From what is given us it is possible to go further and see something of his habits of mind. His thought will occupy us in later chapters; here we are concerned rather with the way in which his mind moves, and the characteristics of his thinking.
First of all, we note a certain swiftness, a quick realization of a situation, a character, or the meaning of a word. Men try to trap him with a question, and he instantly "recognizes their trickery" (Luke 20:23). When they ask for a sign, he is as quick to see what they have in mind (Mark 8:11-13). He catches the word whispered to Jairus—half hears, half divines it, in an instant (Mark 5:36). He is surprised at slowness of mind in other men (Matt. 15:16; Mark 8:21). And in other things he is as quick—he sees "the kingdoms of this world in a moment of time" (Luke 4:5); he beholds "Satan fallen (aorist participle) from heaven like lightning" (Luke 10:18)—two very striking passages, which illuminate his mind for us in a very important phase of it. We ought to have been able to guess without them that he saw things instantly and in a flash—that they stood out for him in outline and colour and movement there and then. That is plain in the parables from nature, and here it is confirmed. Is there in all his parables a blurred picture, the edges dim or the focus wrong? The tone of the parables is due largely to this gift of visualizing, to use an ugly modern word, and of doing it with swiftness and precision.
Several things combine to make this faculty, or at least go along with it—a combination not very common even among men of genius—an unusual sense of fact, a very keen and vivid sympathy, and a gift of bringing imagination to bear on the fact in the moment of its discovery, and afterwards in his treatment of the fact.
On his sense of fact we have touched before, in dealing with his close observation of Nature. It is an observation that needs no note-book, that is hardly conscious of itself. There is, as we know, a happy type of person who sees almost without looking, certainly without noticing—and sees aright too. The temperament is described by Wordsworth in the opening books of "The Prelude". The poet type seems to lose so much and yet constantly surprises us by what it has captured, and sometimes hardly itself realizes how much has been done. The gains are not registered, but they are real and they are never lost, and come flashing out all unexpectedly when the note is struck that calls them. So one feels it was with Jesus' intimate knowledge of Nature—it is not the knowledge of botanist or naturalist, but that of the inmate and the companion, who by long intimacy comes to know far more than he dreams. "Wise master mariners," wrote the Greek poet, Pindar, long before, "know the wind that shall blow on the third day, and are not wrecked for headlong greed of gain." They know the weather, as we say, by instinct; and instinct is the outcome of intimacy, of observation accurate but sub-conscious.
It chimes in with this instinct for fact, that Jesus should lay so much emphasis on truth of word and truth of thought. Any hypocrisy is a leaven (Matt. 16:19; Luke 12:1); any system of two standards of truth spoils the mind (Matt. 5:33-37). The divided mind fails because it is not for one thing or the other. If it is impossible to serve God and mammon, truth and God go together in one allegiance; and a non-Theocentric element in a man's thought will be fatal sooner or later to any aptitude he has by nature for God and truth.
We find this illustrated in Jesus' own case. At the heart of his instinct for fact is his instinct for God. He goes to the permanent and eternal at once in his quest of fact, because his instinct for God is so sure and so compelling. Bishop Phillips Brooks noted in Jesus' conversation "a constant progress from the arbitrary and special to the essential and universal forms of thought," "a true freedom from fastidiousness," "a singular largeness" in his intellectual life. The small question is answered in the larger—"the life is more than meat and the body is more than raiment" (Luke 12:23). When he is challenged on divorce, he goes past Moses to God (Matt. 19:4)—"He which made them at the beginning made them male and female." Every question is settled for him by reference to God, and to God's principles of action and to God's laws and commands; and God, as we shall see in a later chapter, is not for him a conception borrowed from others, a quotation from a book. God is real, living, and personal; and all his teaching is directed to drive his disciples into the real; he insists on the open mind, the study of fact, the fresh, keen eye turned on the actual doings of God.
When life and thought have such a centre, a simplicity and an integrity follow beyond what we might readily guess. "When thine eye is single, thy whole body also is full of light, … if thy whole body therefore be full of light, having no part dark, the whole shall be full of light, as when the bright shining of a candle doth give thee light" (Luke 11:34-36). It is this fullness of light that we find in Jesus; and as the light plays on one object and another, how clear and simple everything grows! All round about him was subtlety, cleverness, fastidiousness. His speech is lucid, drives straight to the centre, to the principle, and is intelligible. We may not see how far his word carries us, but it is abundantly plain that simple and straightforward people do understand Jesus—not all at once, but sufficiently for the moment, and with a sense that there is more beyond. His thought is uncomplicated by distinctions due to tradition and its accidents. His whole attitude to life is simple—he has no taboos; he comes "eating and drinking" (Matt. 11:19); and he told his followers, when he sent them out to preach, to eat what they were given (Luke 10:7); "give alms," he says, "of such things as ye have; and, behold, all things are clean unto you" (Luke 11:41). If God gives the food, it will probably be clean; and the old taboos will be mere tradition of men. He is not interested in what men call "signs," in the exceptional thing; the ordinary suffices when one sees God in it. One of Jesus' great lessons is to get men to look for God in the commonplace things of which God makes so many, as if Abraham Lincoln were right and God did make so many common people, because he likes them best. The commonest flowers—God thinks them out, says Jesus, and takes care of them (Matt. 6:28-30). Hence there is little need of special machinery for contact with God—priesthoods, trances, visions, or mystical states—abnormal means for contact with the normal. When Jesus speaks of the very highest and holiest things, he is as simple and natural as when he is making a table in the carpenter-shop. Sense and sanity are the marks of his religion.
