Meanwhile from out its ebon case
His violin the minstrel drew,
And, having tuned its strings anew,
Now held it close in his embrace,
And poising in his outstretched hand
The bow, like a magician’s wand,
He paused, and said, with beaming face:
“Last night my story was too long;
To–day I give you but a song,
An old tradition of the North;
But first, to put you in the mood,
I will a little while prelude,
And from this instrument draw forth
Something by way of overture.”
He played; at first the tones were pure
And tender as a summer night,
The full moon climbing to her height,
The sob and ripple of the seas,
The flapping of an idle sail;
And then by sudden and sharp degrees
The multiplied, wild harmonies
Freshened and burst into a gale;
A tempest howling through the dark,
A crash as of some shipwrecked bark,
A loud and melancholy wail.
Such was the prelude to the tale
Told by the minstrel; and at times
He paused amid its varying rhymes,
And at each pause again broke in
The music of his violin,
With tones of sweetness or of fear,
Movements of trouble or of calm
Creating their own atmosphere;
As sitting in a church we hear
Between the verses of the psalm
The organ playing soft and clear,
Or thundering on the startled ear.
And again, in Part Third, is given this natural touch:—
The tall Musician walked the room
With folded arms and gleaming eyes,
As if he saw the Vikings rise,
Gigantic shadows in the gloom;
And much he talked of their emprise,
And meteors seen in northern skies,
And Heimdal’s horn and day of doom.
Then in the silence that ensued
Was heard a sharp and sudden sound
As of a bowstring snapped in air;
And the Musician with a bound
Sprang up in terror from his chair,
And for a moment listening stood,
Then strode across the room, and found
His dear, his darling violin
Still lying safe asleep within
Its little cradle, like a child
That gives a sudden cry of pain,
And wakes to fall asleep again;
And as he looked at it and smiled,
By the uncertain light beguiled,
Despair! two strings were broken in twain.
The future held for Ole Bull the rare fortune of being for one happy winter the neighbor of Mr. Longfellow.
Lingering as long as possible till there was but the shortest time to meet appointments, Ole Bull sailed from Norway in the fall of 1878 for the United States. So far as concerts were concerned, there is but the same story of a cordial reception by the public and a pleasant winter. A few brief extracts from the many notices in the journals will suffice. He played in the principal Northern cities only.