The Humour of Homer and Other Essays

by Samuel Butler

Professor Max Müller admits that we share with the lower animals what he calls an emotional language, and continues that we may call their interjections and imitations language if we like, as we speak of the language of the eyes or the eloquence of mute nature, but he warns us against mistaking metaphor for fact. It is indeed mere metaphor to talk of the eloquence of mute nature, or the language of winds and waves. There is no intercommunion of mind with mind by means of a covenanted symbol; but it is only an apparent, not a real, metaphor to say that two pairs of eyes have spoken when they have signalled to one another something which they both understand. A schoolboy at home for the holidays wants another plate of pudding, and does not like to apply officially for more. He catches the servant’s eye and looks at the pudding; the servant understands, takes his plate without a word, and gets him some. Is it metaphor to say that the boy asked the servant to do this, or is it not rather pedantry to insist on the letter of a bond and deny its spirit, by denying that language passed, on the ground that the symbols covenanted upon and assented to by both were uttered and received by eyes and not by mouth and ears? When the lady drank to the gentleman only with her eyes, and he pledged with his, was there no conversation because there was neither noun nor verb? Eyes are verbs, and glasses of wine are good nouns enough as between those who understand one another. Whether the ideas underlying them are expressed and conveyed by eyeage or by tonguage is a detail that matters nothing.

But everything we say is metaphorical if we choose to be captious. Scratch the simplest expressions, and you will find the metaphor. Written words are handage, inkage and paperage; it is only by metaphor, or substitution and transposition of ideas, that we can call them language. They are indeed potential language, and the symbols employed presuppose nouns, verbs, and the other parts of speech; but for the most part it is in what we read between the lines that the profounder meaning of any letter is conveyed. There are words unwritten and untranslatable into any nouns that are nevertheless felt as above, about and underneath the gross material symbols that lie scrawled upon the paper; and the deeper the feeling with which anything is written the more pregnant will it be of meaning which can be conveyed securely enough, but which loses rather than gains if it is squeezed into a sentence, and limited by the parts of speech. The language is not in the words but in the heart-to-heartness of the thing, which is helped by words, but is nearer and farther than they. A correspondent wrote to me once, many years ago, “If I could think to you without words you would understand me better.” But surely in this he was thinking to me, and without words, and I did understand him better. . . . So it is not by the words that I am too presumptuously venturing to speak to-night that your opinions will be formed or modified. They will be formed or modified, if either, by something that you will feel, but which I have not spoken, to the full as much as by anything that I have actually uttered. You may say that this borders on mysticism. Perhaps it does, but there really is some mysticism in nature.

To return, however, to terra firma. I believe I am right in saying that the essence of language lies in the intentional conveyance of ideas from one living being to another through the instrumentality of arbitrary tokens or symbols agreed upon and understood by both as being associated with the particular ideas in question. The nature of the symbol chosen is a matter of indifference; it may be anything that appeals to human senses, and is not too hot or too heavy; the essence of the matter lies in a mutual covenant that whatever it is shall stand invariably for the same thing, or nearly so.

We shall see this more easily if we observe the differences between written and spoken language. The written word “stone,” and the spoken word, are each of them symbols arrived at in the first instance arbitrarily. They are neither of them more like the other than they are to the idea of a stone which rises before our minds, when we either see or hear the word, or than this idea again is like the actual stone itself, but nevertheless the spoken symbol and the written one each alike convey with certainty the combination of ideas to which we have agreed to attach them.

The written symbol is formed with the hand, appeals to the eye, leaves a material trace as long as paper and ink last, can travel as far as paper and ink can travel, and can be imprinted on eye after eye practically ad infinitum both as regards time and space.

The spoken symbol is formed by means of various organs in or about the mouth, appeals to the ear, not the eye, perishes instantly without material trace, and if it lives at all does so only in the minds of those who heard it. The range of its action is no wider than that within which a voice can be heard; and every time a fresh impression is wanted the type must be set up anew.

