• Oedipus the King (ca. 430 B.C.): vss. 6 f., [240]; 91-95, [155]; 144, [151]; 264, [313]; 924 ff., [167 f.]; 1014 ff., [314]; 1268-79, [131]; 1307, [222]; also [205], [273]
• Philoctetes (409 B.C.): vss. 38 f., [131]; 135 ff., [150]; 649 f., 696-99, [131]; 825-62, [153]; 1070-95, [158]; 1408, [296]
• Thamyris,* [169]
• Trackers (Ichneutae; ca. 445 B.C.): [22], [29-31], [126], [199]
• Suidas (ca. 970 A.D.), s.v. Aeschylus, [325]; s.v. Arion, [10]; s.v. οὐδὲν πρὸς τὸν Διόνυσον, [12 f.], [15], [21], [29]; s.v. Phrynichus, [4]; s.v. Pratinas, [23], [63]; s.v. Sophocles, [325]; s.v. Thespis, [12], [20]
• Terence (died 159 B.C.)
• Andrian girl (166 B.C.): vss. 236 ff., [314]; 247, 301 ff., [315 f.]; 420 ff., [315]; 489-94, [242]; 581-96, 625 ff., [315]; 820 f., [310]; 957 ff., [315]; also [279], [304]
• Brothers (160 B.C.), vs. 517, [310]
• Phormio (161 B.C.), vss. 862-69, [241]
• Self-Tormentor (163 B.C.): vss. 171, 409, [141 f.]; 410, [253], [257]; 748, [141 f.]
• Themistius (died ca. 388 A.D.), p. 316D, [298]
• Thespis (sixth century B.C.), [20 f.]
• Tzetzes (twelfth century A.D.), p. 18 (Kaibel Com. Gr. Frag.), [52 f.]
• Vitruvius (ca. 15 B.C.): v. 6 f., [75-77], [87], [97]; v. 8, 2, [80];
• vii. praefatio, 11, [66], [236];
• viii, praefatio, 1, [96]; also [79-87], [90 f.], [92]

GENERAL INDEX

(References to ancient playwrights are supplementary to the Index of Passages; those to modern playwrights may be found by consulting “Parallels.” For theaters at various sites see “Theater.” All references are to the pages of this volume.)

• Acceleration of time, [250-57]
• Actors, [xi f.], [xiv], [xix], [5], [35], [132 f.], [162-95];
• first actor, [16-19], [162], [165];
• two actors, [163-71], [173-76], [183], [231 f.];
• three actors, [166-71], [176-83], [185-88], [231];
• number of, [129], [172-82], [182-84], [192];
• poets as, [18], [168 f.], [318];
• coryphaeus as, [165], [169-71];
• in satyr-plays, [26];
• in comus, [43-46];
• in comedy, [46-49], [54-56];
• position in theater, [60], [77-79], [81 f.], [86], [88-103], [117], [130], [149];
• ignored, [91], [163], [169], [173], [209], [230], [232];
• and chorus, [136-39], [149];
• contests of, [169], [269];
• guilds, [185-88];
• female rôles, [4], [188 f.];
• social position, [190 f.];
• specialization, [191 f.], [202 f.];
• how introduced, [208-12];
• how paid, [165], [183 f.], [270];
• how assigned, [273 f.]
• See [Aesthetic Law], [Children], [Lay Figure], [Masks], [Motivation], [Mute], [Parachoregema], etc.
• Acts, [148], [192-95], [265], [301], [307], [311]
• Adrastus, [11-15], [17], [35]
• Aeschylus:
• first tragic poet, [2], [33];
• introduced second actor, [166], [183];
• indebted to Homer, [17];
• imitated by Euripides, [xviii];
• contested with Pratinas and Choerilus, [23 f.], [63];
• originated tetralogies, [23], [133 f.];
• brought knowledge of Epicharmus to Athens, [56];
• historical themes, [124];
• dialogue, [170 f.];
• plays repeated, [203 f.], [324];
• murders, [229];
• soliloquies, [305];
• iambic resolutions, [171 f.];
• victories, [272], [321], [324 f.]
