“The subdued passion, repressed for a time, until at length it burst its bonds, and the despairing, heart-broken woman is revealed to Hippolyte, was shown with so vivid a reality that a scene of enthusiasm such as is rarely witnessed in a theatre followed the fall of the curtain. Mlle. Sarah Bernhardt in the few minutes she was upon the stage (and coming on, it must be remembered, to plunge into the middle of a stirring tragedy) yet contrived to make an impression which will not soon be effaced from those who were present.”
The Morning Post said:
“Very brief are the words spoken before Phèdre rushes into the room to commence tremblingly and nervously, with struggles which rend and tear and convulse the system, the secret of her shameful love. As her passion mastered what remained of modesty or reserve in her nature, the woman sprang forward and recoiled again, with the movements of a panther, striving, as it seemed, to tear from her bosom the heart which stifled her with its unholy longings, until in the end, when, terrified at the horror her breathings have provoked in Hippolyte, she strove to pull his sword from its sheath and plunge it in her own breast, she fell back in complete and absolute collapse. This exhibition, marvellous in beauty of pose, in febrile force, in intensity, and in purity of delivery, is the more remarkable as the passion had to be reached, so to speak, at a bound, no performance of the first act having roused the actress to the requisite heat. It proved Mlle. Sarah Bernhardt worthy of her reputation, and shows what may be expected from her by the public which has eagerly expected her coming.”
This London first night was decisive for my future.
XXVIII
MY PERFORMANCES IN LONDON—MY EXHIBITION—MY WILD ANIMALS—TROUBLE WITH THE COMÉDIE FRANÇAISE
My intense desire to win over the English public had caused me to overtax my strength. I had done my utmost at the first performance, and had not spared myself in the least. The consequence was in the night I vomited blood in such an alarming way that a messenger was despatched to the French Embassy in search of a physician. Dr. Vintras, who was at the head of the French Hospital in London, found me lying on my bed, exhausted and looking more dead than alive. He was afraid that I should not recover, and requested that my family be sent for. I made a gesture with my hand to the effect that it was not necessary. As I could not speak, I wrote down with a pencil, “Send for Dr. Parrot.”
Dr. Vintras remained with me part of the night, putting crushed ice between my lips every five minutes. At length towards five in the morning the blood vomiting ceased, and, thanks to a potion that the doctor gave me, I fell asleep.
We were to play L’Etrangère that night at the Gaiety, and, as my rôle was not a very fatiguing one, I wanted to perform my part quand-même.
Dr. Parrot arrived by the four o’clock boat, and refused categorically to give his consent. He had attended me from my childhood. I really felt much better, and the feverishness had left me. I wanted to get up, but to this Dr. Parrot objected.
Presently Dr. Vintras and Mr. Mayer, the impresario of the Comédie Française, were announced. Mr. Hollingshead, the director of the Gaiety Theatre, was waiting in a carriage at the door to know whether I was going to play in L’Etrangère, the piece announced on the bills. I asked Dr. Parrot to rejoin Dr. Vintras in the drawing-room, and I gave instructions for Mr. Mayer to be introduced into my room.