The fat Mexican must have been disconcerted, for he continued to pose as a grandee, with more and more sublimity, until it would have been easy for him to have fallen over backward. His companions were swaying very drunkenly. They still blinked their little beady eyes at Richardson. Ah, well, sirs, here was a mystery! At the approach of their menacing company, why did not this American cry out and turn pale, or run, or pray them mercy? The animal merely sat still, and stared, and waited for them to begin. Well, evidently he was a great fighter! Or perhaps he was an idiot? Indeed, this was an embarrassing situation, for who was going forward to discover whether he was a great fighter or an idiot?
To Richardson, whose nerves were tingling and twitching like live wires, and whose heart jolted inside him, this pause was a long horror; and for these men, who could so frighten him, there began to swell in him a fierce hatred—a hatred that made him long to be capable of fighting all of them, a hatred that made him capable of fighting all of them. A 44-calibre revolver can make a hole large enough for little boys to shoot marbles through; and there was a certain fat Mexican with a moustache like a snake who came extremely near to have eaten his last tomale merely because he frightened a man too much.
José had slept the first part of the night in his fashion, his body hunched into a heap, his legs crooked, his head touching his knees. Shadows had obscured him from the sight of the invaders. At this point he arose, and began to prowl quakingly over toward Richardson, as if he meant to hide behind him.
Of a sudden the fat Mexican gave a howl of glee. José had come within the torch's circle of light. With roars of ferocity the whole group of Mexicans pounced on the American's servant. He shrank shuddering away from them, beseeching by every device of word and gesture. They pushed him this way and that. They beat him with their fists. They stung him with their curses. As he grovelled on his knees, the fat Mexican took him by the throat and said—"I am going to kill you!" And continually they turned their eyes to see if they were to succeed in causing the initial demonstration by the American. But he looked on impassively. Under the blanket his fingers were clenched, as iron, upon the handle of his revolver.
Here suddenly two brilliant clashing chords from the guitar were heard, and a woman's voice, full of laughter and confidence, cried from without—"Hello! hello! Where are you?" The lurching company of Mexicans instantly paused and looked at the ground. One said, as he stood with his legs wide apart in order to balance himself—"It is the girls. They have come!" He screamed in answer to the question of the woman—"Here!" And without waiting he started on a pilgrimage toward the blanket-covered door. One could now hear a number of female voices giggling and chattering.
Two other Mexicans said—"Yes, it is the girls! Yes!" They also started quietly away. Even the fat Mexican's ferocity seemed to be affected. He looked uncertainly at the still immovable American. Two of his friends grasped him gaily—"Come, the girls are here! Come!" He cast another glower at Richardson. "But this——," he began. Laughing, his comrades hustled him toward the door. On its threshold, and holding back the blanket, with one hand, he turned his yellow face with a last challenging glare toward the American. José, bewailing his state in little sobs of utter despair and woe, crept to Richardson and huddled near his knee. Then the cries of the Mexicans meeting the girls were heard, and the guitar burst out in joyous humming.
The moon clouded, and but a faint square of light fell through the open main door of the house. The coals of the fire were silent, save for occasional sputters. Richardson did not change his position. He remained staring at the blanket which hid the strategic door in the far end. At his knees José was arguing, in a low, aggrieved tone, with the saints. Without, the Mexicans laughed and danced, and—it would appear from the sound—drank more.
In the stillness and the night Richardson sat wondering if some serpent-like Mexican were sliding towards him in the darkness, and if the first thing he knew of it would be the deadly sting of a knife. "Sssh," he whispered, to José. He drew his revolver from under the blanket, and held it on his leg. The blanket over the door fascinated him. It was a vague form, black and unmoving. Through the opening it shielded were to come, probably, threats, death. Sometimes he thought he saw it move. As grim white sheets, the black and silver of coffins, all the panoply of death, affect us, because of that which they hide, so this blanket, dangling before a hole in an adobe wall, was to Richardson a horrible emblem, and a horrible thing in itself. In his present mood he could not have been brought to touch it with his finger.
The celebrating Mexicans occasionally howled in song. The guitarist played with speed and enthusiasm. Richardson longed to run. But in this vibrating and threatening gloom his terror convinced him that a move on his part would be a signal for the pounce of death. José, crouching abjectly, mumbled now and again. Slowly, and ponderous as stars, the minutes went.
Suddenly Richardson thrilled and started. His breath for a moment left him. In sleep his nerveless fingers had allowed his revolver to fall and clang upon the hard floor. He grabbed it up hastily, and his glance swept apprehensively over the room. A chill blue light of dawn was in the place. Every outline was slowly growing; detail was following detail. The dread blanket did not move. The riotous company had gone or fallen silent. He felt the effect of this cold dawn in his blood. The candour of breaking day brought his nerve. He touched José. "Come," he said. His servant lifted his lined yellow face, and comprehended. Richardson buckled on his spurs and strode up; José obediently lifted the two great saddles. Richardson held two bridles and a blanket on his left arm; in his right hand he had his revolver. They sneaked toward the door.