• Aesthetic law of actors, [53], [186-88];
• violence, [130 f.], [229];
• of supports for stage, [86];
• effect of third actor, [167]
• Aetiology, [6], [15], [295]
• Agathon, [93], [124], [144-46], [148], [205 f.]
• Agon, [41], [43-46], [49], [55], [193], [275]
• Agonothete, [109], [271 f.], [325]
• Alexis, [304]
• ἀναβαίνω, [91 f.]
• ἀναγνώρισις. See [Recognition]
• Ancestor worship, [33 f.]
• Anthropology, [4 f.]
• Aparts (asides), [312]
• ἀποκρίνεσθαι, [16]
• Arion, [8-11], [13], [24], [32 f.]
• Aristias, [23]
• Aristomenes, [327 f.]
• Aristophanes:
• productivity, [335];
• sought prize, [xviii], [213-16];
• used coryphaei as actors, [44];
• borrowed ἐξόδια, [45];
• use of phallus, [46 f.];
• of chorus, [146];
• Frogs repeated, [204];
• imitated Euripides, [302];
• technique of dual entrance, [310];
• iambic resolutions, [172];
• position of name in records, [326-29]
• Aristotle, [ix], [xxi], [5 f.], [21];
• and spectacle, [xi-xiii], [xv f.];
• on origin of comedy, [35 f.], [50-52], [54 f.];
• of tragedy, [6], [21 f.], [28 f.]
• ἀταξία, ἀτάκτως, [52 f.], [184]
• Audience, [xiii], [xvii], [xix], [120 f.], [132], [213], [215-20], [302 f.], [305 f.]
• Back scene, [65 f.], [226-29], [241]
• Bethe, [79]
• Blinding, [131], [159], [222]
• βοηλάτης, [7]
• Box set, [xv], [229]
• Bulle, [31 f.]
• Burial, [282 f.]
• Butcher, [252]
• Bywater, [6], [51]
• Callistratus, [326], [328]
• Capps, [23], [35], [55 f.], [88], [144]
• Castelvetro, [xiii], [130]
• Charon’s steps, [106]
• Chauvinism, [xvii f.], [217-20]
• Children, [120 f.], [179 f.], [189]
• Chionides, [35], [51], [54]
• Choerilus, [23], [63]
• Choregus, [132], [182], [186], [205], [269-71], [273]
• ΧΟΡΟΥ, [145-48], [193 f.], [254]
• Chorus (choreutae), [2], [5], [10 f.], [132], [133-61];
• size of in dithyramb, [11], [132], [197];
• in satyr-play, [26];
• in tragedy, [133 f.];
• in comedy, [42], [134 f.];
• of satyrs, [2], [10], [15], [24-32], [136], [154];
• “goat” choruses at Sicyon, [11];
• non-satyric at Sicyon, [13 f.], [15];
• likewise at Athens, [10 f.];
• of sileni, [16], [21], [24], [26], [29], [32], [135];
• transferred from Adrastus to Dionysus, [11-15];
• in comus, [42-46], [134];
• in comedy, [49], [51], [53 f.], [135];
• as actors, [18], [43-45], [184];
• speaks through coryphaeus, [165];
• history of, [92 f.], [97], [116 f.], [148 f.], [168], [193];
• position of, [77-79], [81], [88], [95], [99], [130], [149];
• relation to actors, [136-39], [147], [149], [193];
• relevancy of odes, [139-50];
• second and third chorus, [141];
• participation in plot, [88], [93], [117], [143 f.];
• constantly present, [154-60], [226], [243], [247], [250], [253], [307], [312];
• withdraws, [154], [247], [250 f.], [306];
• preferably feeble, [160];
• introduces actors, [208-11];
• songs a hindrance, [153 f.];
• how paid, [165], [270 f.]
• See [Embolima], [Impersonation], [Motivation], [Odes], etc.
