ming, expresses brightness;
kien, a piece of wood in a doorway, denotes obstruction; two trees stand for a forest, as
lin; and three for a thicket, as
săn; two men upon the ground conveys the idea of sitting; a mouth in a door signifies to ask; man and words means truth and to believe; heart and death imports forgetfulness; dog and mouth means to bark; woman and broom denotes a wife, referring to her household duties; pencil and to speak is a book, or to write. But in none of these compounded characters is there anything like that perfection of picture writing stated by some writers to belong to the language, which will enable one unacquainted with the meaning of the separate symbols to decide upon the signification of the combined group. On the contrary it is in most cases certain that the third idea made by combining two already known symbols, usually required more or less explanation to fix its precise meaning, and remove the doubt which would otherwise arise. For instance, the combination of the sun and moon might as readily mean a solar or lunar eclipse, or denote the idea of time, as brightness. A piece of wood in a doorway would almost as naturally suggest a threshold as an obstruction; and so of others. A straight line in a doorway would more readily suggest a closed or bolted door, which is the signification of 閂 shan, anciently written
; but the idea intended to be conveyed by these combinations would need prior explanation as much as the primitive symbol, though it would thenceforth readily recur to mind when noticing the construction.