But there is a condition antecedent to understanding the cross. We have, as we agreed, to ask ourselves, what is the experience which led him to think as he did? In the simpler language of the Gospels, quite plain and easy to understand, the call to follow comes first—the call to deeper association with Jesus Christ in his love for men. Do not our consciences tell us that, if we really loved people as Jesus does, if we understood them as sympathetically and cared as much for them, the cross would be far more intelligible to us? But if, in plain fact, we do not see why we should bear the cross for others, why we should deny and obliterate self on this scale for the salvation of men—how, I ask, to people of such a mind should Jesus be intelligible? It is not to be expected. In no other sphere would one dream of it. When a man avows that he does not care for art or poetry, who would wish to show him poem or picture? How should a person, who does not care for men, understand the cross? Deeper association, then, with Jesus in his love of men, in his agony, in his trust in God—that is the key to all. As we agreed at the very beginning, we have to know him before we can understand him.
It all depends in the long run on one thing; and that we find in the verse with which we started: "And as they followed, they began to be afraid." But they followed. We can understand their fear. It comes to a man in this way. If Jesus crucified means anything like what the Church has said, and has believed; if God is in that man of Nazareth reconciling the world to Himself; if there is real meaning in the Incarnation at all; if all this language represents fact; "then," he may say, "I am wholly at a loss about everything else." A man builds up a world of thought for himself—we all do—a scheme of things; and to a man with a thought-out view of the world, it may come with an enormous shock to realize this incredible idea, this incredible truth, of God in Christ. Those who have dwelt most on it, and value it most, may be most apt to understand what I mean by calling it incredible. Think of it. It takes your breath away. If that is true, does not the whole plan of my life fall to pieces—my whole scheme of things for the world, my whole body of intellectual conceptions? And the man to whom this happens may well say he is afraid. He is afraid, because it is so strange; because, when you realize it, it takes you into a new world; you cannot grasp it. A man whose instinct is for truth may hesitate—will hesitate about a conception like this. "Is it possible," he will ask himself, "that I am deluded?" And another thought rises up again and again, "Where will it take me?" We can understand a man being afraid in that way. I do not think we have much right not to be afraid. If it is the incarnation of God, what right have we not to be afraid? Then, of course, a man will say that to follow Christ involves too much in the way of sacrifice. He is afraid on lower grounds, afraid of his family, afraid for his career; he hesitates. To that man the thing will be unintelligible. The experience of St. Augustine, revealed in his "Confessions", is illuminative here. He had intellectual difficulties in his approach to the Christian position, but the rate of progress became materially quicker when he realized that the moral difficulties came first, that a practical step had to be taken. So with us—to decide the issue, how far are we prepared to go with Jesus? Have we realized the experience behind his thought? The rule which we laid down at the beginning holds. How far are we prepared to go in sharing that experience? That will measure our right to understand him. Once again, in the plainest language, are we prepared to follow, as the disciples followed, afraid as they were?
Where is he going? Where is he taking them? They wonder; they do not know; they are uneasy. But when all is said, the figure on the road ahead of them, waiting for them now and looking round, is the Jesus who loves them and whom they love.
And one can imagine the feeling rising in the mind of one and another of them: "I don't know where he is going, or where he is taking us, but I must be with him." There we reach again what the whole story began with—he chose twelve that they might "be with him." To understand him, we, too, must be with him. What takes men there? After all, it is, in the familiar phrase, the love of Jesus. If one loves the leader, it is easier to follow him. But, whether you understand him or whether you don't, if you love him you are glad that he chose the cross, and you are glad that you are one of his people.
CHAPTER IX
THE CHRISTIAN CHURCH IN THE ROMAN EMPIRE
Imperial Rome governed the whole of the Mediterranean world,—a larger proportion and a greater variety of the human race than has ever been under one government. So far as numbers go, the Russian Empire to-day, the Chinese and the British, each far exceed it; for the population of the world is vastly larger than it was in Rome's days. But there was a peculiar unity about the Roman Empire, for it embraced, as men thought, all civilized mankind. It was known that, far away in the East, there were people called Indians, who had fought with Alexander the Great, but there was little real knowledge of them. Beyond India, there were vague rumours of a land where silk grew on the leaves of the trees. But civilized mankind was under the control of Rome. It was one rule of many races, many kingdoms, princedoms, cities, cantons, and tribes—a wise rule, a rule that allowed the maximum of local government and traditional usage: Rome not merely conquered but captured men all over the world; ruled them, as a poet said, like a mother, not a queen, and bound them to herself. Men were eager, not so much to shake off her yoke, as to be Romans; and from the Atlantic to the Euphrates men, not of Roman blood, were proud to bear Roman names and to be Roman citizens. "I was free born," said St. Paul, not without a touch of satisfaction (Acts 22:25-28). A general peace prevailed through the Roman world—a peace that was new to mankind. There was freedom of intercourse; one of the boasts made by the writers of the Roman Empire is of this new freedom to travel, to go anywhere one pleased. Piracy on the sea, brigandage on the land, had been put down, and there was a very great deal of travel. The Roman became an inveterate tourist. He went to the famous scenes of Asia Minor, to Troy above all—to "sunny Rhodes and Mitylene"—to Egypt. Merchants went everywhere. And there was a fusing of cultures, traditions, and creeds, all over the Mediterranean world. Centuries before, Alexander the Great had struck out the splendid idea of the marriage of East and West. He secured it by breaking down the Persian Empire, and making one Empire from the Adriatic to this side of the Sutlej or Bias. He desired to cement this marriage of East and West in a way of his own. He took three hundred captive princesses and ladies, and married them in a batch to Macedonian officers—a very characteristic piece of symbolism. But his idea was greater and truer than the symbol.
