The last words were delivered from outside in the garden after the Boy had made his escape through the window.

CHAPTER XI.

How long the Tenor's dream would have remained unbroken by action it is hard to say. His want of personal ambition, his perfect serenity of mind, and his thankfulness for a state of things so much more blissful than anything he had ever expected to fall to his lot again; the languid summer weather, and his affectionate anxiety for the Boy, all combined to keep him in Morningquest, and to keep his indefinite plans for the future still in abeyance.

Other people, however, were not so apathetic. The dean's friendly remonstrances had been redoubled of late; the Boy had become importunate; and even the mild musicians of Morningquest, whose boast it was to have that bright particular star in their own little firmament, ventured to hint respectfully that he was not doing his duty by himself. All this kindly interest in his future career was not without its effect upon him, and if it did not actually rouse him to act, it put him in the mood to be aroused.

He was sitting alone one evening in his accustomed seat, beside the fireplace, or rather beside the bank of ferns and flowering plants which he had arranged before the fireplace so as to hide it, at the instigation of the Boy. A shaded lamp stood on a table behind him, throwing its softened light from over his shoulder on to the big book which lay open on his knee. But he was not reading. He had placed his hands upon the book, and was resting his head on the back of the chair. His yellow hair seemed to shine out of the surrounding gloom with a light of its own; but his face was in shadow.

The window at the further end of the room behind him was shut, and the creepers outside brushed gently against it, tapping now and then, and keeping up a continual soft rustle and murmur of leaves, like friendly voices, soothing insensibly.

The other window was open as usual, and as he sat now he could see the old cathedral opposite towering above him. It was a bright moonlight night; the shadows were strong, and the details of the facade, flying buttress, gargoyle and cornice, with a glimpse of the apse and spire, were all distinct. But as the Tenor thoughtfully perused them, the whole fabric suddenly disappeared from view, blotted out by an opaque body round which the moonlight showed like a rim of silver, tracing in outline the slender figure of the Boy. The Tenor had forgotten him for once, and was startled from his reverie by the unexpected apparition; but he did not alter his position or make any sign. The Boy preferred to come and go like that, ungreeted and unquestioned, and the Tenor of course humoured this harmless peculiarity with the rest.

The Boy sauntered in now in a casual way, arranged his hair at a mirror, threw himself into an armchair, leant back, crossed his legs, folded both hands on his hat, which lie held on his knee, and looked at the Tenor lazily.

In the little pause that followed, the Tenor glanced at his book again, and then he closed it.

"Israfil," the Boy said suddenly, leaning forward to look at the book, as if to make sure, and speaking in an awestruck voice—"is that the Bible you were reading?"