All this uproar finally called out a sort of valet, half laborer, half groom, who took our horses by the reins and led them away.—I had not as yet seen a living being except a little peasant girl, timid and wild as a deer, who ran away at sight of us and crouched in a furrow behind some hemp, although we called her several times and did everything in our power to reassure her.
No one appeared at the windows; you would have said the chateau was uninhabited, or that its only occupants were spirits; for not the slightest sound could be heard outside.
We were beginning to ascend the steps, making considerable noise with our spurs, for our legs were a little tired, when we heard a sound as of doors opening and shutting within, as if some one were hurrying to meet us.
In a moment a young woman appeared at the top of the steps, rushed down to my companion and threw herself on his neck. He kissed her very affectionately and, putting his arm about her waist, lifted her up and carried her so to the landing.
"Do you know that you are very amiable and gallant for a brother, my dear Alcibiades?—Surely, monsieur, it is altogether useless for me to tell you that he's my brother, for he really does not stand on ceremony?" said the young woman, turning to me.
To which I replied that it was possible to misinterpret his actions, and that it was in a certain sense a misfortune to be her brother and thus to be excluded from the category of her adorers; that, as for myself, if I were her brother, I should be at once the unhappiest and the happiest cavalier on earth."—Whereat she smiled sweetly.
Conversing thus we entered a hall, the walls of which were hung with high warp Flemish tapestry.—Tall trees with pointed leaves were covered with flocks of fanciful birds; the colors, faded by time, presented strange transpositions of shades; the sky was green, the trees royal blue with yellow streaks, and in the draperies of the figures the shadow was often of a directly opposite color to that of the background of the material;—the flesh resembled wood, and the nymphs walking under the faded shadows of the forest looked like unswathed mummies; their mouths alone, which had retained their original purple tint, smiled with an appearance of life. In the foreground were tall plants of a strange shade of green with great striped flowers, whose pistils resembled a peacock's crest. Sober-faced, pensive herons, their heads buried in their shoulders, their long beaks resting on their swollen crops, stood philosophically on one of their slim legs, in stagnant, black water, streaked with lines of tarnished silver; through the vistas in the foliage, one could see in the distance small chateaux with turrets like pepper-boxes and balconies crowded with lovely women in grand attire, watching processions or hunting-parties pass.
Fantastically-jagged rocks, over which foamed torrents of white wool, blended insensibly with fleecy clouds at the horizon line.
One of the things that impressed me most was the figure of a huntress shooting a bird.—Her open fingers had just released the string, and the arrow had flown; but as that part of the tapestry was in a corner, the arrow was on the other wall, having described a great curve; as for the bird, he was flying away on motionless wings and seemed to be headed for a neighboring branch.
That feathered arrow, armed with a golden tip, always in the air and never reaching its destination, had a most curious effect; it was like a melancholy, sorrowful symbol of human destiny, and the more I looked at it the more mysterious and sinister meanings I discovered in it.—The huntress stood there, her foot put forward, her leg bent, her eye with its silken lid wide open, and yet unable to see her arrow which had deviated from its path; she seemed to be looking anxiously for the flamingo with the gorgeous plumage, that she desired to bring down and expected to see fall at her feet, pierced through and through.—I do not know whether it is an error on the part of my imagination, but I detected upon that face an expression as forlorn and desperate as that of a poet who dies without having written the work upon which he expected to found his reputation, and who is seized with the pitiless death-rattle just as he is trying to dictate it.