The first army that came were the wildest, boldest, and they plunged right away into the sin and gaiety and dangerous pleasures of the city, conducted by the money-grubbing but ingenious and smiling Arabs to the gambling dens, dancing-houses, and strange parlours of the back streets. They were cheated, swindled, robbed whilst drunk, robbed whilst asleep, but they saw strange sights and tasted unusual pleasures, sating the new eyes and lips which Egypt had given them. At last, the time drawing nigh for their departure for the Dardanelles, they resolved to get back part of what they had lost in the back streets of the city—certain things they could never get back—and they went down in force and sacked the houses and rushed the Arabs and Arab women to the streets and took back what they could find. There was a great riot. The native police were called out, and they fired at the screaming mob. Such scenes were enacted in the city that brought to mind the continuous street-rioting in Alexandria in the old early-Christian days. But what is most significant in the sight of these fine young men in the city is the realisation of the impure strain they take back with them from Egypt to the women and the children of Australia and New Zealand.
Night comes over the stately city, and the Europeans in their white clothes come in greater numbers into the streets. The great remote staring moon stands over the broad highway and arched bridges. Heat seems to be generated through the haze in the sky, but a light dry breeze is ever blowing, and the pungent sweetish odour of the city is in the nostrils. In the contrast of darkness and night silence the clangour of Eastern music is more stirring. It stirs the body, not the soul, and is like the sensuous music of Nebuchadnezzar, the music of cornet, flute, harp, sackbut, psaltery, and dulcimer. Dark women with gold ornaments hang out from curtainless windows or lurk just inside doorways and dark passages, ready to coil snake-like upon a prey. In the roadways a shouting, calling crowd. In the taverns they are singing “Tipperary” and “We won’t go home till morning”; some men are standing on the tables, others are trying to put gawky Arab girls through the steps of a tango. The music jangles. The whole street has a collective voice, a strange tinkling and murmuring uproar.
A tall, lank, loose-jawed, genial Copt would show you the haunts of evil, and offers his services to procure you pleasure. You have said “No” to him; he stands there where you left him on the pavement in his long cotton rags, smiling gently and cogitatively—the same type as stood in the city of the Pharaohs in the old days of the Israelitish bondage. It is strange to reflect that they find in the mummies of those who lived so many thousands of years ago the marks of “the city’s disease,” and the sign of the impure strain. There is a community of sin. What was in ancient Egypt is in the world to-day and was not invented in any recent time but has been carried on from one human being to another, to many others, and from them to others still.
I look at the mummies of Egypt, at the bright pictures of the people, fresh as if painted yesterday. These paintings on the coffin-lids live, they are the real people. You know that the brown, dry bodies wrapped in thick folds of linen did once walk, and were the beautiful society of some era five or six thousand years ago. There is in Cairo the unwrapped mummy of the majestical Pharaoh who would not let the children of Israel go. As you look at his face time is bridged over, and you see how brief a space is our vaunted history of man and what parochial dwellers in time we are, rolling our eyes and hushing our accents when we speak of a hundred or a thousand years, as if those seconds of being were of vast extent, tiring the angels to get over them. There lies old Pharaoh, brown, but still in the flesh. He has a Roman nose, distinguished features, the face of a man of learning; there is a look of Dante about him. His neck has shrunk to the size of a bird’s neck and his head rather dangles on it, but it is an actual head and an actual face.
Pharaoh is unwrapped, but beside him stands an unopened pupa case; the linen is fresh as when new, and daintily folded and tied as on the day of burial five thousand years ago. A lotus flower lies in the coffin; it looks as if it had been picked last month and had wilted a little, and yet it may have been picked by the princess herself, and she was a daughter of one of the Pharaohs—perchance even of her who found and cherished the baby Moses.
When you read of Jacob in the Old Testament, that—
... the physicians embalmed him. And forty days were fulfilled for him; for so are fulfilled the days of those which are embalmed: and the Egyptians mourned for him threescore and ten days. And when the days of his mourning were past ... Joseph went up to bury his father: and with him went up all the servants of Pharaoh, the elders of his house, and all the elders of the land of Egypt ...
you realise that there is perhaps somewhere a mummy of Jacob, and a modern might see him face to face.
Time flies. But the distance is near. I would like to imagine one night in ancient Egypt. The faces on the coffins, as I look at them, lid after lid, are quite realisable, those broad cheeks and bright eyes.... I suppose one could find five thousand mummies who in their lifetime were contemporaries, and one night they are all thinking about much the same thing. Something is toward at the Court; their chairs or carriages or chariots come for them; they are decked out, they have their jewels in their hair, their fine garb, their vanities, spites, triumphs, vexations, loves, ambitions. They dwell in their present moment, eyes burn, hearts beat faster, lips frame vain words. The same moon is on high, the same odour in the air. They bend their gaze towards the throne, they flock towards the throne as if the touch of it were miraculous. Vanity of vanities! The Israelites had to go out to the Desert to find the ten commandments and the Mosaic laws. Vanity of vanities—and is it not all vanity? Is not the life of the ascetics in the Desert vanity also? No, for they have denied the world. They have said No to Egypt and gone into the wilderness to seek a promised land. In their shrunken pearly faces is written a different allegiance from that of Pharaoh. They deny that this world is our world, that our life is our true life, that death is really death.