Mullins, the manager of the Exchange Bank, took his morning shave from Jeff as a form of resuscitation, with enough wet towels laid on his face to stew him and with Jeff moving about in the steam, razor in hand, as grave as an operating surgeon.
Then, as I think I said, Mr. Smith came in every morning and there was a tremendous outpouring of Florida water and rums, essences and revivers and renovators, regardless of expense. What with Jeff's white coat and Mr. Smith's flowered waistcoat and the red geranium in the window and the Florida water and the double extract of hyacinth, the little shop seemed multi-coloured and luxurious enough for the annex of a Sultan's harem.
But what I mean is that, till the mining boom, Jefferson Thorpe never occupied a position of real prominence in Mariposa. You couldn't, for example, have compared him with a man like Golgotha Gingham, who, as undertaker, stood in a direct relation to life and death, or to Trelawney, the postmaster, who drew money from the Federal Government of Canada, and was regarded as virtually a member of the Dominion Cabinet.
Everybody knew Jeff and liked him, but the odd thing was that till he made money nobody took any stock in his ideas at all. It was only after he made the "clean up" that they came to see what a splendid fellow he was. "Level-headed" I think was the term; indeed in the speech of Mariposa, the highest form of endowment was to have the head set on horizontally as with a theodolite.
As I say, it was when Jeff made money that they saw how gifted he was, and when he lost it,—but still, there's no need to go into that. I believe it's something the same in other places too.
The barber shop, you will remember, stands across the street from Smith's Hotel, and stares at it face to face.
It is one of those wooden structures—I don't know whether you know them—with a false front that sticks up above its real height and gives it an air at once rectangular and imposing. It is a form of architecture much used in Mariposa and understood to be in keeping with the pretentious and artificial character of modern business. There is a red, white and blue post in front of the shop and the shop itself has a large square window out of proportion to its little flat face.
Painted on the panes of the window is the remains of a legend that once spelt BARBER SHOP, executed with the flourishes that prevailed in the golden age of sign painting in Mariposa. Through the window you can see the geraniums in the window shelf and behind them Jeff Thorpe with his little black scull cap on and his spectacles drooped upon his nose as he bends forward in the absorption of shaving.
As you open the door, it sets in violent agitation a coiled spring up above and a bell that almost rings. Inside, there are two shaving chairs of the heavier, or electrocution pattern, with mirrors in front of them and pigeon holes with individual shaving mugs. There must be ever so many of them, fifteen or sixteen. It is the current supposition of each of Jeff's customers that everyone else but himself uses a separate mug. One corner of the shop is partitioned off and bears the sign: HOT AND COLD BATHS, 50 CENTS. There has been no bath inside the partition for twenty years—only old newspapers and a mop. Still, it lends distinction somehow, just as do the faded cardboard signs that hang against the mirror with the legends: TURKISH SHAMPOO, 75 CENTS, and ROMAN MASSAGE, $1.00.
They said commonly in Mariposa that Jeff made money out of the barber shop. He may have, and it may have been that that turned his mind to investment. But it's hard to see how he could. A shave cost five cents, and a hair-cut fifteen (or the two, if you liked, for a quarter), and at that it is hard to see how he could make money, even when he had both chairs going and shaved first in one and then in the other.