CHAPTER III—MISS HUI FEI
THE luncheon table of his excellency was simply set, with two chairs of carven blackwood, behind a high painted screen of six panels. It was at this screen that the first mate (left by a smiling attendant) gazed with a frown of incredulity. Cap in hand, he stepped back and studied the painting, a landscape representing a range of mountains rising above mist in great rock-masses, chasms where tortured trees clung, towering, lagged peaks, all partly obscured by the softly luminous vapor—a scene of power and beauty. Much of the brighter color had faded into the prevailing tones of old ivory yellow shading into some thing near Rembrandt brown; though the original, reds and blues still held vividly in the lower right foreground, where were pictured very small, exquisite in detail yet of as trifling importance in the majestic scheme of the painting as are man and his works in all sober Chinese thought when considered in relation to the grim majesty of nature, a little friendly cluster of houses, men at work, children at play, domestic animals, a stream with a water buffalo, a bridge, a wayfarer riding a donkey, and cultivated fields. The ideographic signature was in rich old gold, inscribed with unerring decorative instinct on a flat rock surface.
The mate bent low and looked closely at the brush-work; then stepped around an end panel and examined the texture of the silk.
“Ah!”—it was a musical deep voice, speaking in the mandarin tongue—“you admire my screen, Griggsby Doane.” The name was pronounced in English.
His excellency wore a short jacket of pale yellow over a skirt of blue, both embroidered in large circles of lotus flowers around centers of conventional good-fortune designs, in which the swastika was a leading motive. His bared head was shaved only at the sides, as the top had long been bald. He looked gentle and kind as he stood leaning on his cane and extending a wrinkled hand; smiling in the fashion of forthright friendship. The thin little gray beard, the unobtrusively courteous eyes, the calm manner, all gave him an appearance of simplicity that made it momentarily difficult to think of him as the great negotiator of the tangled problems of statesmanship involved in the expansion of Japan, the man who very nearly convinced Europe of American good faith during the agitated discussion and correspondence that arose out of the “Open Door” proposals of John Hay, a man known among the observant and informed in London, Paris and Washington as a great statesman and a greater gentleman.
“I thought at first”—thus the mate, touched by the fine honor done him (an honor that would, he quickly felt, demand tact on the bridge)—“that it was a genuine Kuo Hsi.”
“No. A copy.”
“So I see. A Ming copy—at least the silk appears to be Ming—the heavy single strand, closely woven. And the seals date very closely. If it were woven of double strands, even in the warp alone, I should not hesitate to call it a genuine Northern Sung.”
“You observe closely, Griggsby Doane. It is supposed that Ch'uan Shih made this copy.” His smile was now less one of kindness and courtesy than, of genuine pleasure. “You shall see the original.”
“You have that also, Your Excellency?”