• City Dionysia, [196 f.], [273];
• reorganized, [24], [203], [269];
• procession, [20], [121-23], [132], [197], [224];
• dithyrambs, [11], [23], [197];
• satyr-plays, [23 f.], [198 f.], [204];
• tragedy, [21], [119], [197];
• old tragedies, [204], [324];
• comus, [24], [38], [119 f.], [319];
• comedy, [51], [119], [197], [199 f.];
• tetralogies, [23], [133 f.], [198 f.], [203 f.], [322 f.], [332];
• contest of actors, [169], [183-85], [202];
• records, [318-28].
• See [Prize], [Proagon], etc.
• Clisthenes, [11], [14 f.]
• Closet drama, [xii], [xiv]
• Coincidence, [277], [293]
• Comedy:
• etymology, [36];
• Old, Middle, and New, [39 f.];
• divisions, [40-42], [193-95];
• violence in, [132];
• chorus, [134 f.], [147], [149], [162].
• See [Origin of Comedy], [Comus], etc.
• Commus, [96]
• Comus, [24], [36-38], [42-46], [119 f.], [127], [132], [162], [319]
• Contaminatio, [188], [194]
• Conventions, [xvi], [66], [91], [129], [132], [152-54], [157 f.], [165 f.], [182], [208], [224-26], [228], [233 f.], [236 f.], [248], [254 f.], [260 f.], [266], [284], [287], [309 f.]
• Cook, [24], [26]
• Corinth, [4], [7-9], [11], [13], [15]
• Cornford, [36 f.], [51], [149 f.], [160], [224], [267]
• Coryphaeus, [10 f.], [16], [18], [44], [49], [53], [134], [165], [168], [171], [187]
• Costumes, [271];
• of satyrs, [2], [16], [24-32];
• of sileni, [16], [24], [26], [29], [32];
• in comus, [38], [43 f.];
• in comedy, [46 f.], [135];
• in tragedy, [135 f.], [162];
• of tragia choreutae, [2], [16], [21 f.], [24-32]
• Crane. See [μηχανή]
• Crates, [35], [50-52], [54-56]
• Cratinus, [52-56], [327], [330], [335 f.]
• Criticism, [xi], [xiii-xvi]
• Curtain, [243-45], [247], [250], [311]
• Deckinger, [x]
• De Prott, [26 f.]
• Deus ex machina, [59 f.], [201 f.], [258 f.], [292-98], [303].
• See [μηχανή]
• Dialogue, [10], [18], [164 f.], [169-71], [178-82], [186 f.], [232], [239], [241 f.], [252], [259 f.], [299 f.], [309-11]
• Didascalia (group of plays), [198], [318];
• (record), [318], [321-26], [330]
• Didascalic numerals, [330-37]
• Didascalus, [318], [326-30]
• Dieterich, [6], [19]
• Dindorf, [330], [335], [337]
• Dionysus, [2], [6 f.], [10-17], [20 f.], [26], [33], [36], [104], [119], [121-24], [126 f.], [142], [162 f.], [198 f.]
• See [“Nothing to do with Dionysus”]
• Dithyramb:
• source of tragedy, [2], [4], [6], [16], [119], [123], [198];
• source of satyric drama, [2], [4], [23 f.], [123], [198];
• nature of, [6-8], [10 f.], [33], [123], [133], [162], [197];
• broadened, [7], [10 f.];
• improvisational, [6], [10], [23];
• poetized, [8-11], [23];
• given titles, [9 f.];
• impersonation, [10], [16 f.], [162 f.];
• modified by Thespis, [16-21];
• admitted to City Dionysia, [11], [23], [197];
• prizes for, [7], [11], [14], [269]
• Dorians, [8 f.], [15 f.], [47 f.], [56]
• Dörpfeld, [58 f.], [61], [67], [72], [74-76], [80-86], [97 f.], [100], [117], [130], [226]
• Drachma, [120], [269]
• Drama, [xiv f.], [8 f.], [10], [16 f.]
