Cupid, Shakespeare’s addresses to, compared with the invocations of Sidney, Drayton, Lyly, and others, [97] n
Curtain Theatre, Moorfields, one of the only two theatres existing in London at the period of Shakespeare’s arrival, [32] [36]
the scene of some of the poet’s performances, [37]
closed at the period of the Civil War, [37] [233] n 1
Cushman, Charlotte, [342]
Cust, Mr. Lionel, [290] n
Cymbeline: sources of plot, [249]
introduction of Calvinistic terms, [250] and n
Imogen, [250]
comparison with As You Like It, [250]
Dr. Forman’s note on its performance, [250]
For editions see Section xix. (Bibliography) [301-25]
‘Cynthia,’ Barnfield’s, adulation of Queen Elizabeth in, [137] n, [435]
‘Cynthia,’ Ralegh’s, extravagant apostrophe to Queen Elizabeth in, [137] n
Cynthia’s Revels, performed at Blackfriars Theatre, [215]
Cyrano de Bergerac, plagiarisms of Shakespeare by, [347]
D