But to return to the marriage contract. After the entertainment, both parties consult the almanac and fix a day for the ceremony, called Gátray haridrá or the anointment of the boy with turmeric. On that day the bridegroom, after bathing and putting on a red bordered cloth,[22] is made to stand on a grindstone surrounded by four plantain trees, while five women (one must be of Brahmin caste) whose husbands are alive, go round him five or seven times, anoint his body with turmeric, and touch his forehead at one and the same time with holy water, betel, betel-nuts, a Sree made of rice paste in the shape of a sugarloaf, and twenty other little articles consisting of several kinds of peas, rice, paddy, gold, silver, &c. From this day, the boy carries about a pair of silver nut-crackers, and the girl a pair of kajulnatha,[23] which must remain with them till the solemnization of the nuptials, for the purpose of repelling evil spirits. A little of the turmeric paste with which the body of the bridegroom was anointed is sent by the family barber to the bride in a silver cup, her body is also anointed with it. A number of other gifts follow, namely, a large brass vessel of oil, various kinds of perfumery, three pieces of cloth (one must be a richly embroidered Benares saree, one Dacca, and the other red bordered), a small carpet, a silk musnud with pillows, two mats, some gold trinkets for the head, a few baskets of sweetmeats, some large fishes, sweet and sour milk, and a few garlands of flowers, &c., all which cost from two to three hundred Rupees, or sometimes more. A rich man sometimes gives a pair of diamond combs and flowers for the hair, of the value of two thousand Rupees and upwards. From this, an idea may be formed as to the lavish expenditure of the Hindoos on marriages, even in these hard times. A few can afford it, but the many are put to their wits'-end in meeting the demands thus made upon them.

Two or three days after the ceremony of anointment, the Bengali almanac is again consulted, and a lucky day is appointed for the celebration of Ahibarrabhàt, so called from its being a feast given just before the wedding. On this occasion the father of the bridegroom gives a grand entertainment to the male relatives of the family. As a counterpart to the same the father of the bride gives a similar entertainment to the female relatives of his own family, with this difference only, that in the case of the former no Palkees are required, whereas in the case of the latter these covered conveyances have to be engaged for bringing in the females. In either case the number of guests generally varies from two to three hundred, and as the present style of living among the Hindoos in the metropolis has become more expensive than that which prevailed in the good old days, partly from a vain desire to make an ambitious display of wealth, and partly from the unprecedentedly rapid increase of the population, which has, as a necessary sequence, considerably raised the prices of all kind of provisions, an entertainment of this nature costs from four to five hundred Rupees on each side. The very best kinds of loochees, kocharees, vegetable curries, fruits, sweetmeats[24] and other delicacies of the season are to be provided for this special occasion.

English friends are often invited to the marriages of rich families in Calcutta and regaled with all sorts of delicacies from the Great Eastern Hotel. "The family mansion is splendidly furnished and brilliantly illuminated. There is literally a profusion of pictures and chandeliers. All the furniture and surroundings are indicative more of an English than of a Native house. Dancing girls are hired to impart eclât to the scene. A nabat covered with tinsel is put up in front of the house, where native musicians play at intervals, much to the satisfaction of the mother of the bridegroom and the boys of the neighbourhood, and a temporary scaffolding made of bamboos and ornamental paper is erected on the highway in the form of a crescent bearing on it the inscription, "God save the bridegroom." Male and female servants receiving presents of gold and silver bangles move about the house gaily dressed in red uniform, or clothes. As tangible memorials of the happy union, presents of large brass pots, with oil, plates with sweetmeats, fruits, and clothes, &c., are largely distributed among the Brahmins and numerous friends and relatives of the family. This present is called Samajeek. With the exception of Brahmins, who are content with offering hollow benedictions, in which the sacerdotal class, as a rule, is so very liberal, everyone else who receives them makes in return presents of clothes and sweetmeats, the nearest relatives making the most costly ones. In times of great loganshá, i. e., when numerous marriages take place, the demand for clothes and sweetmeats is really enormous. Dealers in those things make a harvest of profit and "the town becomes a jubilee of feasts."

During the night preceding the marriage, the women of both the families scarcely sleep, being busily engaged in making all sorts of preparations for the next day. Very early in the morning, five Ayows, or females whose husbands are alive, take with them a light, a knife, a Sree, a Brundálá, containing sundry little articles, described before, a small brass pot, some sweetmeats, choora and moorkee, oil, betel, betel-nuts and turmeric, and go to the nearest tank, sounding a conch, and touching the water with the knife, fill the brass pot with water. The above articles being presented as an offering to the brass pot, the females receive a portion of the eatables and return home sounding the conch, which is a necessary accompaniment of all religious ceremonies.

