[2] We are informed in Mr. Longstaffe's Annals and Characteristics of Darlington, that the spinning of flax by machinery was first begun by one John Kendrew, an ingenious self-taught mechanic of that town, who invented a machine for the purpose, for which he took out a patent in 1787. Mr. Marshall went over from Leeds to see his machine, and agreed to give him so much per spindle for the right to use it. But ceasing to pay the patent right, Kendrew commenced an action against him for a sum of nine hundred pounds alleged to be due under the agreement. The claim was disputed, and Kendrew lost his action; and it is added in Longstaffe's Annals, that even had he succeeded, it would have been of no use; for Mr. Marshall declared that he had not then the money wherewith to pay him. It is possible that Matthew Murray may have obtained some experience of flax-machinery in working for Kendrew, which afterwards proved of use to him in Mr. Marshall's establishment.

[3] The purchase of this large piece of ground, known as Camp Field, had the effect of "plugging up" Matthew Murray for a time; and it remained disused, except for the deposit of dead dogs and other rubbish, for more than half a century. It has only been enclosed during the present year, and now forms part of the works of Messrs. Smith, Beacock, and Tannet, the eminent tool-makers.

[4] Among more recent improvers of flax-machinery, the late Sir Peter Fairbairn is entitled to high merit: the work turned out by him being of first-rate excellence, embodying numerous inventions and improvements of great value and importance.

[5] EDWARD BAINES, Esq., M.P., History of the Cotton Manufacture, 212.

CHAPTER XV.

JAMES NASMYTH.

"By Hammer and Hand
All Arts doth stand."
Hammermen's Motto.

The founder Of the Scotch family of Naesmyth is said to have derived his name from the following circumstance. In the course of the feuds which raged for some time between the Scotch kings and their powerful subjects the Earls of Douglas, a rencontre took place one day on the outskirts of a Border village, when the king's adherents were worsted. One of them took refuge in the village smithy, where, hastily disguising himself, and donning a spare leathern apron, he pretended to be engaged in assisting the smith with his work, when a party of the Douglas followers rushed in. They glanced at the pretended workman at the anvil, and observed him deliver a blow upon it so unskilfully that the hammer-shaft broke in his hand. On this one of the Douglas men rushed at him, calling out, "Ye're nae smyth!" The assailed man seized his sword, which lay conveniently at hand, and defended himself so vigorously that he shortly killed his assailant, while the smith brained another with his hammer; and, a party of the king's men having come to their help, the rest were speedily overpowered. The royal forces then rallied, and their temporary defeat was converted into a victory. The king bestowed a grant of land on his follower "Nae Smyth," who assumed for his arms a sword between two hammers with broken shafts, and the motto "Non arte sed Marte," as if to disclaim the art of the Smith, in which he had failed, and to emphasize the superiority of the warrior. Such is said to be the traditional origin of the family of Naesmyth of Posso in Peeblesshire, who continue to bear the same name and arms.

It is remarkable that the inventor of the steam-hammer should have so effectually contradicted the name he bears and reversed the motto of his family; for so far from being "Nae Smyth," he may not inappropriately be designated the very Vulcan of the nineteenth century. His hammer is a tool of immense power and pliancy, but for which we must have stopped short in many of those gigantic engineering works which are among the marvels of the age we live in. It possesses so much precision and delicacy that it will chip the end of an egg resting in a glass on the anvil without breaking it, while it delivers a blow of ten tons with such a force as to be felt shaking the parish. It is therefore with a high degree of appropriateness that Mr. Nasmyth has discarded the feckless hammer with the broken shaft, and assumed for his emblem his own magnificent steam-hammer, at the same time reversing the family motto, which he has converted into "Non Marte sed Arte."

James Nasmyth belongs to a family whose genius in art has long been recognised. His father, Alexander Nasmyth of Edinburgh, was a landscape-painter of great eminence, whose works are sometimes confounded with those of his son Patrick, called the English Hobbema, though his own merits are peculiar and distinctive. The elder Nasmyth was also an admirable portrait painter, as his head of Burns—the best ever painted of the poet—bears ample witness. His daughters, the Misses Nasmyth, were highly skilled painters of landscape, and their works are well known and much prized. James, the youngest of the family, inherits the same love of art, though his name is more extensively known as a worker and inventor in iron. He was born at Edinburgh, on the 19th of August, 1808; and his attention was early directed to mechanics by the circumstance of this being one of his father's hobbies. Besides being an excellent painter, Mr. Nasmyth had a good general knowledge of architecture and civil engineering, and could work at the lathe and handle tools with the dexterity of a mechanic. He employed nearly the whole of his spare time in a little workshop which adjoined his studio, where he encouraged his youngest son to work with him in all sorts of materials. Among his visitors at the studio were Professor Leslie, Patrick Miller of Dalswinton, and other men of distinction. He assisted Mr. Miller in his early experiments with paddle-boats, which eventually led to the invention of the steamboat. It was a great advantage for the boy to be trained by a father who so loved excellence in all its forms, and could minister to his love of mechanics by his own instruction and practice. James used to drink in with pleasure and profit the conversation which passed between his father and his visitors on scientific and mechanical subjects; and as he became older, the resolve grew stronger in him every day that he would be a mechanical engineer, and nothing else. At a proper age, he was sent to the High School, then as now celebrated for the excellence of its instruction, and there he laid the foundations of a sound and liberal education. But he has himself told the simple story of his early life in such graphic terms that we feel we cannot do better than quote his own words:—[1]