[48] "History of the Modern Styles of Architecture," by James Fergusson. London. 1862. page 135.
[49] Mr. Street in referring to the usual practice in good mediæval iron screens observes that in such "the ornament is reserved for open traceried crestings, with bent and sharply cut crockets, for traceried rails, and for the locks and fastenings." He mentions a very fine iron screen, thirty feet high, as existing at Pamplona, the general design of which seems to have a good deal in common with that of the "Reja de los Reyes" at Granada. It appears, however, to be of earlier date, and consequently more decidedly Gothic in character.
[50] "Varia Commensuracion." Sixth Edition, pages 221-222.
[51] Casts of these sculptures I caused to be placed in the surbase of the Renaissance Court of the Crystal Palace.
[52] Viage de España. Vol. XV. page 79.
[53] "Gothic Architecture in Spain," page 270.
[54] "Marcos Obregon por el Maestro Vicente Espinel." Madrid. 1804. Pages 40-41. (note of etext transcriber: sagon should read razón.)
[55] "History of the Reign of Ferdinand and Isabella the Catholic." New York. 1845. Page cxi.
[56] Navagiero—"Il Viaggio fatto in Spagna." Venice. 1563. Page 3.
[57] "Recuerdos y Bellezas de España," por F. J. Parcerisa escrita y documentada, por P. Piferrer y J. Pi y Margall. Cataluña. Tome II., page 222.