But the storm is soon over. The clouds break, the rain stops, the sun shines once more, the hills opposite come out again. They are divided now not only into fields and woods, but into sunshine and shadow. The sky clears, and as the sun begins to descend westwards the sea becomes one beautiful clear uniform azure, changing again soon to pale blue in front and dark violet beyond: and once more as clouds begin to gather again, into an archipelago of bright blue sea and deep islands of ultramarine. As the sun travels westward, the opposite hills change again. They scarcely seem like the same country. What was in sun is now in shade, and what was in shade now lies bright in the sunshine. The sea once more becomes a uniform solid blue, only flecked in places by scuds of wind, and becoming paler towards evening as the sun sinks, the cliffs which catch his setting rays losing their deep color and in some places looking almost as white as chalk, while at sunset they light up again for a moment with a golden glow, the sea at the same time sinking to a cold gray. But soon the hills grow cold too, Golden Cap holding out bravely to the last, and the shades of evening settle over cliff and wood, cornfield and meadow.

These are but a part, and a very small part, of the changes of a single day. And scarce any two days are alike. At times a sea-fog covers everything. Again the sea which sleeps to-day so peacefully sometimes rages, and the very existence of the bay itself bears witness to its force.

The night, again, varies like the day. Sometimes shrouded by a canopy of darkness, sometimes lit up by millions of brilliant worlds, sometimes bathed in the light of a moon, which never retains the same form for two nights together.

If Lakes are less grand than the sea, they are in some respects even more lovely. The seashore is comparatively bare. The banks of Lakes are often richly clothed with vegetation which comes close down to the water's edge, sometimes hanging even into the water itself. They are often studded with well-wooded islands. They are sometimes fringed with green meadows, sometimes bounded by rocky promontories rising directly from comparatively deep water, while the calm bright surface is often fretted by a delicate pattern of interlacing ripples, or reflects a second, softened, and inverted landscape.

To water again we owe the marvellous spectacle of the rainbow—"God's bow in the clouds." It is indeed truly a heavenly messenger, and so unlike anything else that it scarcely seems to belong to this world.

Many things are colored, but the rainbow seems to be color itself.

"First the flaming red
Sprang vivid forth; the tawny orange next,
And next delicious yellow; by whose side
Fell the kind beams of all-refreshing green.
Then the pure blue that swells autumnal skies,
Ethereal play'd; and then, of sadder hue
Emerged the deeper indigo (as when
The heavy-skirted evening droops with frost),
While the last gleamings of refracted light
Died in the fainting violet away." [8]

We do not, I think, sufficiently realize how wonderful is the blessing of color. It would have been possible, it would even seem more probable, that though light might have enabled us to perceive objects, this could only have been by shade and form. How we perceive color it is very difficult to comprehend, and yet when we speak of beauty, among the ideas which come to us most naturally are those of birds and butterflies, flowers and shells, precious stones, skies, and rainbows.

Our minds might have been constituted exactly as they are, we might have been capable of comprehending the highest and sublimest truths, and yet, but for a small organ in the head, the world of sound would have been shut out from us; we should have lost the sounds of nature, the charms of music, the conversation of friends, and have been condemned to perpetual silence: and yet a slight alteration in the retina, which is not thicker than a sheet of paper, not larger than a finger nail,—and the glorious spectacle of this beautiful world, the exquisite variety of form, the glory and play of color, the variety of scenery, of woods and fields, and lakes and hills, seas and mountains, the glory of the sky alike by day and night, would all have been lost to us.

Mountains, again, "seem to have been built for the human race, as at once their schools and cathedrals; full of treasures of illuminated manuscript for the scholar, kindly in simple lessons for the worker, quiet in pale cloisters for the thinker, glorious in holiness for the worshipper. And of these great cathedrals of the earth, with their gates of rock, pavements of cloud, choirs of stream and stone, altars of snow, and vaults of purple traversed by the continual stars." [9]