I feel with Jefferies that "by day or by night, summer or winter, beneath trees the heart feels nearer to that depth of life which the far sky means. The rest of spirit found only in beauty, ideal and pure, comes there because the distance seems within touch of thought."

The general effect of forests in tropical regions must be very different from that of those in our latitudes. Kingsley describes it as one of helplessness, confusion, awe, all but terror. The trunks are very lofty and straight, and rising to a great height without a branch, so that the wood seems at first comparatively open. In Brazilian forests, for instance, the trees struggle upward, and the foliage forms an unbroken canopy, perhaps a hundred feet overhead. Here, indeed, high up in the air is the real life of the forest. Everything seems to climb, to the light. The quadrupeds climb, birds climb, reptiles climb, and the variety of climbing plants is far greater than anything to which we are accustomed.

Many savage nations worship trees, and I really think my first feeling would be one of delight and interest rather than of surprise, if some day when I am alone in a wood one of the trees were to speak to me. Even by day there is something mysterious in a forest, and this is much more the case at night.

With wood, water seems to be naturally associated. Without water no landscape is complete, while overhead the clouds add beauty to the heavens themselves. The spring and the rivulet, the brook, the river, and the lake, seem to give life to Nature, and were indeed regarded by our ancestors as living entities themselves. Water is beautiful in the morning mist, in the broad lake, in the glancing stream or the river pool, in the wide ocean, beautiful in all its varied moods. Water nourishes vegetation; it clothes the lowlands with green and the mountains with snow. It sculptures the rocks and excavates the valleys, in most cases acting mainly through the soft rain, though our harder rocks are still grooved by the ice-chisel of bygone ages.

The refreshing pour of water upon the earth is scarcely greater than that which it exercises on the mind of man. After a long spell of work how delightful it is to sit by a lake or river, or on the seashore, and enjoy

"A little murmur in mine ear,
A little ripple at my feet." [7]

Every Englishman loves the sight of the Sea We feel that it is to us a second home. It seems to vivify the very atmosphere, so that Sea air is proverbial as a tonic, and makes the blood dance in our veins. The Ocean gives an impression of freedom and grandeur more intense perhaps than the aspect of the heavens themselves. A poor woman from Manchester, on being taken to the seaside, is said to have expressed her delight on seeing for the first time something of which there was enough for everybody. The sea coast is always interesting. When we think of the cliff sections with their histories of bygone ages; the shore itself teeming with seaweeds and animals, waiting for the return of the tide, or thrown up from deeper water by the waves; the weird cries of seabirds; the delightful feeling that with every breath we are laying in a store of fresh life, and health, and energy, it is impossible to over-estimate all we owe to the sea.

It is, moreover, always changing. We went for our holiday this year to Lyme Regis. Let me attempt to describe the changes in the view from our windows during a single day. Our sitting-room opened on to a little lawn, beyond which the ground drops suddenly to the sea, while over about two miles of water were the hills of the Dorsetshire coast—Golden Cap, with its bright crest of yellow sand, and the dark blue Lias Cliff of Black Ven. When I came early down in the morning the sun was rising opposite, shining into the room over a calm sea, along an avenue of light; by degrees, as it rose, the whole sea was gilt with light, and the hills bathed in a violet mist. By breakfast-time all color had faded from the sea—it was like silver passing on each side into gray; the sky was blue, flecked with fleecy clouds; while, on the gentler slopes of the coast opposite, fields and woods, and quarries and lines of stratification begin to show themselves, though the cliffs are still in shadow, and the more distant headlands still a mere succession of ghosts, each one fainter than the one before it. As the morning advances the sea becomes blue, the dark woods, green meadows, and golden cornfields of the opposite coast more distinct, and the details of the cliffs come gradually into view, and fishing-boats with dark sails begin to appear.

Gradually the sun rises higher, a yellow line of shore appears under the opposite cliffs, and the sea changes its color, mapping itself out as it were, the shallower parts turquoise blue, almost green; the deeper ones deep violet.

This does not last long—a thunderstorm comes up. The wind mutters overhead, the rain patters on the leaves, the coast opposite seems to shrink into itself, as if it would fly from the storm. The sea grows dark and rough, and white horses appear here and there.