XI
McCORMICK AND THE REAPER
1809-1884

The same sturdy pioneer stock that gave America Daniel Boone and Lincoln, Robert Fulton and Andrew Jackson, produced the inventor of the reaper. He came of a line of resourceful, fearless Scotch-Irish settlers, bone of the bone and sinew of the sinew of those generations that laid the broad foundations of the United States. His great-grandfather had been an Indian fighter in the colony of Pennsylvania, his grandfather had moved to Virginia and fought in the Revolution, and his father had built a log-house and tilled a farm in that strip of arable Virginia land that lay between the Blue Ridge and the Alleghany Mountains. He prospered, and added neighboring farms to his original holding; he had two grist-mills, two sawmills, a blacksmith shop, a smelting-furnace, and a distillery; he invented new makes of farm machinery, and in addition was a man of considerable reading, able to hold his own in discussion with the lawyers and the clergymen of the countryside. He was of that same well-developed type of countryman of whom so many were to be found in the thirteen original states and the borderlands to the west, that settler type which was the real backbone of the young country.

The McCormick house and farm was almost a small village in itself. There were eight children, and their shoes were cobbled, their clothes woven, their very beds and chairs and tables built at home. Whatever was needed could be done, the family were always busy within doors or without, and the spirit of helpfulness and invention was in the air. Into such a setting Cyrus Hall McCormick was born in 1809, the same year that saw the birth of Lincoln.

He went to one of the Old Field Schools, so called because it was built on ground that had been abandoned for farm use. He learned what other boys and girls were learning in simple country schools, but he studied harder than most of them, because he had a keen desire to understand thoroughly whatever subject he started. He saw his father busy in his workshop at all spare moments, and he took him as a pattern. After weeks of work he brought his teacher a remarkably exact map of the world, drawn to scale, and outlined in ink on paper pasted on linen, and fastened on two rollers. The work showed his ingenious fancy, and perhaps determined his father to have him educated as a surveyor. At eighteen he began this study, and had soon won a good reputation in the neighborhood as an engineer. Much of the time he spent in the fields with his father, and here he soon learned that reaping wheat was no easy task, and that swinging a wheat cradle under the summer sun was hard on both the temper and the back.

Many men had tried to lighten the farmer’s labor in cutting grain, and Cyrus McCormick’s father had long had the ambition to invent a reaper. He had succeeded in building a cumbersome machine that was pushed at the back by a pair of horses. The plan of the machine was well enough; it consisted of a row of short curved sickles that were fastened to upright posts. Revolving rods drove the wheat up against the sickles. The machine acted properly, but the grain would not. Instead of standing up straight and separated to be cut the wheat would more often come in great bunches, twisting about the sickles and getting tangled in the machinery. Mr. McCormick tried the machine in the harvesting of 1816, but it would not work, and had to be carted away to the workshop as an invention gone wrong. But he persevered with this idea, and from time to time built other models. After a number of years he brought forth a machine that would cut, but left the wheat after cutting in a badly tangled shape. He saw that this was not sufficient. The reaper to be of real use must dispose of the grain properly as well as shear the stalks.

Cyrus now took up the work that his father reluctantly abandoned. He decided to build his reaper on entirely new lines. First he dealt with the problem of how to separate the grain that was to be cut from that which was to be left standing. This he finally solved by adding a curved arm, or divider, to the end of his reaper’s blade. In this way the grain that was to be cut would be properly fed to the knife.

But the grain was apt to be badly tangled before the reaper reached it, and his machine must be able to cut that which was pressed down and out of shape as well as that which was standing straight. To accomplish this he decided that his knife must have two motions, one a forward cut, and the other sideways. He tried many plans before he finally hit upon one that solved this for him. It was a straight knife blade that moved forward and backward, cutting with each motion. This idea became known as the reciprocating blade.