"Sense of fact" is a phrase which does not exclude—perhaps it even suggests—some hint of dullness. The matter-of-fact people are valuable in their way, but rarely illuminative, and it is because they lack the imagination that means sympathy. Now in Jesus' case there is a quickness and vividness of sympathy—he likes the birds and flowers and beasts he uses as illustrations. They are not the "natural objects" with which dull people try to brighten their pages and discourses. They are happy living things that come to his mind, as it were, of themselves, because, shall we say? they know they will be welcome there; and they are welcome. His pity and sympathy are unlike ours in having so much more intelligence and fellow-feeling in them. He understands men and women, as his gift of bright and winning speech shows. After all, as Carlyle has pointed out in many places, it is this gift of tenderness and understanding, of sympathy, that gives the measure of our intellects.[14] It is the faculty by which men touch fact and master it. It is the want of it that makes so many clever and ingenious people so futile and distressing.
The sense of fact and the gift for sympathy and the foundations, so to speak, of the imagination which gives their quality to the stories and pictures of Jesus. He thinks in pictures, as it were; they fill his speech, and every one of them is alive and real. Think, for example, of the Light of the world (Matt. 5:14), the strait gate and the narrow way (Matt. 7:14), the pictures of the bridegroom (Mark 2:19), sower (Matt. 13:3), pearl merchant (Matt. 13:45), and the men with the net (Matt. 13:47), the sheep among the wolves (Matt. 10:16), the woman sweeping the house (Luke 15:8), the debtor going to prison accompanied by his creditor and the officer with the judge's warrant (Luke 12:58), the shepherd separating his sheep from the goats (Matt. 25:32), the children playing in the market-place pretending to pipe or to mourn (Luke 7:32), the fall of the house (Matt. 7:27)—or the ironical pictures of the blind leading the blind straight for the ditch (Matt. 15:14), the vintagers taking their baskets to the bramble bushes (Matt. 7:16), the candle burning away brightly under the bushel (Matt. 5:15; Luke 11:33), the offering of pearls to the pigs (Matt. 7:6)—or his descriptions of what lay before himself as a cup and a baptism (Mark 10:38), and of his task as the setting fire to the world (Luke 12:49). There is a truthfulness and a living energy about all these pictures—not least about those touched with irony.
There are, however, pictures less realistic and more imaginative—one or two of them, in the language of the fireside, quite "creepy." Here is a house—a neat, trim little house—and for the English reader there is of course a garden or a field round it, and a wood beyond. Out of the wood comes something—stealthily creeping up towards the house—something not easy to make out, but weary and travel-stained and dusty—and evil. A strange feeling comes over one as one watches—it is evil, one is certain of it. Nearer and nearer to the house it creeps—it is by the window—it rises to look in, and one shudders to think of those inside who suddenly see that looking at them through the window. But there is no one there. Fatigue changes to triumph; caution is dropped; it goes and returns with seven worse than itself, and the last state of the place is worse than the first (Luke 11:24-26). Is this leaving the real? One critic will say it is, "No," says another man, in a graver tone and speaking slowly, "it's real enough; it's my story." But have we left the text too far? Then let us try another passage. Here is a funeral procession, a bier with a dead man laid out on it, "wrapped in a linen cloth" (Matt. 27:59), "bound hand and foot with grave-clothes" (John 11:44)—a common enough sight in the East; but who are they who are carrying him—those silent, awful figures, bound like him hand and foot, and wound with the same linen cloth, moving swiftly and steadily along with their burden? It is the dead burying the dead (Luke 9:60). Add to these the account of the three Temptations—stories in picture, which must come from Jesus himself, and illustrate another side of his experience. For to the mind that sees and thinks in pictures, temptation comes in pictures which the mind makes for itself, or has presented to it and at once lights up—pictures horrible and once seen hard to forget and to escape. No wonder he warns men against the pictures they paint themselves in their minds (Matt. 5:28; cf. Chapter VII, p. 154). Add also the other pictures of Satan fallen (Luke 10:18) and Satan pushing into God's presence with a demand for the disciples (Luke 22:31). Are we to call these "visions"—the word is ambiguous—or are they imaginative presentments of evil, as it thrusts itself on the soul, with all its allurements and all its ugliness? "Visions" in the sense that is associated with trance, we shall hardly call them. They are pictures showing his gift of imagination.