[p.212] secured at the bottom to the metal rings in the basement, was tucked up by ropes from the roof, and depended over each face in two long tongues. It was of a brilliant black, and the Hizamthe zone or golden band running round the upper portion of the buildingas well as the Burka (face-veil), were of dazzling brightness.[FN#29] The origin of this custom must be sought in the ancient practice of typifying the church visible by a virgin or bride. The poet Abd al-Rahim al Burai, in one of his Gnostic effusions, has embodied the idea: ([Arabic]) And Meccahs bride (i.e. the Kaabah) is displayed with (miraculous) signs.
This idea doubtless led to the face-veil, the covering, and the guardianship of eunuchs.
The Meccan temple was first dressed as a mark of
[p.213] honour by Tobba the Himyarite when he Judaized.[FN#30] If we accept this fact, which is vouched for by Oriental history, we are led to the conclusion that the children of Israel settled at Meccah had connected the temple with their own faith, and, as a corollary, that the prophet of Al-Islam introduced their apocryphal traditions into his creed. The pagan Arabs did not remove the coverings: the old and torn Kiswah was covered with a new cloth, and the weight threatened to crush the building.[FN#31] From the time of Kusay, the Kaabah was veiled by subscription, till Abu Rabiat al-Mughayrah bin Abdullah, who, having acquired great wealth by commerce, offered to provide the Kiswah on alternate years, and thereby gained the name of Al-adil. The Prophet preferred a covering of fine Yaman cloth, and directed the expense to be defrayed by the Bayt al-Mal, or public treasury. Omar chose Egyptian linen, ordering the Kiswah to be renewed every year, and the old covering to be distributed among the pilgrims. In the reign of Osman, the Kaabah was twice clothed, in winter and summer. For the former season, it received a Kamis, or Tobe (shirt) of brocade; with an Izar, or veil: for the latter a suit of fine linen. Muawiyah at first supplied linen and brocade; he afterwards exchanged the former for striped Yaman stuff, and ordered Shaybah bin Osman to strip the Kaabah and to perfume the walls with Khaluk. Shaybah divided the old Kiswah among the pilgrims, and Abdullah bin Abbas did not object to this distribution.[FN#32] The Caliph Maamun (9th century) ordered
[p.214] the dress to be changed three times a year. In his day it was red brocade on the 10th Muharram; fine linen on the 1st Rajab; and white brocade on the 1st Shawwal. At last he was informed that the veil applied on the 10th of Muharram was too closely followed by the red brocade in the next month, and that it required renewing on the 1st of Shawwal. This he ordered to be done. Al-Mutawakkil (ninth century), when informed that the dress was spoiled by pilgrims, at first ordered two to be given and the brocade shirt to be let down as far as the pavement: at last he sent a new veil every two months. During the Caliphat of the Abbasides this investiture came to signify sovereignty in Al-Hijaz, which passed alternately from Baghdad to Egypt and Al-Yaman. In Al-Idrisis time (twel[f]th century A.D.) the Kiswah was composed of black silk, and renewed every year by the Caliph of Baghdad. Ibn Jubayr writes that it was green and gold. The Kiswah remained with Egypt when Sultan Kalaun[FN#33] (thirteenth century A.D.) conveyed the rents of two villages, Baysus and Sindbus,[FN#34] to the expense of providing an outer black and an inner red curtain for the Kaabah, with hangings for the Prophets tomb at Al-Madinah. When the Holy Land fell under the power of Osmanli, Sultan Salim ordered the Kiswah to be black; and his son Sultan Sulayman the Magnificent (sixteenth
[p.215] century A.D.), devoted considerable sums to the purpose. The Kiswah was afterwards renewed at the accession of each Sultan. And the Wahhabis, during the first year of their conquest, covered the Kaabah with a red Kiswah of the same stuff as the fine Arabian Aba or cloak, and made at Al-Hasa.
The Kiswah is now worked at a cotton manufactory called Al-Khurunfish, of the Tumn Bab al-Shaariyah, Cairo. It is made by a hereditary family, called the Bayt al-Sadi, and, as the specimen in my possession proves, it is a coarse tissue of silk and cotton mixed. The Kiswah is composed of eight piecestwo for each face of the Kaabahthe seams being concealed by the Hizam, a broad band, which at a distance looks like gold; it is lined with white calico, and is supplied with cotton ropes. Anciently it is said all the Koran was interwoven into it. Now, it is inscribed Verily, the First of Houses founded for Mankind (to worship in) is that at Bekkah[FN#35]; blessed and a Direction to all Creatures; together with seven chapters, namely, the Cave, Mariam, the Family of Amran, Repentance, T.H. with Y.S. and Tabarak. The character is that called Tumar, the largest style of Eastern calligraphy, legible from a considerable distance.[FN#36] The Hizam is a band about two feet broad, and surrounding the Kaabah at two-thirds of its height. It is divided into four pieces, which are sewn together. On the first and second is inscribed the Throne verslet, and on the third and fourth the titles of the reigning Sultan. These inscriptions are, like the Burka, or door curtain, gold worked into red silk, by the Bayt al-Sadi. When the Kiswah is ready at Khurunfish, it is carried in
[p.216] procession to the Mosque Al-Hasanayn, where it is lined, sewn, and prepared for the journey.[FN#37]
After quitting the Kaabah, I returned home exhausted, and washed with henna and warm water, to mitigate the pain of the sun-scalds upon my arms, shoulders, and breast. The house was empty, all the Turkish pilgrims being still at Muna; and the Kabirahthe old ladyreceived me with peculiar attention. I was ushered into an upper room, whose teak wainscotings, covered with Cufic and other inscriptions, large carpets, and ample Diwans, still showed a sort of ragged splendour. The family had seen better days, the Sharif Ghalib having confiscated three of its houses; but it is still proud, and cannot merge the past into the present. In the drawing-room, which the Turkish colonel occupied when at Meccah, the Kabirah supplied me with a pipe, coffee, cold water, and breakfast. I won her heart by praising the graceless boy Mohammed; like all mothers, she dearly loved the scamp of the family. When he entered, and saw his maternal parent standing near me, with only the end of her veil drawn over her mouth, he began to scold her with divers insinuations. Soon thou wilt sit amongst the men in the hall! he exclaimed. O, my son, rejoined the Kabirah, fear Allah: thy mother is in years!and truly she was so, being at least fifty. A-a-h sneered the youth, who had formed, as boys of the world must do, or appear to do, a very low estimate of the sex. The old lady understood the drift of the exclamation, and departed with a half-laughing May Allah disappoint thee! She soon, however, returned, bringing me water for ablution; and having heard that I had not yet sacrificed a sheep at Muna, enjoined me to return and perform without delay that important rite.
[p.217]After resuming our laical toilette, and dressing gaily for the great festival, we mounted our asses about the cool of the afternoon, and, returning to Muna, we found the tent full of visitors. Ali ibn Ya Sin, the Zemzemi, had sent me an amphora of holy water, and the carrier was awaiting the customary dollar. With him were several Meccans, one of whom spoke excellent Persian. We sat down, and chatted together for an hour; and I afterwards learned from the boy Mohammed, that all had pronounced me to be an Ajami.