What I am now about to describe may be called the first marriage, because it is invariably followed by a second ceremonial when the union is really consummated. But it properly forms the binding ceremony, as constituting the marriage relative between the two youthful parties, with all its legal and social rights, even if they should not be spared to live together as husband and wife.

The emptiness and superficiality of the relation, especially on the side of the childish bride, will be but too apparent, and is but too often realised in this uncertain life, in the prolonged misery of a virgin widowhood. On the day of the marriage both the bridegroom and the bride are forbidden to eat anything except a little milk and a few fruits. The father of the bride also fasts, as well as the officiating priests of the two families.

About twelve o'clock in the day, the Mowleek family sends presents of clothes, sweetmeats, fishes, sour and sweet milk and some money, say about twenty-five rupees, to the house of the Koolin family, as a mark of honor to the latter, to which, from his superior caste he is fairly entitled. This present is called Adhibassy. Both the fathers are also required during the day to perform the ceremony of Nannimook or Bidhishrad,—a ceremony, the meaning of which, as said before, is to make offerings to the manes of ancestors, and to wish for the increase and preservation of progeny.

After the performance of the above ceremonies, both the bridegroom and the bride putting on new red bordered dhooty and saree respectively at their several houses, are made to bathe; and five women whose husbands are alive touch their foreheads with sundry little things, as mentioned before. They have afterwards to go through a few minor rites which are purely the inventions of the females, not being at all enjoined in the Shásters. It is obvious that the primary object of all these female rites is to promote conjugal felicity. Strange as it may appear, it is nevertheless a fact that the mother of the bridegroom eats seven times (of course but little at a time) that day through a fear lest the bride, when she comes, will give her but scanty meals,[25] while the mother of the bride does not eat anything until the marriage ceremony is over, being impressed with a notion that the more she fasts the more she will get to eat afterwards.

The females on the side of the bride, with the help of a matron, exercise their utmost ingenuity, and literally rack their brains, in devising all manner of contrivances partaking of the character of charms to win the devoted attachment of the bridegroom towards the lovely little bride. They resort to numerous petty tricks for the purpose which are too absurd and childish to be dwelt upon. Credulous as they naturally are, and simple as they are known to be in their habits, not to speak of the normal weakness of their intellect, they fondly imagine that their thook thak or trick is sure to triumph and produce the desired effect. To give an instance or two. They write down in red ink on the back of the Peray, or wooden seat on which the bride is to sit, the names of twenty-one uxorious husbands, and go round the bride seven times. They also write the name of the goddess, Doorga, on the silk saree or garment which the bride is to wear at the time of the marriage ceremony, because Shiva, her husband, was excessively fond of her. They place before her the Chundi Pooty, a sacred book treating of Doorga and Shiva, while her mouth is filled with two betel-nuts to be afterwards chewed with betel by the bridegroom unawares. Meantime active preparations are made on both sides for the auspicious solemnization of the nuptials. At the house of the bridegroom, arrangements are being made for illumination and fireworks, and the grand Nacarras announce the approaching departure of the procession. Fac-similes of mountains and peacocks are made of colored paper spacious enough to accommodate a dozen persons; hundreds of Khás gaylap and silver staves are seen on the roadside; groups of songsters and musicians are posted here and there to give a passing specimen of the vulgar songs of the populace; a Sookasun or bridegroom's seat elegantly fitted up is brought out with two boys gaily dressed to fan the bridegroom with chamurs;[26] hundreds of blue and red lights are distributed among the swarthy coolies, who are to use them on the road when the procession moves. The bridegroom, being washed, is helped to put on a suit of superbly embroidered Benares kinkob dress, with a pearl necklace of great value, besides bangles and armlets set in precious stones and garlands of flowers. Durwans and guards of honor are paraded in front of the house; and in short, nothing is left to impart an imposing appearance to the scene. As has been already observed, there is a growing desire among the Hindoos to imitate English manners and fashions. A marriage procession is considered quite incomplete unless bands of English musicians are retained, and a cavalcade of troopers like a burlesque of the Governor-General's Body Guard is seen to move forward to clear the way. A Cook's carriage with a postillion is not unfrequently observed to supersede the old Sooksun, or gilt Palkee.