The Roman marriage of the East and West was a more real thing, for behind it lay three centuries of growing intercourse and knowledge along Alexander's lines. In the sphere of religion we find it most clearly. There rises a resultant world-religion—a religion that embraces all the cults, all the creeds, and at last all the philosophies, in one great system. That religion held the world. It is true, there were exceptions. There was a small and objectionable race called Jews; there were possibly some Druids in Southern Britain; and here and there was a solitary atheist who represented no one but himself. These few exceptions were the freaks amongst mankind. Apart from them mankind was united in its general beliefs about the gods. The world had one religion.
First of all, let us try to estimate the strength of this old Mediterranean Paganism. It was strong in its great traditions. Plutarch, who lived from about 50 A.D. to 117 or so, is our great exponent of this old religion. To him I shall have to refer constantly. He was a writer of charm, a man with many gifts. Plutarch's Lives was the great staple of education in the Renaissance—and as good a one, perhaps, as we have yet discovered, even in this age when there are so many theories of education with foreign names. Plutarch, then, writing about Delphi, the shrine and oracle of the god Apollo, said that men had been "in anguish and fear lest Delphi should lose its glory of three thousand years"—and Delphi has not lost it. For ninety generations the god has been giving oracles to the Greek world, to private people, to kings, to cities, to nations—and on all sorts of subjects, on the foundation of colonies, the declaration of wars, personal guidance and the hope of heirs. You may test the god where you will, Plutarch claimed, you will not find an instance of a false oracle. Readers of Greek history will remember another great writer of as much charm, five hundred years before, Herodotus, who was not so sure about all the oracles. But let us think what it means,—to look back over three thousand years of one faith, unbroken. Egyptian religion had been unchallenged for longer still, even if we allow Plutarch's three thousand years. The oldest remains in Egypt antedate, we are told, 4000 B.C., and all through history, with the exception of the solitary reign of Amen-Hotep III., Egypt worshipped the same gods, with additions, as time went on. Again an unbroken tradition. And how long, under various names, had Cybele, Mother of Gods, been worshipped in Asia? By our era all these religions were fused into one religion, of many cults and rites and ancient traditions; and the incredible weight of old tradition in that world is hard to overestimate.
The old religion was strong in the splendour of its art and its architecture. The severe, beautiful lines of the Greek temple are familiar to us still; and, until I saw the Taj, I think I should have doubted whether there could be anything more beautiful. Architecture was consecrated to the gods, and so was art. You go to Delphi, said Plutarch, and see those wonderful works of the ancient artists and sculptors, as fresh still as if they had left the chisel yesterday, and they had stood there for hundreds of years, wonderful in their beauty. Think of some of the remains of the Greek art—of that Victory, for instance, which the Messenians set on the temple at Olympia in 421 B.C. She stood on a block of stone on the temple, but the block was painted blue, so that, as the spectator came up, he saw the temple and the angle of its roof, and then a gap of blue sky and the goddess just alighting on the summit of the temple. From what is left of her, broken and headless, but still beautiful, we can picture her flying through the air—the wind has blown her dress back against her, and you see its folds freshly caught by the breeze. And all this the artist had disentangled from a rough block of stone—so vivid was his conception of the goddess, and so sure his hand. There are those who say that the conventional picture of God of the great artists is moulded after the Zeus of Pheidias. Egypt again had other portrayals of the gods—on a pattern of her own, strange and massive and huge, far older. About six hundred years before Christ the Egyptian King, Psammetichos (Psem Tek), hired Greek soldiers and marched them hundreds of miles up the Nile. The Greek soldiers, one idle day, carved their names on the legs of the colossal gods seated at Abu Symbel. Their names are found there to-day. So old are these gods.