Pope is seen in this collection as connected with the other contemporary wits, and certainly suffers no disgrace in the comparison; but it must be remembered, that he had the power of favouring himself; he might have originally had publication in his mind, and have written with care, or have afterwards selected those which he had most happily conceived, or most diligently laboured; and I know not whether there does not appear something more studied and artificial[132] in his productions than the rest except one long letter by Bolingbroke, composed with all the skill and industry of a professed author. It is, indeed, not easy to distinguish affectation from habit; he that has once studiously formed a style, rarely writes afterwards with complete ease. Pope may be said to write always with his reputation in his head; Swift, perhaps, like a man who remembered he was writing to Pope; but Arbuthnot, like one who lets thoughts drop from his pen as they rise into his mind.
Before these letters appeared, he published the first part of what he persuaded himself to think a system of ethicks, under the title of an Essay on Man; which, if his letter to Swift, of Sept. 14, 1725, be rightly explained by the commentator, had been eight years under his consideration, and of which he seems to have desired the success with great solicitude. He had now many open, and, doubtless, many secret enemies. The dunces were yet smarting with the war; and the superiority which he publickly arrogated, disposed the world to wish his humiliation.
All this he knew, and against all this he provided. His own name, and that of his friend to whom the work is inscribed, were in the first editions carefully suppressed; and the poem, being of a new kind, was ascribed to one or another, as favour determined, or conjecture wandered; it was given, says Warburton, to every man, except him only who could write it. Those who like only when they like the author, and who are under the dominion of a name, condemned it; and those admired it who are willing to scatter praise at random, which, while it is unappropriated, excites no envy. Those friends of Pope, that were trusted with the secret, went about lavishing honours on the new-born poet, and hinting that Pope was never so much in danger from any former rival.
To those authors whom he had personally offended, and to those whose opinion the world considered as decisive, and whom he suspected of envy or malevolence, he sent his essay as a present before publication, that they might defeat their own enmity by praises, which they could not afterwards decently retract.
With these precautions, in 1733, was published the first part of the Essay on Man. There had been, for some time, a report that Pope was busy upon a system of morality; but this design was not discovered in the new poem, which had a form and a title with which its readers were unacquainted. Its reception was not uniform; some thought it a very imperfect piece, though not without good lines. While the author was unknown, some, as will always happen, favoured him as an adventurer, and some censured him as an intruder; but all thought him above neglect; the sale increased, and editions were multiplied[133]
The subsequent editions of the first epistle exhibited two memorable corrections. At first, the poet and his friend,
Expatiate freely o’er this scene of man,
A mighty maze of walks without a plan.
For which he wrote afterwards,
A mighty maze, but not without a plan:
for, if there were no plan, it were in vain to describe or to trace the maze.