The night of the half-breed's arrival the usual crowd was carrying on the usual discussions on the usual subjects.
One fresh from the East entering the building would have been struck first with the strangeness of the room. It was long and low, and on three sides dark. Against the fourth wall was stretched tightly a white cotton sheet, imitating plaster, in front of which stood the bar. The bar was polished, narrow, with a foot rest in front and two towels hanging from metal clasps just under the projecting eaves of it. It had been brought in sections, by wagon, at considerable expense. Some three feet behind the bar, stretched a shelf of the same height, towel covered, on which stood four bottles in front of a little mirror. The shelf was piled symmetrically with glasses of all shapes—tumblers, ponies, fine-stemmed wineglasses—arranged in pyramids and squares. They glittered in the glare of the lamps, and the indirect light from the white sheet. A dim pink reflection was given back by the mirror—dim and pink because the glass was draped with pink mosquito bar. Overhead hung the sign which read, "To Trust is Bust."
Beneath the reflector of the largest lamp lounged the barkeeper reading a paper. He had spread the paper on the bar, and, having crooked his elbows out at wide angles around its margin, was bending his head of straw-colored hair close over the print. He was dressed in white as to the upper part of his body. Occasionally he read aloud in a monotone from the paper. At other times his lips moved slowly, shaping the invisible words as they took form in his sluggish brain.
"The latest creations in ties," he read, "are described by our buyer as being natty effects in the narrow plaids."
Outside this glare of light from the white-dressed man, and the glittering pyramids and squares and glasses, and the dim pink reflections, and the white sheet imitating plaster, the rest of the room seemed dark by contrast. Near the door and the small front window, glowed a red-hot stove. Along the walls were ranged chairs. In the chairs sat many men smoking. Above the men a few cheap pictures were tacked against the rough walls. One of them represented an abnormally slim and smooth race horse against a background of vivid green. Another showed an equally green landscape, throwing into relief a group of red-coated men on spider-legged horses, pursuing a huddle of posing white hounds. One of the spider-legged horses had fallen, and the rider, being projected horizontally forward, was suspended rigidly in mid air, like Mohammed's coffin, and with as much apparent prospect of coming to earth. Still another presented the sight of an exceedingly naked woman descending from an exceedingly flat and marble couch. One foot was on the floor, and the other knee rested still on the flat and marble couch. It was labelled "Surprised."
Three large lamps with reflectors illuminated this part of the room. Then came a strip of comparative dusk; then another hanging-lamp disclosed a smooth-topped table, on which was a faro lay-out.
The men in the chairs smoked industriously and spoke seldom. The air was thick with the smoke of strong tobacco, such as "Hand Made" and "Lucky Strike." Very near the stove sprawled old Mizzou, low-foreheaded, white-bearded, talking always of women and the merits of grass-widows and school-ma'ams.
"They is nothin' like 'em!" he asserted with ever-fresh emphasis of tone. "Back in Chillicothe, whar th' hogs an' gals is co'n-fed, they is shore bustin'! When one of them critters comes 'round, I feels jest like raisin' hell and puttin' a chunk under it!"
"Th' hell you do!" snorted Cheyenne Harry, scowling his handsome brows, "th' hell you do! Give us a rest with yore everlasting females." He pulled his hat over his eyes, and drew savagely on his pipe, his right hand over the bowl, his left clasped tight under his armpit.
Billy Knapp was telling about his mine.