So the two girls climbed the steps of the estrade together.
"How came you to know the Marchese Lamberto?" asked Violante, after they had matured their acquaintanceship by a little talk about the subject of Paolina's work.
"Only because the Englishman, who employed me to copy these mosaics, gave me a letter to him. He seems to be very highly esteemed."
"More so than any other man in all Ravenna,—except my uncle the Cardinal, I suppose I ought to say; he is a most excellent man in all ways. But you know his nephew also, the Marchese Ludovico? non e vero?" said Violante, looking down on the ground, while a pale blush came over her white cheeks.
"Yes," replied Paolina, flushing crimson, and similarly looking down, but stealing a side-glance under her eyelashes at her companion,—"yes; I became acquainted with him also in the same manner—at least, on the same occasion; and, in truth, I have seen more of him than of his uncle, for the Marchese Lamberto is always so busy, and he commissioned his nephew to do all that he could to assist us, when we were first settling ourselves here."
"And you found him kind, too; as kind as his uncle?" said Violante, stealing a sidelong glance at Paolina.
"Yes, indeed, Signorina," said she, feeling not a little embarrassment.
"Paolina—you see I know your name, and I think it such a pretty one—Paolina," said the Contessa Violante, yielding to a sudden impulse, and taking the hand of the blushing girl, who kept her eyes fixed on the ground, "shall we be friends, and speak openly to each other? I should like to."
"Oh, Signorina! so should I, so much. There is nothing I should like so much—almost nothing," replied Paolina, looking up into her face, with her own still crimson.
"Tell me, then, if you ever heard my name mentioned in connection with that of the Marchese Ludovico?" said Violante, looking with a rather sad and subdued, but yet arch, smile into Paolina's eyes.