"But why on earth are they putting you in the army?" the Tenor asked.
"You mean I am much too pretty?" said the Boy, "not to mention my brains and manners. Well, there I must agree with you. It does seem a sad waste of valuable material. But it is only to fill up an interval. I shall be put into a permanent billet of another kind eventually, whether I like it or not."
"You mean you will be put into the earth to enrich it, I suppose?"
"Well, no. I was not so smart," said the Boy. "Now, that is rather a good one for you. Oh, I suspect, if I could plumb your depth, I should find myself but a simple, shallow child in comparison. No; what I meant was that eventually a certain amount of earth would come to me to enrich me."
"But what does your father think about this military manoeuvre?"
"My father think!" roared the Boy. "O Lord! you don't know my father!" and he fairly curled himself up in convulsions of silent laughter, which the Tenor thought unseemly considering the subject of it, but he said no more. He knew that there was nothing to be done with such a boy but to wait and hope; and that was the attitude into which the Tenor found himself most prone to fall in these days with regard to things in general; being greatly cheered meanwhile by the sight of his lovely lady, who smiled at him now without doubt, and was seldom absent from her accustomed seat in the Canon's pew when he sang.
The Tenor looked better now, and more out of place than ever in the choir— better, that is to say, in the sense of being more attractive; but he was not looking strong, and the common faces about him seemed commoner still when contrasted with the exceptional refinement of his own. The constant self-denial he had been obliged to exercise in order to indulge the fancies of that rapacious Boy, although a pleasure in itself, was beginning to tell upon him. His features had sharpened a little, his skin was transparent to a fault, and the brightness of his yellow hair, if it added to the quite peculiar beauty, added something also to the too great delicacy of his face. It was the brightness of his hair that suggested such names for him as "Balder the Beautiful" and "Son of the Morning" to the Boy, who invariably called him by some such fanciful appellation.
It was at this time, too, that a great painter came to Morningquest and painted a picture called "Music," the interest of which centred in the Tenor himself singing, while Angelica gazed at him as if she were spell-bound.
The Boy used to describe this picture to the Tenor while it was in progress, but the latter, listening in his dreamy way, was under the impression for some time that the work was one of his young friend's own imagination only. By degrees, however, it dawned upon him that the picture was an actual fact, and then he was displeased. He thought that the artist had taken a liberty with regard to himself, and been guilty of an impertinence so far as his lovely lady was concerned.
"Well, so I told him," said the Boy. "But you know, dear Israfil, that in the interests of art as well as in the interests of science, men are carried away to such an extent that they sometimes forget to be scrupulous. It is curious," he broke off, gazing at the Tenor critically, "that Angelica should specially admire your chin. It is your mouth that appeals to me. You have a regular Rossitti-Burne-Jones-Dante's-Dream-and- Blessed-Damosel kind of mouth, with full firm lips. I should think you're the sort of fellow that women would like to kiss. Don't try to look as if you wouldn't kiss a woman just once in a way, dear old chap! Women hate men like priests, who mustn't kiss them if they would; and they have no respect for other men who wouldn't kiss them if they could. I know Angelica hasn't!"