It was likely that her mind was also warped by the conceptions of what were probable, likely to be providential, and even suitable, in the case of such a person as the deceased singer. Of course, the whole life of such an one was, to the Contessa Violante, a thing abominable and accursed in the eyes of Heaven. It was more strange that all others, who led similar lives, and were engaged in such a profession, should not make an evil end of themselves than that one such should do so.

The Contessa Violante, therefore, was disposed to share the conviction of her visitor, as she most sincerely and cordially sympathised with her in her affliction. To her, also, it was wholly impossible to believe that Paolina had done this thing; nor was it credible to her that Ludovico should be guilty of such a deed. Of the three persons accused she would have found it more possible to believe in the guilt of the Conte Leandro; but, on the whole, she preferred to avoid the necessity of assuming that either of the accused were guilty by admitting the hypothesis of Signora Orsola.

"And if you will take my advice, Signora, I think that the best thing you could do would be to go to Signor Fortini, the lawyer, who is interested in the matter on account of being the lawyer of the Castelmare family. I have always heard him spoken of as an upright and respectable man. I have heard my uncle speak well of him. If I were you I would go and talk to him; you will very easily find out where his studio is. Go and tell him who you are, and what your interest in the matter is, and I have no doubt but that he will receive you kindly and listen to what you have to say."

And Signora Orsola took the Contessa Violante's advice, and went directly to the lawyer's studio in the little cloister under the walls of the cathedral, on leaving her adviser. As Violante had said, she had no difficulty whatever in finding it.

The lawyer was at home, and Signora Orsola was at once ushered into the inner studio, which has been described in a former chapter.

Signor Fortini was, to all appearances, entirely unoccupied; but it is probable that his mind was fully employed in striving to see his way through some portion of the difficulties that hedged about on all sides the subject on which, more or less, all Ravenna was intent. He was sitting before his table, thickly covered with papers; but had thrown himself back in his leather-covered arm-chair, and was grasping his stubbly chin with one hand, the elbow belonging to which rested on the arm of his chair, while the dark eyes, shining out beneath his contracted forehead, were fixed on the ceiling of the little room.

"Signora Orsola Steno," he said, as he half rose, and courteously offered his visitor a seat by the side of the table, so placed as to be fronting his own, while the sitter in it was exactly in a line between him and the window.

"Sua Signoria mi conosce. Your lordship knows me, then," said the old woman, whose surprise at finding herself thus recognized sufficed to put altogether out of her head all the carefully arranged opening of her interview with the lawyer which she had taken much pains to prepare.

Signor Fortini had, in truth, never seen the old woman, and had scarcely ever heard of her before the terrible event, which was now bringing her into his presence. But her name, the nature of her connection with Paolina, and very many other particulars concerning her had become known to the lawyer in the course of the investigations which that event had imposed upon him.

"Sufficiently, Signora, though I never had the pleasure of speaking to you before, to be aware of the nature of the business which has induced you to favour me with this visit," replied the lawyer, with grave courtesy.