"The consequences are being now developed of our deplorable ignorance of, or inattention to, one of the most evident traits of natural history—that vegetables, as well as animals, are generally liable to an almost unlimited diversification, regulated by climate, soil, nourishment, and new commixture of already-formed varieties. In those with which man is most intimate, and where his agency in throwing them from their natural locality and disposition has brought out this power of diversification in stronger shades, it has been forced upon his notice, as in man himself, in the dog, horse, cow, sheep, poultry,—in the apple, pear, plum, gooseberry, potato, pea, which sport in infinite varieties, differing considerably in size, colour, taste, firmness of texture, period of growth, almost in every recognizable quality. In all these kinds man is influential in preventing deterioration, by careful selection of the largest or most valuable as breeders."[322]

Étienne and Isidore Geoffroy.

"Both Cuvier and Étienne Geoffroy," says Isidore Geoffroy, "had early perceived the philosophical importance of a question (evolution) which must be admitted as—with that of unity of composition—the greatest in natural history. We find them laying it down in the year 1795 in one of their joint 'Memoirs' (on the Orangs), in the very plainest terms, in the following question, 'Must we see,' they inquire, 'what we commonly call species, as the modified descendants of the same original form?'

"Both were at that time doubtful. Some years afterwards Cuvier not only answered this question in the negative, but declared, and pretended to prove, that the same forms have been perpetuated from the beginning of things. Lamarck, his antagonist par excellence on this point, maintained the contrary position with no less distinctness, showing that living beings are unceasingly variable with change of their surroundings, and giving with some boldness a zoological genesis in conformity with this doctrine.

"Geoffroy St. Hilaire had long pondered over this difficult subject. The doctrine which in his old age he so firmly defended, does not seem to have been conceived by him till after he had completed his 'Philosophie Anatomique,' and except through lectures delivered orally to the museum and the faculty, it was not published till 1828; nor again in the work then published do we find his theory in its neatest expression and fullest development."

Isidore Geoffroy St. Hilaire tells us in a note that the work referred to as first putting his father's views before the public in a printed form, was a report to the Academy of Sciences on a memoir by M. Roulin; but that before this report some indications of them are to be found in a paper on the Gavials, published in 1825. Their best rendering, however, and fullest development is in several memoirs, published in succession, between the years 1828 and 1837.

"This doctrine," he continues, "is diametrically opposed to that of Cuvier, and is not entirely the same as Lamarck's. Geoffroy St. Hilaire refutes the one, he restrains and corrects the other. Cuvier, according to him, sums up against the facts, while Lamarck goes further than they will bear him out. Essentially however on questions of this nature he is a follower of Lamarck, and took pleasure on several occasions in describing himself as the disciple of his illustrious confrère."[323]

I have been unable to detect any substantial difference of opinion between Geoffroy St. Hilaire and Lamarck, except that the first maintained that a line must be drawn somewhere—and did not draw it—while the latter said that no line could be drawn, and therefore drew none. Mr. Darwin is quite correct in saying that Geoffroy St. Hilaire "relied chiefly on the conditions of life, or the 'monde ambiant,' as the cause of change." But this is only Lamarck over again, for though Lamarck attributes variation directly to change of habits in the creature, he is almost wearisome in his insistence on the fact that the habit will not change, unless the conditions of life also do so. With both writers then it is change in the relative positions of the exterior circumstances, and of the organism, which results in variation, and finally in specific modification.

Here is another sketch of Étienne Geoffroy, also by his son Isidore.