‘Daiphantus,’ allusion to the poet in Scoloker’s, [277]
Daniel, Samuel, parallelisms in Romeo and Juliet with his ‘Complainte of Rosamond,’ [56] [61]
the topic and metre of the ‘Complainte of Rosamond’ reflected in ‘Lucrece,’ [76] [77] and n 1
feigning old age, [86] n
his sonnet (xlix.) on Sleep, [101]
admits plagiarism of Petrarch in his ‘Delia,’ [101] n 4
followed Maurice Sève in naming his collection of sonnets, [104] [430]
claims immortality for his sonnets, [115]
his prefatory sonnet in ‘Delia,’ [130] [429]
celebrates in verse Southampton’s release from prison, [149] [388]
his indebtedness to Desportes, [430]
and to De Balt and Pierre de Brach, [431]
popularity of his sonnets, [431]
Danish, translations of Shakespeare in, [354]
Danter, John, prints surreptitiously Romeo and Juliet, [56]
Titus Andronicus entered at Stationers’ Hall by, [66]
Daurat (formerly Dinemandy), Jean, one of ‘La Pleiade,’ [443]
D’Avenant, John, keeps the Crown Inn, Oxford, [265]
D’Avenant, Sir William, relates the story of Shakespeare holding horses outside playhouses, [33]
on the story of Southampton’s gift to Shakespeare, [126] [374]
a letter of King James to the poet once in his possession, [231]
Shakespeare’s alleged paternity of, [265] [328]
Davies, Archdeacon, vicar of Saperton, on Shakespeare’s ‘unluckiness’ in poaching, [27]
on ‘Justice Clodpate’ (Justice Shallow), [29] [362]
Davies, John, of Hereford, his allusion to the parts played by Shakespeare, [44]
celebrates in verse Southampton’s release from prison, [149] [388]
his ‘Wittes Pilgrimage,’ [439]
sonnets to patrons, [440] n
Davies, Sir John: his ‘gulling sonnets,’ a satire on conventional sonnetteering, [106] [107] and n 1 [128] n, [435] [436]
his apostrophe to Queen Elizabeth, [137] n [273]