“I don't know, Liza; I wish you could tell me, lass,” said Rotha, recovering enough self-possession to simulate a subterfuge.
“Here I've been churning and churning since morning, and don't seem much nigher the butter yet.”
“It's more than the butter that pests you,” said Liza, with a wise shake of the head.
“Yes; it must be the churn. I can make nothing of it.”
“Shaf on the churn, girl! You just look like Bessie MacNab when they said Jamie o' the Glen had coddled her at the durdum yon night at Robin Forbes's.”
“Hush, Liza,” said Rotha, stooping unnecessarily low to investigate the progress of her labors, and then adding, from the depths of the churn, “why, and how did Bessie look?”
“Look? look?” cried Liza, with a tip of the chin upwards, as though the word itself ought to have been sufficiently explicit,—“look, you say? Why,” continued Liza, condescending at length to be more definite as to the aforesaid young lady's appearance after a kiss at a country dance, “why, she looked just for the world like you, Rotha.”
Then throwing off her thick outer garment without waiting for any kind of formal invitation, Liza proceeded to make herself at home in a very practical way.
“Come, let me have a turn at the churn,” she said, “and let us see if it is the churn that ails you—giving you two great eyes staring wide as if you were sickening for a fever, and two cheeks as red as the jowls of 'Becca Rudd's turkey.”
In another moment Liza was rolling up the sleeves of her gown, preparatory to the experimental exercise she had proposed to herself; but this was not a task that had the disadvantage of interrupting the flow of her gossip.