It was like an inverted picture from Kingsley's Westward Ho, and for a moment I could fancy I saw a British sailor victim of the Spanish Inquisition. I looked at the fierce, unforgiving, taciturn Cuyo, and then at the fine cultured face of Fiallo. How it would have stirred the blood if Cuyo had been Anglo-Saxon and had been thus treated by Spaniards! For our noble rage has an ignoble appetite—it feeds on atrocities, must have atrocities. But here was a Spaniard, alleged to have been tortured with hot irons by one of us, by an Anglo-Saxon. It was incredible.
Fabio Fiallo looked down into the depths of the tranquil sea and meditated, as if he were looking for the Spanish ships and Spaniards down below, and their banners and their crosses and the spoils of the Indies. He could not see them. He could only see the sharks following the boat.
The sailors came out with pistols and began shooting at sharks. For when one shark gets killed the others feed on it and cease following the ship for a while. But it does not disturb the poet, nor the imperturbable Baez. They are thinking of all that is Spanish, hating all that is American, and they are sailing over the sea to stir up the Cubans and eventually to stir up Washington. Cuyo Baez will show his mutilated body to many, and whether he was actually tortured by Anglo-Saxon or by one of Spanish blood, he inevitably will rouse passion and malice against the starry banner of the North.
The ship glides on, leaves Haiti, crosses the Windward Passage, labors through a long noontide over little waves, and in the afternoon comes "unto a land in which it seemed always afternoon." And I went up into the peak of the prow of the ship and it ceased to be on a Cuban merchant-man. I had raised one of the lost galleons, and behind me were no moderns but the clamorous, audacious mariners of the first days of the New World.
The treasure ship drifts westward on a merely dimpled sea, and in the evening comes to the shelter of Cape Maysi. The sun sets in a lake of fire, and we traverse shadows of cloudlets instead of waves; and the shadows are blue and then peacock blue with black circulating lines, like cobra's eyes, and then blood red, and then red gelatine and then green. And from where in the mountains the sun made a lake of fire, a marvelous red brilliance has been enkindled and great black radii shoot outward across bands of red glowing burning color. It is a dreadful and grandiose scene, the surface of the sea so calm and yet possessed of fast-wandering, circulating, wallowing color reflections—the place of actual sunset meanwhile, far o'er the waves, made gigantic and romantic by the great black spokes of a wheel that is rolling through illimitable fires.
And the treasure ship in the enchanted twilight goes on, goes on, with all the pulse of Castile behind it.