• See [Satyric Drama]
• Dramaturgy, [x], [xii]
• See [Technique]
• δρώμενα, [6], [8], [17]
• Dryden, [202], [257], [265]
• Eccyclema, [107], [241], [284-89]
• ἐλεός, [18]
• Eleusis, [6], [17], [37]
• Eleutherae, [21], [63], [122]
• Embolima, [93], [144-49]
• England, [258 f.]
• Eniautos-Daimon, [6]
• Environment, [ix], [xvi]
• Epic, [xi], [17], [95], [244], [257], [263].
• See [Homer]
• Epicharmus, [50 f.], [56]
• Epigenes, [12 f.], [15], [24], [32 f.]
• Epilogue, [258 f.]
• Episcenium, [59], [106-9], [111], [113], [289]
• Episode (ἐπεισόδιον), [41], [47], [49]
• Euripides:
• career, [xviii], [205], [334];
• imitated Aeschylus, [xviii];
• and Thespis, [299 f.];
• tags, [xvii], [215];
• melodramatic, [xviii];
• chauvinistic, [xviii], [217-19];
• sought prize, [xvii f.], [215], [217-19];
• introduced sex problems, [xviii];
• chorus, [144-46];
• deus ex machina, [201 f.], [258 f.], [294-96], [303];
• prologue, [206], [258], [299-304];
• eccyclema, [288];
• μηχανή, [292];
• soliloquies, [299-302], [305-9];
• technique of simultaneous entrance, [310];
• iambic resolutions, [172];
• indicated scene of action, [206];
• was criticized, [266 f.], [293], [300], [302];
• modified myths, [300 f.];
• as skeptic, [96], [140];
• productivity, [334];
• popularity, [xviii], [204], [272 f.], [324 f.]
• ἐξάρχων, [6 f.], [16], [36], [44]
• Exodus, [41 f.], [45 f.], [55]
• Exon, [286]
• Exostra, [288]
• Fasti, [319-21], [324], [330]
• Fear and pity, [128], [245], [317]
• Fiechter, [70], [79], [81-86]
• Flight, [289-92]
• Flute-player, [26], [30], [271]
• Frei, [96]
• Frickenhaus, [20], [121]
• Fries, [138]
• Furtwängler, [16], [67]
• γέρανος, [298]
• Ghosts, [106], [225 f.], [248], [302]
• Gildersleeve, [94]
• Goat:
• as prize, [7], [11], [13-16], [24], [268];
• as sacrifice, [14 f.], [269];
• “goat” choruses, [11 f.], [15];
• goat-song, [13 f.], [21];
• goatskin, [26-28], [30 f.]
• See [Satyrs] and [Choreutae]
• Gods, position of, [289-93]
• Gomperz, [22]
• Goodell, [xvii f.]
• Guglielmino, [xvii]
• Haigh, [10], [27], [79], [120 f.]
• Harrison, [6], [17]
• Heraclides, [20 f.]
• Hermann, [78 f.]
• Homer, [17], [244], [254 f.], [266], [279 f.], [282], [289], [300], [304-6].
• See [Epic]
• Hyposcenium, [61], [74], [84 f.], [97], [100 f.], [111], [113], [115]
• Hypothesis, [330]
• Iambic. See [Meter]
• Icaria, [4], [16 f.], [19], [21], [38]
• ἴκρια, [63], [66], [105], [108]
• Immediate effects, [xvii]
• Impersonation (μίμησις), [10], [16-18], [43-45], [49], [53 f.], [162 f.]
• Improvisation, [6], [10], [16], [36], [38]
• Interior scenes, [xv], [68], [128], [229], [231], [237-43], [248], [278], [284 f.]
• Irony, [312-17]
• Jachmann, [329 f.]
• Judges, [214-16], [272 f.]
• Kaffenberger, [172], [187]
• Kaibel, [152]
• καταβαίνω, [91 f.], [102 f.]
