"They are building a temple on the other side of the city," said Mister Yamagutchi. "Come along, and see the hair-ropes which hang there."

We came flying in our 'rickshaws across Kioto, till we saw netted in a hundred cobwebs of scaffolding a temple even larger than the great Chion-in.

"That was burned down long ago,—the old temple that was here, you know. Then the people made a penny subscription from all parts of Japan, and those who could not send money sent their hair to be made into rope. They have been ten years building this new temple. It is all wood," said the guide.

The place was alive with men who were putting the finishing touches to the great tiled roof and laying down the floors. Wooden pillars as gigantic, carving as wantonly elaborate, eaves as intricate in their mouldings, and joinery as perfect as anything in the Chion-in temple met me at every turn. But the fresh-cut wood was creamy white and lemon where, in the older building, it had been iron-hard and brown. Only the raw ends of the joists were stopped with white lacquer to prevent the incursions of insects, and the deeper tracery was protected against birds by fine wire netting. Everything else was wood—wood down to the massive clamped and bolted beams of the foundation which I investigated through gaps in the flooring.

Japan is a great people. Her masons play with stone, her carpenters with wood, her smiths with iron, and her artists with life, death, and all the eye can take in. Mercifully she has been denied the last touch of firmness in her character which would enable her to play with the whole round world. We possess that—We, the nation of the glass flower-shade, the pink worsted mat, the red and green china puppy-dog, and the poisonous Brussels carpet. It is our compensation....

"Temples!" said a man from Calcutta, some hours later as I raved about what I had seen. "Temples! I'm sick of temples. If I've seen one, I've seen fifty thousand of 'em—all exactly alike. But I tell you what is exciting. Go down the rapids at Arashima,—eight miles from here. It's better fun than any temple with a fat-faced Buddha in the middle."

But I took my friend's advice. Have I managed to convey the impression that April is fine in Japan? Then I apologise. It is generally rainy, and the rain is cold; but the sunshine when it comes is worth it all. We shouted with joy of living when our fiery, untamed 'rickshaws bounded from stone to stone of the vilely paved streets of the suburbs and brought us into what ought to have been vegetable gardens but were called fields. The face of the flat lands was cut up in every direction by bunds, and all the roads seem to run on the top of them.

"Never," said the Professor, driving his stick into the black soil, "never have I imagined irrigation so perfectly controlled as this is. Look at the rajbahars faced with stone and fitted with sluices; look at the water-wheels and,—phew! but they manure their fields too well."

The first circle of fields round any town is always pretty rank, but this superfluity of scent continued throughout the country. Saving a few parts near Dacca and Patna, the face of the land was more thickly populated than Bengal and was worked five times better. There was no single patch untilled, and no cultivation that was not up to the full limit of the soil's productiveness. Onions, barley, in little ridges between the ridges of tea, beans, rice, and a half a dozen other things that we did not know the names of, crowded the eye already wearied with the glare of the golden mustard. Manure is a good thing, but manual labour is better. We saw both even to excess. When a Japanese ryot has done everything to his field that he can possibly think of, he weeds the barley stalk by stalk with his finger and thumb. This is true. I saw a man doing it.

We headed through the marvellous country straight across the plain on which Kioto stands, till we reached the range of hills on the far side, and found ourselves mixed up with half a mile of lumber-yard.