The date palm is not indigenous. It was probably introduced by the Crusaders. In an illustration to a MS. of the Geography of Strabo, presented by Guarini to King Réné, the king is shown seated with a full-grown palm tree in the background. Indeed, in the tympanum of the north doorway of S. Syro, at San Remo, is a representation of a male and a female palm tree with an Agnus Dei between them.

The date palm is multiplied by seed and by suckers. This last mode of propagation is the most advantageous, as all the plants so produced are females and fruit bearers; and they will bear at the age of five or six years, whereas those raised from seed produce dates only after they have attained an age of fifteen or twenty years.

But it is in a few nooks only of the Riviera that the date palm ripens its fruit, and that but occasionally, for the winter comes on before it has reached maturity, and it fails to acquire the flavour and sweetness which is attained in Africa. It cannot be said that the huge bunches of dates in their husks hanging on the trees, of a sickly yellow, are beautiful.


CHAPTER XVIII
ALASSIO

Admirable site—Old Alassio—Church of San Ambrogio—Palace of the Ferreri—Arco Romano—Gallinaria—Saint Martin—Andora—Oneglia—Andrew Doria, the Admiral—Albenga—Retreat of the Sea—Proculus—Cathedral—Baptistery—Piazza dei Leoni—The Towers—S. Maria in Fontibus—Garlenda—Beauty of Drive.

ALASSIO falls short of other winter resorts in no degree, in sweetness of situation, shelter from blustering cold winds, and in abundance of objects of interest in the neighbourhood. In climate, in everything but one, it equals San Remo, Bordighera, and Mentone. The one thing it lacks is good shops.

Alassio consists of one narrow street a mile and a half in length, out of which radiate towards the sea passages under arches. It does not contain, in itself, much of interest. The church and the palace of the Ferreri exhaust the place. The church of San Ambrogio has a tower of the thirteenth century, and the old church, altered, remains, with a later church built on to it in the south in late renaissance times, that is distinctly pleasing, with its white and black marble and blue-grey stucco, between the marble pilasters.

The palace of the Ferreri family, with its rich and cumbrous gateways sculptured with the family arms, contains fine tapestries, family portraits, and rich furniture.