• Katharsis, [317]
• κῶμος. See [Comus]
• κονίστρα, [72]
• Körte, [46 f.], [324]
• κράδη, [298]
• Lay figure, [166 f.], [174], [228], [244]
• Legrand, [277]
• Lenaea, [38], [56], [119 f.], [183 f.], [196], [202], [204 f.], [269], [273], [318], [324-29]
• Leo, [187], [307]
• Lighting, [224-26], [233], [243], [253]
• Litigiousness, [274 f.]
• Logium (λογεῖον), [59 f.], [76], [86], [97 f.], [100], [102], [107], [111 f.], [288], [291 f.]
• Lot, [272 f.]
• Lycurgus, [68-70], [191].
• See [Theater]
• Machina. See [μηχανή]
• Magic, [17], [153], [155]
• Magnes, [35], [51], [54]
• Marrett, [34]
• Masks, [19], [26], [42], [49], [54], [130], [163 f.], [173], [188], [212 f.], [221-24], [266]
• μηχανή, [68], [109], [235], [287], [289], [292 f.]
• Megara, [47 f.], [56]
• μελάναιγις, [21]
• Menander, [304], [332], [336 f.]
• Messenger, [128], [164], [191], [229], [241], [248], [251], [276], [294]
• Meter, [10], [16];
• iambic, [22], [171 f.];
• trochaic tetrameter, [22], [45]
• μίμησις. See [Impersonation]
• Mina, [269]
• Mooney, [231], [243]
• Motivation:
• for movements of actors, [93], [147], [173 f.], [229-33], [238-43], [249], [261], [281 f.], [300];
• for movements of chorus, [150-52], [250 f.];
• for choral odes, [140-43], [152-54], [217];
• for unchanging features, [222 f.];
• for lack of darkness, [225 f.];
• for silence, [165], [176 f.], [232];
• for soliloquies, [304 f.], [308]
• Murder. See [Violence]
• Murray, A. T., [201], [210]
• Murray, G., [xviii], [2], [6], [23], [158], [303]
• Music, [xi]
• Mute, [174], [176 f.], [179-81], [232], [244], [271]
• Mythology, [xviii], [123-26], [217], [219].
• See [Themes]
• Navarre, [42], [146]
• Nemesis, [275 f.]
• Nilsson, [9]
• “Nothing to do with Dionysus,” [12 f.], [21], [29]
• Numerals given plays, [330-37]
• Obol, [120]
• Odes (στάσιμα), [xv], [23], [41], [139-50], [152-54], [162 f.], [192 f.], [217], [252].
• See [Embolima]
• Oratorio, [16]
• Orchestra, [57], [63], [65 f.], [68 f.], [72-79], [81-86], [88-91], [93], [95], [97-100], [102-8], [110-17], [130], [221], [223], [226], [228], [231], [233], [289], [292], [298]
• Origin of comedy, [1], [35-56];
• obscurity of, [6], [35 f.];
• improvisational, [36];
• and comus, [36-38], [42-46], [127], [133];
• impersonation, [43-45], [49], [53 f.], [162 f.];
• actors from Megara, [46-48], [53], [56];
• influence of tragedy, [49 f.], [53 f.], [127], [146];
• of mime, [50 f.], [56], [127];
• plot, [50-52], [54], [127]
• Origin of tragedy, [1-35];
• no serious gaps, [6];
• improvisational, [6];
• from dithyramb, [2], [4], [6], [16], [133], [198];
• Arion, [8-11];
• Sicyon, [11-15];
• occasion for name, [13-15], [268];
• Icaria, [16 f.];
• Thespis, [16-21];
• impersonation, [16-18], [162 f.];
• first actor, [16-19];
• non-Dionysiac themes, [21], [23], [198 f.];
• passed through “satyric” stage, [22 f.], [28 f.]
• See [Homer], [Ridgeway], [Satyrs], [Sileni], [Thespis], etc.
