November 19, 1896.—Contrary to the experience of the preceding seances, Mlle. Smith remained constantly awake, her arms free on the table, conversing and even laughing all the while with the sitters. The messages were obtained by means of visions and typtological dictations. Hélène having asked Leopold how it happens that she had been able to communicate with a being living on Mars, she has a vision in which Astané appears to her in a costume more Oriental than Martian. “Where have I seen that costume?” asks she; and the table replies “In India,” which indicates that Astané is an ex-Hindoo reincarnated on Mars. At the same time Hélène has a vision of an Oriental landscape which she believes she has already seen before, but without knowing where. She sees Astané there, carrying under his arm rolls of paper of a dirty white color, and bowing in Oriental fashion before a woman, also clothed in Oriental garments, whom she also believes she has seen before. These personages appear to her to be “inanimate, like statues.” The sitters ask whether the vision was not a simple tableau (of the past) presented by Leopold; the table replies in the affirmative, then inclines itself significantly towards Mlle. Smith, when some one asked who that Oriental woman might be, and the idea is put forth that possibly she represents Simandini. Finally, to further questions of the sitters, the table (Leopold) dictates again that Astané in his Hindoo existence was called Kanga, who was a “sorcerer of the period”; then that “Astané on the planet Mars possesses the same faculty of evocation which he had possessed in India.” Leopold is then asked if the power of Astané is greater than his. “A different power, of equal strength,” replies the table. Finally, Hélène desiring to know whether Astané when he evokes her sees her in her real character or that of her Hindoo incarnation, the table affirms that he sees her in her Hindoo character, and adds: “and, in consequence, under those characteristics which she [Hélène] possesses to-day and which are in such striking harmony with those of SimaNdini,” insisting on the N in the middle of the name.
It is to be remarked that at this sitting it was Leopold who gave all the information in regard to the past of Astané, and that he recognizes in him a power over Hélène almost equal to his own. It is strange that the accredited guide of Mlle. Smith, ordinarily so jealous of his rights over her and ready to take offence at all rival pretensions, so freely accords such prerogatives to Astané. This unexpected mildness is still more surprising when the singular similarity of position of these two personages in regard to Hélène is considered. Kanga, the Hindoo fakir, holds in the life of Simandini exactly the same place as Cagliostro in the life of Marie Antoinette, the place of a sorcerer giving beneficial counsel, and at the same time of a platonic adorer, and both of them in their actual rôles of Astané and of Leopold preserve for Mlle. Smith the respectful attachment which they had for her illustrious former existences. How is it these two extra-terrestrial pretenders do not hate each other the more cordially since their rival claims upon Hélène have identical foundations? But, far from in the least disputing her possession, they assist each other in the most touching fashion. When Astané writes in Martian by Mlle. Smith’s right hand that the noise of the sitters threatens to make him insane (see text 20) it is Leopold who comes to his rescue in making them keep silent by his gestures with the left arm. When Leopold indicates to me that the moment for pressing Hélène’s forehead has arrived, it is Astané who lends him his pencil in order that the message may be written (see below, seance of September 12, 1897, and [Fig. 23]), and the exchange of powers takes place between them without the medium experiencing the least shock, and without its betraying itself outwardly otherwise than by the difference of their handwriting. It is true that Leopold’s apparitions to Hélène are infinitely more frequent and his incarnations much more complete than those of Astané, who shows himself to her at increasing intervals, and has never attained to speaking by her mouth. It makes no difference: these two personages resemble each other too much for mutual toleration—if they are really two.
My conclusion presses. Astané is, at bottom, only a copy, a double, a transposition in the Hindoo-Martian manner of Leopold. They are two variations of one primitive theme. In regarding these two beings, as I do, in the absence of proof to the contrary, not as real and objective individualities, but as pseudo-personalities, dream fictions, fantastic subdivisions of the hypnoid consciousness of Mlle. Smith, it may be said that it is the same fundamental emotion which has inspired these twin rôles, the details of which have been adapted by the subliminal imagination to correspond to the diversity of the circumstances. The contradiction painfully felt between the proud aspirations of the grande dame and the vexing ironies of reality has caused the two tragic previous existences to gush forth—intrinsically identical, in spite of the differences of place and epoch—of the noble girl of Arabia, having become Hindoo princess, burned alive on the tomb of her despot of a husband, and of her Austrian highness, having become Queen of France and sharing the martyrdom of her spouse.
On parallel lines, in these two dreams issuing from the same emotional source, it is the universal and constant taste of the human imagination for the marvellous, allied to the very feminine need of a respectful and slightly idolatrous protector, which on the one side has created out of whole cloth the personage of Kanga-Astané, and on the other hand has absorbed, without being careful in modifying authentic history, that of Cagliostro-Leopold. Both are idealistic sorcerers, of profound sagacity, tender-hearted, who have placed their great wisdom at the service of the unfortunate sovereign and made for her, of their devotion, amounting almost to adoration, a tower of strength, a supreme consolation in the midst of all the bitternesses of real life. And as Leopold acts as guide for Hélène Smith in the general course of her actual earthly existence, so Astané seemingly plays the same rôle in the moments of that life in which Hélène leaves our sublunar world to fly away to the orb of Mars.
Fig. 12. House of Astané. Blue sky; soil, mountains, and walls of a red color. The two plants, with twisted trunks, have purple leaves; the others have long green lower leaves and small purple higher leaves. The framework of the doors, windows, and decorations are in the shape of trumpets, and are of a brownish-red color. White glass (?) and curtains or shades of a turquoise-blue. The railings of the roof are yellow, with blue tips.