The written symbol extends infinitely, as regards time and space, the range within which one mind can communicate with another; it gives the writer’s mind a life limited by the duration of ink, paper and readers, as against that of his flesh and blood body. On the other hand, it takes longer to learn the rules so as to be able to apply them with ease and security, and even then they cannot be applied so quickly and easily as those attaching to spoken symbols. Moreover, the spoken symbols admit of a hundred quick and subtle adjuncts by way of action, tone and expression, so that no one will use written symbols unless either for the special advantages of permanence and travelling power, or because he is incapacitated from using spoken ones. This, however, is hardly to the point; the point is that these two conventional combinations of symbols, that are as unlike one another as the Hallelujah Chorus is to St. Paul’s Cathedral, are the one as much language as the other; and we therefore inquire what this very patent fact reveals to us about the more essential characteristics of language itself. What is the common bond that unites these two classes of symbols that seem at first sight to have nothing in common, and makes the one raise the idea of language in our minds as readily as the other? The bond lies in the fact that both are a set of conventional tokens or symbols, agreed upon between the parties to whom they appeal as being attached invariably to the same ideas, and because they are being made as a means of communion between one mind and another—for a memorandum made for a person’s own later use is nothing but a communication from an earlier mind to a later and modified one; it is therefore in reality a communication from one mind to another as much as though it had been addressed to another person.

We see, therefore, that the nature of the outward and visible sign to which the inward and spiritual idea of language is attached does not matter. It may be the firing of a gun; it may be an old semaphore telegraph; it may be the movements of a needle; a look, a gesture, the breaking of a twig by an Indian to tell someone that he has passed that way: a twig broken designedly with this end in view is a letter addressed to whomsoever it may concern, as much as though it had been written out in full on bark or paper. It does not matter one straw what it is, provided it is agreed upon in concert, and stuck to. Just as the lowest forms of life nevertheless present us with all the essential characteristics of livingness, and are as much alive in their own humble way as the most highly developed organisms, so the rudest intentional and effectual communication between two minds through the instrumentality of a concerted symbol is as much language as the most finished oratory of Mr. Gladstone. I demur therefore to the assertion that the lower animals have no language, inasmuch as they cannot themselves articulate a grammatical sentence. I do not indeed pretend that when the cat calls upon the tiles it uses what it consciously and introspectively recognizes as language; it says what it has to say without introspection, and in the ordinary course of business, as one of the common forms of courtship. It no more knows that it has been using language than M. Jourdain knew he had been speaking prose, but M. Jourdain’s knowing or not knowing was neither here nor there.

Anything which can be made to hitch on invariably to a definite idea that can carry some distance—say an inch at the least, and which can be repeated at pleasure, can be pressed into the service of language. Mrs. Bentley, wife of the famous Dr. Bentley of Trinity College, Cambridge, used to send her snuff-box to the college buttery when she wanted beer, instead of a written order. If the snuff-box came the beer was sent, but if there was no snuff-box there was no beer. Wherein did the snuff-box differ more from a written order, than a written order differs from a spoken one? The snuff-box was for the time being language. It sounds strange to say that one might take a pinch of snuff out of a sentence, but if the servant had helped him or herself to a pinch while carrying it to the buttery this is what would have been done; for if a snuff-box can say “Send me a quart of beer,” so efficiently that the beer is sent, it is impossible to say that it is not a bona fide sentence. As for the recipient of the message, the butler did not probably translate the snuff-box into articulate nouns and verbs; as soon as he saw it he just went down into the cellar and drew the beer, and if he thought at all, it was probably about something else. Yet he must have been thinking without words, or he would have drawn too much beer or too little, or have spilt it in the bringing it up, and we may be sure that he did none of these things.

You will, of course, observe that if Mrs. Bentley had sent the snuff-box to the buttery of St. John’s College instead of Trinity, it would not have been language, for there would have been no covenant between sayer and sayee as to what the symbol should represent, there would have been no previously established association of ideas in the mind of the butler of St. John’s between beer and snuff-box; the connection was artificial, arbitrary, and by no means one of those in respect of which an impromptu bargain might be proposed by the very symbol itself, and assented to without previous formality by the person to whom it was presented. More briefly, the butler of St. John’s would not have been able to understand and read it aright. It would have been a dead letter to him—a snuff-box and not a letter; whereas to the butler of Trinity it was a letter and not a snuff-box. You will also note that it was only at the moment when he was looking at it and accepting it as a message that it flashed forth from snuff-box-hood into the light and life of living utterance. As soon as it had kindled the butler into sending a single quart of beer, its force was spent until Mrs. Bentley threw her soul into it again and charged it anew by wanting more beer, and sending it down accordingly.