Richardson was awakened by the sound of a guitar. It was badly played—in this land of Mexico, from which the romance of the instrument ascends to us like a perfume. The guitar was groaning and whining like a badgered soul. A noise of scuffling feet accompanied the music. Sometimes laughter arose, and often the voices of men saying bitter things to each other, but always the guitar cried on, the treble sounding as if some one were beating iron, and the bass humming like bees. "Damn it—they're having a dance," he muttered, fretfully. He heard two men quarrelling in short, sharp words, like pistol shots; they were calling each other worse names than common people know in other countries. He wondered why the noise was so loud. Raising his head from his saddle pillow, he saw, with the help of the valiant moonbeams, a blanket hanging flat against the wall at the further end of the room. Being of opinion that it concealed a door, and remembering that Mexican drink made men very drunk, he pulled his revolver closer to him and prepared for sudden disaster.
Richardson was dreaming of his far and beloved north.
"Well, I would kill him, then!"
"No, you must not!"
"Yes, I will kill him! Listen! I will ask this American beast for his beautiful pistol and spurs and money and saddle, and if he will not give them—you will see!"
"But these Americans—they are a strange people. Look out, señor."
Then twenty voices took part in the discussion. They rose in quavering shrillness, as from men badly drunk. Richardson felt the skin draw tight around his mouth, and his knee-joints turned to bread. He slowly came to a sitting posture, glaring at the motionless blanket at the far end of the room. This stiff and mechanical movement, accomplished entirely by the muscles of the waist, must have looked like the rising of a corpse in the wan moonlight, which gave everything a hue of the grave.
My friend, take my advice and never be executed by a hangman who doesn't talk the English language. It, or anything that resembles it, is the most difficult of deaths. The tumultuous emotions of Richardson's terror destroyed that slow and careful process of thought by means of which he understood Mexican. Then he used his instinctive comprehension of the first and universal language, which is tone. Still, it is disheartening not to be able to understand the detail of threats against the blood of your body.
Suddenly, the clamour of voices ceased. There was a silence—a silence of decision. The blanket was flung aside, and the red light of a torch flared into the room. It was held high by a fat, round-faced Mexican, whose little snake-like moustache was as black as his eyes, and whose eyes were black as jet. He was insane with the wild rage of a man whose liquor is dully burning at his brain. Five or six of his fellows crowded after him. The guitar, which had been thrummed doggedly during the time of the high words, now suddenly stopped. They contemplated each other. Richardson sat very straight and still, his right hand lost in his blanket. The Mexicans jostled in the light of the torch, their eyes blinking and glittering.
The fat one posed in the manner of a grandee. Presently his hand dropped to his belt, and from his lips there spun an epithet—a hideous word which often foreshadows knife-blows, a word peculiarly of Mexico, where people have to dig deep to find an insult that has not lost its savour. The American did not move. He was staring at the fat Mexican with a strange fixedness of gaze, not fearful, not dauntless, not anything that could be interpreted. He simply stared.