• ὄψις. See [Spectacle]
• Panels. See [πίνακες]
• Parabasis, [41-43], [45 f.], [49 f.], [55], [193]
• Parachoregema, [182], [186], [271]
• Parallelism in comus and comedy, [42-46]
• Parallels from modern theory and modern and mediaeval drama:
• Albright, [283];
• Archer, [148], [190 f.], [261], [302];
• Brown, [263];
• Corneille, [256], [264];
• Cornford, [149], [224];
• Craig, [223 f.], [284];
• Dennis, [152], [155], [221];
• Dryden, [202], [265];
• Elizabethan drama, [23], [188], [224], [244];
• Galsworthy, [xv f.];
• Goethe, [xiv], [12], [125], [140];
• Gray, [155];
• Greene, [145];
• Hamilton, [xiii], [201];
• Ibsen, [242], [261], [266], [299], [311];
• Jones, [xix];
• Kennedy, [264];
• Lessing, [225], [246], [303];
• Lounsbury, [130], [263 f.], [279];
• Lowell, [262];
• Marlowe, [254];
• Matthews, [xiii f.];
• Middleton, [313];
• Molière, [230 f.], [264], [297 f.];
• Parker, [238];
• Racine, [124], [147], [264];
• Savage, [261];
• Schlegel, [220];
• Shakespeare, [123], [128], [141], [170], [188], [201 f.], [208], [212], [225], [232], [243], [252], [256], [263], [283], [297], [303 f.], [313];
• Shaw, [229];
• Sutro, [229];
• Voltaire, [201], [225];
• Walter, [263];
• also [x], [16], [120], [123-25], [129-31], [162 f.], [170], [190], [201 f.], [236], [238], [243 f.], [246], [248], [302]
• Parascenium, [58], [66-70], [97 f.], [104 f.], [107 f.], [111], [228], [235], [285], [287], [289]
• Parodus (of chorus), [40], [45 f.], [49], [55], [209], [252], [287], [298 f.], [304]
• Parodus (of theater), [59-61], [65 f.], [70], [72], [75], [99], [102-4], [106], [108], [208], [226-28], [230 f.], [233-35], [286]
• Parody, [39], [200 f.], [207], [210], [288], [309]
• Patriotism, [xvii f.], [217-20]
• Periacti, [298]
• περιπέτεια. See [Reversal of Situation]
• Phallic, [36 f.], [43], [46 f.]
• Phlius, [4], [23 f.]
• Phrynichus, [4], [6], [124], [141]
• Pickard-Cambridge, [3], [10], [12], [14], [22]
• πίνακες, [68], [71], [86], [107-9], [235 f.], [244]
• Pisistratus, [21], [63]
• Plautus, [ix], [xx], [188], [194 f.], [234], [304], [307], [309-11]
• Playbill, [204-13], [254], [301]
• Plot, [50-52], [54], [127], [261-63]
• Plutarch. See [Theater]
• Poets, [xvi], [18], [26], [123-27], [220], [271], [273], [318], [326-30]
• Pollux. See [Theater]
• Pompey, [80 f.], [85]
• Porch, [68], [235 f.], [238]
• Pratinas, [4], [23 f.], [25], [63]
• Prescott, [174], [278]
• Prickard, [202]
• Prize, [xvii f.], [7], [11], [14 f.], [16], [24], [213-20], [268 f.]
• Proagon, [204-6]
• Procession, [20], [121-23], [132], [197], [224]
• Prologue, [35], [40], [49], [55 f.], [206], [208-10], [252], [298-304]
• Properties, [65], [106], [226], [228]
• Proscenium, [58-60], [66], [68-71], [76], [80-87], [91 f.], [97-101], [103-9], [111-14], [228], [235-39], [241], [244], [285], [287 f.], [291 f.]
