Famous Men of Ancient Times

by Samuel G. Goodrich

Having occasion in the course of his pleading to mention that remarkable punishment which their ancestors had contrived for the murder of a parent—that of sewing the criminal alive into a sack, and throwing him into a river—he says, “that the meaning of it was, to strike him at once, as it were, out of the system of nature, by taking him from the air, the sun, the water, and the earth; that he who had destroyed the author of his being, should lose the benefit of those elements whence all things derive their being. They would not throw him to the beasts, lest the contagion of such wickedness should make the beasts themselves more furious; they would not commit him naked to the stream, lest he should pollute the very sea, which was the purifier of all other pollutions; they left him no share of anything natural, how vile or common soever; for what is so common as breath to the living, earth to the dead, the sea to those who float, the shore to those who are cast up? Yet these wretches live so, as long as they can, as not to draw breath from the air; die so, as not to touch the ground; are so tossed by the waves, as not to be washed by them; so cast out upon the shore, as to find no rest, even on the rocks.”

This passage was received with acclamations of applause; yet, speaking of it afterwards himself, Cicero calls it “the redundancy of a juvenile fancy, which wanted the correction of his sounder judgment; and, like all the compositions of young men, was not applauded so much for its own sake, as for the hopes which it gave of his more improved and ripened talents.”

The popularity of his cause, and the favor of the audience, induced Cicero, in the course of his plea, to expose the insolence and villany of the favorite, Chrysogonus, with great freedom. He even ventured some bold strokes at Sylla himself. He took care, however, to palliate these, by observing, that through the multiplicity of Sylla’s affairs, who reigned as absolute on earth as Jupiter in heaven, it was not possible for him to know everything that was done by his agents, and that he was perhaps forced to connive at some of the corrupt practices of his favorites.

Soon after this trial, Cicero set out for the purpose of visiting Greece and Asia, the fashionable tour of that day with those who travelled for pleasure or improvement. At Athens he spent six months, renewing the studies of his youth, under celebrated masters. He was here initiated into the Eleusinian mysteries, the end and aim of which appear to have been to inculcate the unity of God and the immortality of the soul.

From Athens, he passed into Asia, where he was visited by the principal orators of the country. These kept him company through the remainder of his tour, frequently exercising themselves together in oratorical exhibitions. They came at last to Rhodes, where Cicero applied to Molo, and again became his pupil On a public occasion he made an address at the end of which, the company were lavish of their praises. Molo alone was silent, till, observing that Cicero was somewhat disturbed, he said, “As for you, Cicero, I praise and admire you, but pity the fortune of Greece, to see arts and eloquence, the only ornaments which were left to her, transplanted by you to Rome.”

Soon after Cicero’s return from his travels, he pleaded the cause of the famous comedian, Roscius, whom a singular merit in his art had recommended to the familiarity and friendship of the greatest men of Rome. The case was this. One Fannius had made over to Roscius, a young slave, to be trained for the stage, on condition of a partnership in the profits which the slave should acquire by acting. The slave was afterwards killed, and Roscius prosecuted the murderer for damages, and obtained, by composition, a little farm, worth about 800 pounds, for his particular share. Fannius also sued separately, and was supposed to have gained as much, but, pretending to have recovered nothing, sued Roscius for the moiety of what he had received.

One cannot but observe, from Cicero’s pleading, the wonderful esteem and reputation which Roscius enjoyed—of whom he draws a very amiable picture. “Has Roscius, then,” said he, “defrauded his partner? Can such a stain adhere to such a man, who—I speak it with confidence—has more integrity than skill, more veracity than experience; whom the people of Rome know to be a better man than he is an actor, and, while he makes the first figure on the stage in his art, is worthy of the senate for his virtues?”

His daily pay for acting is said to have been about thirty pounds sterling. Pliny computes his yearly profit at 4000 pounds; but Cicero seems to rate it at 5000 pounds. He was generous, benevolent, and a contemner of money; after he had raised an ample fortune from the stage, he devoted his talents to the public, for many years, without pay; whence Cicero urges it as incredible that he, who in ten years past might honestly have gained fifty thousand pounds, which he refused, should be tempted to commit a fraud for the paltry sum of four hundred. We need but add that the defence was effectual.

Soon after Cicero’s return to Rome, he, being about thirty years of age, was married to Terentia, a lady of good station in life, and of large fortune. Shortly after, he was a candidate for the office of quæstor, in which he succeeded by the unanimous suffrage of the tribes.