The manager would show the monks how they ought to keep house. But better still, he would clear them all out. They are very good, very kind, there is nothing against them, but what are they doing, he asks. Their lives are pure waste. They don’t produce caustic soda.
I go to my room to sleep, and then at midnight come out again to see the full moon flooding the vast plain of sand with light, and to realise once more the breathless and perfect stillness of the desert.
IV
THE WORLD
From the Desert back to the town, to “the world,” to the hurly-burly of Cairo and the flesh-pots of Egypt! It is war-time, the summer of 1915, the Turks are being fought on the Peninsula of Gallipoli. The city is full of soldiers, sunburned Australians and New Zealanders who have not yet been in action but are being kept lest the Arabs should come out of the Desert and strive to efface the English and French civilisation of the banks of the lower Nile and so add more ruins to the ruins of Egypt. The city is majestical with its broad streets, white stone palaces and stately mansions, its wondrous river and its mighty bridges. The dryness, cleanness, and whiteness of a city that knows no rain; the city gleams in a vast supply of sunshine. The wind blows all the time from the Desert, and wafts heat in the face as from a furnace. A city of life and gay energy. The fountain of life plays rapidly and brilliantly all the time, throwing up all colours, forms, faces. There is a sense of resplendent and tremendous gaiety. No one comes to Cairo to be an ascetic and mortify the flesh. But every building, every sight and sound, says, “Life, life, life.” All around is death—the Desert which is death itself, the Pyramids which are tombs, the old cities and ruins which are the bodies of ancient civilisations passed away. But every sight and sound in the oasis of the great city says—Live, be gay, let the pulse beat fast, let the heart go and be glad, let the eyes sparkle and burn, let the lips form words of passion and pleasure.
There is a sense of an immense antiquity which in contrast with the little second of the present moment makes the latter less important, less holy. There is a subtle smell in the air, an odour that makes the head a little dizzy and the hands a little feverish as you walk; it is the actual odour of antiquity, a finest dust in suspension in the wind, the dust of decay from past ages. All that dies in Egypt becomes dry, and only after centuries turns to dust and loses form. That which rots away in a year in our northern clime keeps its semblance for a thousand years in Egypt. The stones of the houses of native Cairo were many of them quarried by the ancients; the wooden beams and joists have lasted from the days of the Pharaohs, and only now are gently crumbling. Here the very stones can be used to manure the fields. Subtly, secretly, the seventh foundation is always crumbling away and passing in dust into the Desert air. The smell in the air is partly the fine dust of mummies, of the bodies that were once erect and nervous and vivid, gay and felicitous and moving, the mysterious flocking humans of thousands of years ago.
The streets roll forward with flocking crowds—dark faces, brown faces, sallow faces; red caps and straw hats and little turbans and smocks and burnous; negroes, Copts, Arabs, women in white veils, women with dark veils; Europeans, soldiers, hawkers, mendicants, post-card sellers, newspaper vendors. Along the centre of the broad sun-swept roadways crash the electric trams; the rubber-tyred cabs and wide-hooded victorias follow pleasantly; the motor-cars proceed; the military auto-cycles pant; and the heavy ox and buffalo carts of the natives blunder along at the sides. There is doing everywhere, happening, being. Voluminous and promiscuous action floods and surges through the city with the traffic. It is life everywhere. And yet mingled with life there is death. There is plague in Cairo, and every now and then the eyes rest on a native funeral procession, one procession, two processions, five processions, ten processions all following one another. They are in every street, and they go past with their strange pomp of death, with the body and the mourners and the keeners and professional howlers. The brightly living crowd on the footways each side of the road pause a moment and think, “Some one has died,” and pass on, oblivious, intent on life.
In luxurious hotels gentle and beautiful Nubians are handing out delicate fare, rich dishes cooked and served in that sought-out and magnificent style that Egypt has inherited from ages of epicurism. And a wonderful assembly of officers and ladies, rich pleasure-seekers and tourists from the Mediterranean shores, invalids, receives—sitting at flower-decked tables in great halls. Many restless souls fall into the rhythm of Egypt and feel themselves part of a great and satisfying grandeur. It is borne in upon the mind that the rich have always lived in a certain way in Egypt, and that the grandeur of Pharaoh and of Antony and Cleopatra are one and the same with the grandeur of to-day. A living thread of crimson and gold runs through the centuries of Egypt and is caught to-day, unbroken. Cairo is the capital of the Desert, and yet I do not know. It seems to me even at midday, when the sun glares over the stones, that somehow the Desert does not exist, or that it is in profound darkness, and that Cairo is a city all lamps, an island of effulgent light encompassed on all sides with darkness. It is barely credible that the sun of Cairo is the terrible sun of the Sahara, the sun whose monstrous arms clasp thousands of miles of scorched sand and wasted world, that the sun may not even notice Cairo as it looks on the Desert. But those who live in the cities of Egypt are enough unto themselves.
A strange impression, in the afternoon, to go down side streets and observe the throngs of young men, unsteady on their feet but bright-eyed and thirsty-lipped, greedy, eager; the strong-limbed sun-burnt Colonial soldiers dancing with Arab girls, the café-chantants, shooting-saloons, bars, bad houses, the barrel-organs, the smell of the air.
One can spare a questioning thought as to the homes of the soldiers. They come to Egypt from a fresh Colonial country, from good homes, pure women who are their mothers, gentle and innocent girls who are their brides. They nobly offer themselves to fight for their race against a false idea and a predatory nation. Tears fall at their departure. Prayers accompany them. But though bound for France and England they suddenly find their destination changed to Turkey, and they are put down, for convenience, in Egypt. They are dumped upon this mysterious and astonishing country as if one bit of dry land were just the same as any other, and without any notion of the spiritual significance of being stranded here. No blame to any one. Providence directs the destinies of men and women.