Properly speaking, Patsy was Patricia O’Connell, but no one had ever been known to refer to her in that cold-blooded manner, save on the programs of the Irish National Plays—and in the City Hospital’s register. What the City Hospital knew of Patsy was precisely what the American public and press knew, what the National Players knew, what the world at large knew—precisely what Patricia O’Connell had chosen to tell—nothing more, nothing less. They had accepted her on her own scanty terms and believed in her implicitly. There was one thing undeniably true about her—her reality. Having established this fact beyond a doubt, it was a simple matter to like her and trust her.
No one had ever thought it necessary to question Patsy about her nationality; it was too obvious. Concerning her past and her family she answered every one alike: “Sure, I was born without either. I was found by accident, just, one morning hanging on to the thorn of a Killarney rose-bush that happened to be growing by the Brittany coast. They say I was found by the Physician to the King, who was traveling past, and that’s how it comes I can speak French and King’s English equally pure; although I’m not denying I prefer them both with a bit of brogue.” She always thought in Irish—straight, Donegal Irish—with a dropping of final g’s, a bur to the r’s, and a “ye” for a “you.” Invariably this was her manner of speech with those she loved, or toward whom she felt the kinship of sympathetic understanding.
To those who pushed their inquisitiveness about ancestry to the breaking-point Patsy blinked a pair of steely-blue eyes while she wrinkled her forehead into a speculative frown: “Faith! I can hearken back to Adam the same as yourselves; but if it’s some one more modern you’re asking for—there’s that rascal, Dan O’Connell. He’s too long dead to deny any claim I might put on him, so devil a word will I be saying. Only—if ye should find by chance, any time, that I’d rather fight with my wits than my fists, ye can lay that to Dan’s door; along with the stubbornness of a tinker’s ass.”
People had been known to pry into her religion; and on these Patsy smiled indulgently as one does sometimes on overcurious children. “Sure, I believe in every one—and as for a church, there’s not a place that goes by the name—synagogue, meeting-house, or cathedral—that I can’t be finding a wee bit of God waiting inside for me. But I’ll own to it, honestly, that when I’m out seeking Him, I find Him easiest on some hilltop, with the wind blowing hard from the sea and never a human soul in sight.”
This was approximately all the world and the press knew of Patsy O’Connell, barring the fact that she was neighboring in the twenties, was fresh, unspoiled, and charming, and that she had played the ingénue parts with the National Players, revealing an art that promised a good future, should luck bring the chance. Unfortunately this chance was not numbered among the prospects Patsy reviewed from the edge of her hospital cot that day.
The interest of the press and the public approval of the National Irish Players had not proved sufficient to propitiate that iron-hearted monster, Financial Success. The company went into bankruptcy before they had played half their bookings. Their final curtain went down on a bit of serio-comic drama staged, impromptu, on a North River dock, with barely enough cash in hand to pay the company’s home passage. On this occasion Patsy had missed her cue for the first time. She had been left in the wings, so to speak; and that night she filled the only vacant bed in the women’s free ward of the City Hospital.
It was pneumonia. Patsy had tossed about and moaned with the racking pain of it, raving deliriously through her score or more of rôles. She had gone dancing off with the Faery Child to the Land of Heart’s Desire; she had sat beside the bier in “The Riders to the Sea”; she had laughed through “The Full o’ Moon,” and played the Fool while the Wise Man died. The nurses and doctors had listened with open-eyed wonder and secret enjoyment; she had allowed them to peep into a new world too full of charm and lure to be denied; and then of a sudden she had settled down to a silent, grim tussle with the “Gray Brother.”
This was all weeks past. It was early June now; the theatrical season was closed for two months, with no prospects in the booking agencies until August. In the mean time she had eight dollars, seventy-six cents, and a crooked sixpence as available collateral; and an unpaid board bill.