III.—1.
Far from the sun and summer-gale,
In thy green lap was Nature's darling laid,
What time, where lucid Avon stray'd,
To him the mighty Mother did unveil
Her awful face; the dauntless child
Stretch'd forth his little arms, and smiled.
This pencil take (she said) whose colours clear
Richly paint the vernal year;
Thine, too, these golden keys, immortal Boy!
This can unlock the gates of Joy,
Of Horror that, and thrilling Pears,
Or ope the sacred source of sympathetic Tears.
III.—2.
Nor second He that rode sublime
Upon the seraph-wings of Ecstasy;
The secrets of the abyss to spy,
He pass'd the flaming bounds of place and time:
The living throne, the sapphire-blaze,
Where angels tremble while they gaze,
He saw; but, blasted with excess of light,
Closed his eyes in endless night.
Behold where Dryden's less presumptuous car
Wide o'er the fields of glory bear
Two coursers[1] of ethereal race,
With necks in thunder clothed and long-resounding pace.
III.—3.
Hark! his hands the lyre explore!
Bright-eyed Fancy, hovering o'er,
Scatters from her pictured urn
Thoughts that breathe and words that burn;
But ah! 'tis heard no more.
O lyre divine! what dying spirit[2]
Wakes thee now? though he inherit
Nor the pride nor ample pinion
That the Theban eagle[3] bear,
Sailing with supreme dominion
Through the azure deep of air,
Yet oft before his infant eyes would run
Such forms as glitter in the Muse's ray
With orient hues, unborrow'd of the sun;
Yet shall he mount, and keep his distant way
Beyond the limits of a vulgar fate,
Beneath the good how far—but far above the great.
[Footnote 1: 'Coursers:' the heroic rhymes.]
[Footnote 2: 'Dying spirit:' Cowley.]
[Footnote 3: 'Theban eagle:' Pindar.]
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