We have come now to recognize, tardily, the right of the ceiling to decoration, and are either papering it or covering it with lincrusta, or papier mâché, or asbestos "salamander" decoration, applied. This is better than nothing, but, of course, is mechanical and monotonous, and can never compete with the work that is the direct outcome of mental effort and manual dexterity.

In connection with a ceiling I subjoin the following story from a friend:

"In 1891 my head mason had an attack of influenza, and this fell on his nerves, and convinced that he had been ill-wished he consulted a white-witch at——, who informed him that he had been 'overlooked' by one of his own profession, and that he had applied too late for a cure to be effected. The man became terribly depressed; he wandered over the country, disappearing for days, and keeping his family in alarm, lest he should make away with himself.

"This went on for several years. He would do no work, he took no interest in anything, and could speak of nothing but his ailments. 'His heart was broke,' such was his description of himself. Well, I was about to rebuild a wing of my mansion, and to make of one large room a ball-room. I went to my bewitched mason and said to him, 'Thomas, I wish you would help me. I am very anxious to have a first-class decorated ceiling to that ball-room, and you know what these Londoners be: they do all by machinery, and you buy a ceiling by the yard—nasty, vulgar stuff I would be ashamed to have seen here. I'll tell you what it is, Thomas, those Londoners come out of town and sail about the country in the holiday time picking up ideas. I think we must show them how a thing in ceilings ought to be done, and let them understand that we are not such fools as they take us to be. Try your hand at my ball-room ceiling. Get it started at any rate.' The man was not a plasterer by profession, but he had done some plaster work for me, and took an interest in it.

"'Oh, sir!' said he, 'my heart is broke. I couldn't do it.'

"'What,' I answered, 'not to teach the Londoners a lesson?'

"'Well, I'll begin it, but never be able to finish it.'

"'Then begin it, man.'

"So he did. Between us we contrived to model roses and tulips, etc. And then we set to work casting and finishing off. Then came the glorious rainless summer of 1896. 'Thomas,' said I, 'we must get the walls of the ball-room up and roofed over before winter. Do now lend a hand with building. Then when bad weather comes on you can begin to set up the ceiling.' So all the summer he was building—did not miss a day, and this winter he is hard at work at his ceiling, full of interest and delight, and has recovered his good looks, and to a large extent forgotten his maladies, and by the time that the last rose is finished off, I trust he will be a sound man again."