The original fountain of all music was based on the various voices and sounds of animals—and each musical instrument was originally devised to imitate these sounds. For all instruments—the bass drum, flute, clarinet, trombone, trumpet, violin, and even pipe organ—an animal may be mentioned that owns the fundamental tones in its voice, and which man has imitated. Castanets, for example, were imitations of the rattlesnakes; the first musical instruments of any savage tribe of men are made so as to represent the voices of the chief animals of that particular locality.
Every animal of the higher order, with the exception of a few mute dogs that belong to very hot or cold climates, is possessed of some sort of musical tone, expressive of pain or joy, and by means of which he can express certain emotions. Darwin claimed that the voice of the gibbon, while extremely loud, was very musical; and Waterhouse said that this musician sang the scale with considerable accuracy, at least sufficiently well for a trained violinist to accompany him.
Often when dogs hear music they howl, or attempt to sing. Some show a decided preference for certain kinds of music, and actually try to imitate it. Gross tells of a friend of his who had a dog with which he often gave performances. The dog would accompany his master, when he sang in falsetto, with howls that were unmistakably attempts at singing, and which readily adapted themselves to the pitch of the tone. This was a musical accomplishment of which he was very proud.
On a subject of which so little is known, there are, of course, diverse opinions. Scheitlin believed that music is actually disagreeable to a dog, but he says that it may be questioned whether or not the dog does not in some way accompany it. And Romanes, the great animal authority, thought the same thing. He had a terrier, which accompanied him when he sang, and actually succeeded in following the prolonged notes of the human voice with a certain approximation to unison. Dr. Higgins, a musician, claimed that his large mastiff could sing to the accompaniment of the organ.
Alix gives such positive examples that they are really marvellous: "Pere Pardies cites the case of two dogs that had been taught to sing, one of them taking a part with his master. Pierquin de Gembloux also speaks of a poodle that could run the scale in tune and sing very agreeably a fine composition of Mozart's My Heart It Sings at Eve." All the scientists in Paris, according to the same authority, went to see the dog belonging to Dr. Bennati, and hear it sing the scale, which it could do perfectly.
Monkeys and apes most nearly approximate human musicians. In central Africa these animal tribes have musical centres where they congregate regularly for "concerts." Prof. Richard S. Garner, the noted authority on apes and monkeys, believes that the time has already come for the establishment of a school for their education. He would have the courses beginning with a kindergarten and advancing through as many grades as the students required. Prof. Garner furthermore believes that we have little understanding of the gorilla, and points out that these animals have a very happy and harmonious home life, the father being highly domestic and delighting in the company of his wife and children. It is not uncommon to find five or six generations in a certain district of the jungle.
Their near kin, the chimpanzees, are equally clannish, but more musical. They come down from the branches of the trees, seating themselves on the dry leaves and assembling like an orchestra. After all are ready, they begin beating the leaves with their hands, at first very slowly, like the quiet prelude to a symphony, and gradually increasing in tempo until the grand crescendo is reached. Then, as if by the direction of an invisible leader, the music suddenly ceases. To deny that this is to them a real concert would lead us into extreme absurdities. In this connection it is interesting to note that when a baby is expected in the village, all music ceases until after its birth, when they again resume their periodic musical festivals. Hensel verifies this observation, and tells us of having seen apes come from their shelter in the early morning and congregate for a musical concert. "They repair," he says, "to the shelter of some gigantic monarch of the forest whose limbs offer facilities for walking exercises. The head of the family appropriates one of these branches and advances along it seriously, with elevated tail, while the others group themselves about him. Soon he gives forth soft single notes, as the lion likes to do when he tests the capacity of his lungs. This sound, which seems to be made by drawing the breath in and out, becomes deeper and in more rapid succession as the excitement of the singer increases. At last, when the highest pitch is reached, the intervals cease and the sound becomes a continuous roar, and at this point all the others, male and female, join in, and for fully ten seconds at a time the awful chorus sounds through the quiet forest. At the close the leader begins again with the detached sounds."
Perhaps the most remarkable evidence of animals showing a comprehensive intelligence of musical pitch is demonstrated by cavalry horses. That they thoroughly understand it is clearly demonstrated by the fact that they will obey the calls of the bugle for cavalry evolutions without a moment's hesitation and with no suggestion from outside sources. These bugle calls are produced by a combination of four notes, each of a different pitch, and it is rarer to find a horse making a mistake in the musical orders given than it is for their masters.
Rats and mice have a decided liking for music, as is attested by the fact that they appear as uninvited guests and also come as near the performer as possible. Mice, one would believe, love church music, for they often build their nests in pipe organs, thus being able to rear their children in both a musical and religious atmosphere! There is more truth than imagination in the story of the Pied Piper of Hamelin, which illustrates how they respond to the simple charms of music.
Even donkeys betray tendencies toward musical efforts, and seem to be aroused by music at least temporarily to a higher mental plane than Balaam was inclined to ascribe to his wise ass. Not all of them sing equally well, but in Arizona the donkey is known as the "desert canary." If you were to spend a few glorious days in the Hopi village of Araibi, you would hear through the still, silent night their long nasal bray or song, and you would be convinced that the term is quite appropriate. You may not exactly like the tune, but you will concede that they sing!