[27.] They are Canopica, Styx, Phlegethon, sophia, herous, Myrmidonas, spermologos.
[28.] P. S. Allen, Romanesque Lyric (Un. of North Carolina Press, 1928) 66, 221, 222; Schnürer, supra, 89; Wellesz. supra, 165; W. B. Sedgwick, “Origin of Rhyme,” “Revue Bénédictine” XXXVI (1924), 341.
[29.] Several attractive illustrations of the modus may be found in Karl Breul’s edition of The Cambridge Songs (Cambridge, 1915).
[30.] Schnürer, supra, 89; R. Molitor, Die Musik in der Reichnau, reviewed in Jahrbuch f. Liturgiewissenschaft VI (1926) 331.
[31.] See [Chapter VII].
Chapter Five
Late Middle Ages: Hymns and Sequences
[1.] J. De Ghellinck, S. J., L’Essor de la Littérature Latine au XIIe Siècle, 2 vols. (Brussels, 1946) II, 285.
[2.] M. Hélin, History of Medieval Latin Literature (New York, 1949), translated by J. C. Snow from Littérature d’occident: Histoire des Lettres latines du Moyen Age, 79.
[3.] L. Gautier, Oeuvres poétiques d’Adam de Saint-Victor, 2 vols. (Paris, 1858-9); E. Misset et P. Aubry, Les Proses d’Adam de Saint-Victor (Paris, 1900).
[4.] Translations of first lines: R. Messenger, Anon, E. Caswall.