Sweethearts at Home

by S. R. Crockett

I dare say, however, it helped to pass the time for the poor fellows. For, you see, Thomasina was pretty, and knew it. She would sing sad, faint, die-away hymns in the twilight, till she made these bad young men just lie down and cry. They were generally pretty weak, anyway, especially when Thomasina used to talk to them about their mothers. (When they were well, you might have talked those mothers' heads off without reforming their sons the value of a row of pins.) But Thomasina talked to them in a dreamy voice, till they all were willing to go out as missionaries to the most cannibal-haunted regions—that is, if only Thomasina would come along with them.

But when they asked her, as they mostly did, Thomasina said she was very sorry, but she had never meant it that way. She was "vowed to a vocation," and mere commonplace marriage would be sinful. Besides (mostly), the young men had nothing to keep themselves on—much less a wife.

Oh, Thomasina made the winter very cheerful at Edam, especially after the Cottage Hospital was opened, and the cutting of the new railway brought a good many into the accident ward.

To listen to Thomasina (and believe her), all these, though mere "navvies" now, were Oxford or Cambridge men, and either the sons of purple Indian colonels, very peppery, or (which she preferred) of white-haired old clergymen, who were never known to smile again after their only sons had left the family roof-tree.

Surely there was a lack of imagination in that accident ward. Hugh John would have made cartloads of plans, and as for Sir Toady—well, he could have evolved something fresh each journey, and never charged a penny extra. He would have been ashamed of so many colonels and white-haired clergymen.

But Thomasina was quite content, and read all manner of nice uninteresting books to the poor storm-stayed ones, who sometimes looked at the angelic expression on her face, and sometimes had quite a decent little sleep on the quiet. Her voice was naturally soothing.

Thus time passed none so evilly in the Cottage Hospital accident ward, and Thomasina came and got nice jellies from Mrs. Donnan, very sustaining, and "let on," as Sir Toady asserted, that she had made them all herself! But there is more—oh, ever so much more about Thomasina Morton. I hope you are not tired hearing about her—I am not of telling.

But you will see the funny thing that happened. Among all the imaginary sons of purple colonels and sad, saintly clergymen whom Thomasina had corralled into her hospital ward, there happened to be a real one. His name, he said, was Henry Smith—which is just one of those names that people take, like Jones and Wood and Robinson in England, and Dubois, Durand, Duval in France, thinking to be unknown, and lo! every hotel-keeper and policeman immediately is on the qui vive to find out what bank they have robbed.

Well, this young fellow's real name did not matter to anybody. Thomasina called him "dear Harry," and had him to sit beside her in the dining-room of the convalescent home (one of her pet hunting-grounds). And one day after he had been in training to be good for quite a while, he came in to dinner as usual, and, just as he was sitting down at the table, up jumps Master Harry Smith and bolts out of the room! Naturally enough, Nurse Webb thought there was something wrong with him, and would have gone to see, but Thomasina restrained her with a motion of the hand—very solemn, impressive, and "I-know-all-about-it-if-you-don't!"

"He has forgotten to say his prayers!" she whispered. "He promised me!"