Kindliness
When love has changed to kindliness —
Oh, love, our hungry lips, that press
So tight that Time's an old god's dream
Nodding in heaven, and whisper stuff
Seven million years were not enough
To think on after, make it seem
Less than the breath of children playing,
A blasphemy scarce worth the saying,
A sorry jest, "When love has grown
To kindliness — to kindliness!" . . .
And yet — the best that either's known
Will change, and wither, and be less,
At last, than comfort, or its own
Remembrance. And when some caress
Tendered in habit (once a flame
All heaven sang out to) wakes the shame
Unworded, in the steady eyes
We'll have, — THAT day, what shall we do?
Being so noble, kill the two
Who've reached their second-best? Being wise,
Break cleanly off, and get away.
Follow down other windier skies
New lures, alone? Or shall we stay,
Since this is all we've known, content
In the lean twilight of such day,
And not remember, not lament?
That time when all is over, and
Hand never flinches, brushing hand;
And blood lies quiet, for all you're near;
And it's but spoken words we hear,
Where trumpets sang; when the mere skies
Are stranger and nobler than your eyes;
And flesh is flesh, was flame before;
And infinite hungers leap no more
In the chance swaying of your dress;
And love has changed to kindliness.
Mummia
As those of old drank mummia
To fire their limbs of lead,
Making dead kings from Africa
Stand pandar to their bed;
Drunk on the dead, and medicined
With spiced imperial dust,
In a short night they reeled to find
Ten centuries of lust.
So I, from paint, stone, tale, and rhyme,
Stuffed love's infinity,
And sucked all lovers of all time
To rarify ecstasy.
Helen's the hair shuts out from me
Verona's livid skies;
Gypsy the lips I press; and see
Two Antonys in your eyes.
The unheard invisible lovely dead
Lie with us in this place,
And ghostly hands above my head
Close face to straining face;
Their blood is wine along our limbs;
Their whispering voices wreathe
Savage forgotten drowsy hymns
Under the names we breathe;
Woven from their tomb, and one with it,
The night wherein we press;
Their thousand pitchy pyres have lit
Your flaming nakedness.
For the uttermost years have cried and clung
To kiss your mouth to mine;
And hair long dust was caught, was flung,
Hand shaken to hand divine,
And Life has fired, and Death not shaded,
All Time's uncounted bliss,
And the height o' the world has flamed and faded,
Love, that our love be this!
The Fish
In a cool curving world he lies
And ripples with dark ecstasies.
The kind luxurious lapse and steal
Shapes all his universe to feel
And know and be; the clinging stream
Closes his memory, glooms his dream,
Who lips the roots o' the shore, and glides
Superb on unreturning tides.
Those silent waters weave for him
A fluctuant mutable world and dim,
Where wavering masses bulge and gape
Mysterious, and shape to shape
Dies momently through whorl and hollow,
And form and line and solid follow
Solid and line and form to dream
Fantastic down the eternal stream;
An obscure world, a shifting world,
Bulbous, or pulled to thin, or curled,
Or serpentine, or driving arrows,
Or serene slidings, or March narrows.
There slipping wave and shore are one,
And weed and mud. No ray of sun,
But glow to glow fades down the deep
(As dream to unknown dream in sleep);
Shaken translucency illumes
The hyaline of drifting glooms;
The strange soft-handed depth subdues
Drowned colour there, but black to hues,
As death to living, decomposes —
Red darkness of the heart of roses,
Blue brilliant from dead starless skies,
And gold that lies behind the eyes,
The unknown unnameable sightless white
That is the essential flame of night,
Lustreless purple, hooded green,
The myriad hues that lie between
Darkness and darkness! . . .
And all's one.
Gentle, embracing, quiet, dun,
The world he rests in, world he knows,
Perpetual curving. Only — grows
An eddy in that ordered falling,
A knowledge from the gloom, a calling
Weed in the wave, gleam in the mud —
The dark fire leaps along his blood;
Dateless and deathless, blind and still,
The intricate impulse works its will;
His woven world drops back; and he,
Sans providence, sans memory,
Unconscious and directly driven,
Fades to some dank sufficient heaven.
O world of lips, O world of laughter,
Where hope is fleet and thought flies after,
Of lights in the clear night, of cries
That drift along the wave and rise
Thin to the glittering stars above,
You know the hands, the eyes of love!
The strife of limbs, the sightless clinging,
The infinite distance, and the singing
Blown by the wind, a flame of sound,
The gleam, the flowers, and vast around
The horizon, and the heights above —
You know the sigh, the song of love!
But there the night is close, and there
Darkness is cold and strange and bare;
And the secret deeps are whisperless;
And rhythm is all deliciousness;
And joy is in the throbbing tide,
Whose intricate fingers beat and glide
In felt bewildering harmonies
Of trembling touch; and music is
The exquisite knocking of the blood.
Space is no more, under the mud;
His bliss is older than the sun.
Silent and straight the waters run.
The lights, the cries, the willows dim,
And the dark tide are one with him.