• πρόθυρον. See [Porch]
• Psychology, [xiv], [xviii], [4], [296]
• Puchstein, [79], [92]
• Ramps, [104]
• Recognition (ἀναγνώρισις), [17]
• Rees, [53], [172], [187], [192]
• Reisch, [3], [10], [14], [22], [30 f.], [59], [319]
• Reversal of situation (περιπέτεια), [17]
• Richter, [150]
• Ridgeway, [6 f.], [12], [18-21], [31], [33-35], [236]
• Robert, [101]
• Rogers, [121], [214 f.]
• Ruppel, [273]
• Satyric drama (satyr-play), [2], [9], [22-32], [33 f.], [125-27], [136], [198], [203 f.], [322]
• Satyrs, [2], [10 f.], [13], [16], [22 f.], [24-32], [126], [136], [154], [162]
• Scaena. See [σκηνή]
• Scene-building. See [σκηνή]
• Scene of action, [206-8], [226-31], [233-36], [258], [300];
• changed, [206], [235], [247 f.], [250 f.]
• Scenery, [xii], [66], [236], [244], [247 f.], [260].
• See [πίνακες]
• Schmid, [3]
• Scott, [254]
• Seneca, [ix], [xx], [141], [187]
• Sheppard, [276]
• Shorey, [30]
• Sicyon, [11-15], [21], [35], [80], [104], [108]
• σῖγμα, [72]
• Silence, [42], [91], [163], [165], [169], [173 f.], [176 f.], [186 f.], [230], [232]
• Sileni, [16], [21 f.], [24], [26], [29], [32], [121 f.], [135], [162]
• Simonides, [11]
• σκηνή (scaena; scene-building), [57 f.], [66-70], [72], [77 f.], [87], [93-98], [102-9], [111], [113], [226], [228], [231], [233], [235-37], [244], [284 f.], [287-89], [291];
• ἐπὶ (ἀπὸ) σκηνῆς, [93-98];
• in scaena, [77];
• scaenae frons, [76], [83 f.]
• σκηνικός, [61], [77 f.], [96 f.]
• Soliloquy, [240], [258], [286], [299-309], [311 f.]
• Solon, [9], [17-19]
• Sophocles:
• third actor, [53], [167], [183];
• ceased acting, [169];
• use of chorus, [144];
• was refused a chorus, [273];
• scenery, [66], [236];
• μηχανή, [296];
• soliloquies, [305];
• irony, [313];
• imitated Euripides, [302];
• iambic resolutions, [172];
• productivity, [335];
• victories, [272 f.], [325]
• Spectacle (ὄψις), [xi f.], [xvi]
• Spingarn, [xi-xiii], [xv]
• Stage, [xx], [60], [72-88], [91-100], [102 f.], [111 f.], [114-17], [130], [149].
• See [σκηνή] and [Logium]
• Stasima. See [Odes]
• Stephenson, [158]
• Suicide, [129-32], [159], [244]
• Susarion, [38], [47 f.], [52 f.]
• Synchoregi, [271]
• Syzygy, [41], [43]
• Tanner, [336]
• Technique, [ix f.], [xiv f.], [xvii], [10], [128 f.], [173-76], [182], [191 f.], [209 f.], [229], [232], [239 f.], [299 f.], [310]
• Terence, [xx], [194 f.], [234], [304], [307], [309-11], [316], [331]
• Tetralogy (trilogy), [23 f.], [133 f.], [198 f.], [203 f.], [257 f.], [265 f.], [300], [322 f.], [332], [334]
• Theater (as a structure), [1], [57-117]
• Technical terms, [57-61]
• Greek, [76 f.], [80];
• Roman, [75-77], [80];
• Hellenistic, [70 f.], [76], [80], [82-87], [97], [100], [110 f.];
• Graeco-Roman, [80], [82-87], [110-14]
• Athens, [62-75];
• site, [62 f.], [208], [233 f.];
• size, [121], [221], [224], [312];
• in market-place, [63], [105];
• orchestra of ca. 499 B.C., [63], [65 f.], [104], [226-28], [230];
• ca. 465 B.C., [66], [68], [228], [231 f.], [285], [289];
• ca. 430 B.C., [67 f.], [70], [235], [287], [289];
• Lycurgus, [68-70], [96], [103];
• Hellenistic, [70 f.];
• Nero, [72-74], [81], [98-101], [117];
• Phaedrus, [72], [74 f.], [98]
• Delos, [70 f.], [80], [82 f.], [107 f.];
• Delphi, [108], [116];
• Epidaurus, [70 f.], [80], [104];
• Ephesus, [82 f.], [109], [111-13], [116];
• Eretria, [70 f.], [80], [82], [84], [104-7], [288];
• Megalopolis, [80], [108];
• Mitylene, [80 f.], [85];
• Oropus, [80], [82], [84], [108-11], [113];
• Patara, [82-84];
• Pergamum, [80], [110 f.], [116];
• Priene, [82 f.], [86], [110 f.], [113 f.], [116];
• Sicyon, [80], [104], [108];
• Termessus, [82-85], [110 f.];
• Thoricus, [69], [80], [103 f.], [227]
• Vitruvius on, [75-87], [90], [92], [97];
• Pollux on, [78], [94], [98-100], [106];
• Plutarch, [101-3];
• Pompey’s, [80 f.], [85];
• and fifth-century plays, [87-92];
• ἀναβαίνω, καταβαίνω, [91 f.], [102 f.];
• and chorus, [92 f.];
• ἐπὶ τῆς σκηνῆς, [93-98];
• θυμελικός, σκηνικός, [95-97]
• θέατρον, [60]
• Themes, [7 f.], [10], [13], [20 f.], [123-27], [198 f.], [279], [315]
• Theologium, [59 f.], [111]
• Thespis:
• not mentioned in Poetics, [6];
• and Solon, [9], [17-19];
• place as tragic poet, [9], [12], [33];
• borrowings, [16];
• innovations, [16], [19 f.];
• first actor, [16-19], [163];
• impersonation, [16-18];
• his “grand step,” [19 f.];
• his wagon, [19 f.];
• non-Dionysiac themes, [20 f.];
• genuineness of extant titles, [20 f.];
• victor in first Athenian contest, [21];
• dramas somewhat like satyr-plays, [23];
• prologues, [55 f.], [298-300]
• Thirlwall, [313], [316]
• Throop, [17]
• Thymele, [18], [57], [61], [73], [79], [95-97], [104]
• θυμελικός, [61], [77 f.], [81], [95-97]
• θυρώματα, [107], [109], [111]
• Tomb ceremonies, [6], [12], [33-35]
• τραγικοὶ χοροί, [11 f.], [15]
• τραγῳδία, [2], [8], [13-15], [21], [27 f.]
• τραγῳδοί, [11], [13], [15 f.], [21]
• Tragedy:
• wagons in, [19 f.];
• at City Dionysia, [21];
• influence on comedy, [49 f.], [53 f.], [127], [146];
• influenced by epic, [17], [257], [263];
• themes, [123-25];
• chorus of, [135 f.], [148-50], [162];
• early form, [162 f.];
• act divisions, [192 f.]
• Trochaic tetrameter. See [Meter]
• Tyche, [277]
• Unities, [201 f.], [246-67], [277], [279], [295], [300]
• Vases:
• satyrs on, [16], [22-32];
• sileni on, [22], [24], [26], [29], [32];
• satyr-plays on, [25-27], [29-32];
• comus on, [38], [46];
• wagon-ship on, [20]
• Verrall, [5], [147], [151], [253]
• Vestibule. See [Porch]
• Victories, [272 f.], [324 f.]
• Victors’-Lists, [324-30]
• Violence, [127-32], [158-60], [229], [241], [247], [284 f.]
• Wagons, [19 f.], [121 f.]
• Welcker, [1-3], [13]
• Wernicke, [31]
• Wieseler, [79 f.]
• Wilamowitz-Möllendorff, von, [8], [11], [19], [48], [88], [189]
• Wilhelm, [319], [328]
• Women, [4], [42], [121], [180 f.], [191], [277-83]
• Year spirit, [6]