"Tell's all t'other way; I have no difficulty in allowing that, on the first blush of the matter, I felt no doubt that the Marchese was the guilty party. It only shows that one ought always to have doubts of everything. It looked so very bad. The Marchese takes the girl into the wood, comes back without her, and very shortly afterwards she is found where he left her, murdered. And he is known to have had the greatest possible interest in getting rid of her. Would it not have seemed a clear case to any one?"
"So one would have said indeed," assented the Commissary.
"Well, the Marchese had nothing to do with it. At the present moment I feel—well, hardly any doubt at all that the deed was done by the girl Paolina Foscarelli."
"That's my notion too," said the Commissary, taking a pinch of snuff, and proferring his box to his visitor; "but what is the new evidence."
"Well, the girl lives, it seems, with an old woman, a country-woman of hers, a certain Orsola Steno. And this morning the old lady comes to my studio for the avowed purpose of begging me not to countenance in any way the very mistaken notion that her adopted daughter had murdered the prima donna; the truth being, as she was good enough to inform me, that the latter had committed suicide."
"Bah, what senseless nonsense!" interrupted the Commissary, indignantly.
"Of course. I pointed out to the old lady that her theory was, according to the medical testimony, simply impossible; but that naturally made not the slightest difference in her opinion of the matter. And then, aided by a little gentle assistance, she prattled on, an old fool, admitting, or insisting rather, that there had been bitter hatred and animosity between Paolina and the murdered woman; that Paolina had conceived the bitterest jealousy of the singer; that she was persuaded that the latter was scheming with a set purpose to lure her acknowledged lover, the Marchese, away from her; that she was further persuaded that the singer nourished the bitterest hatred of her, Paolina. What do you say to that, Signor Commissary? How does the land lie now, eh?" said the lawyer, triumphantly, in conclusion.
Signor Pietro nodded his head with most emphatic approbation and confirmation of his friend's opinion.
"Is not it the more likely story in every way?" pursued the lawyer; "just look at it. The Marchese is known to every man, woman, and child in Ravenna; and being known for what he is, it would be difficult to persuade anybody that he had lifted his hand to murder a defenceless and sleeping woman. But we can all of us easily understand that it is exceedingly likely that he may have so behaved as to make these two women furiously jealous of each other; at least to have made this girl Paolina, to whom, it seems, he had promised marriage, desperately furious against the other, whom she had but too good reason to suspect of having attracted the preference of the Marchese. Then look at the instrument with which the murder was accomplished,—a needle. Is it in any way likely that the Marchese Ludovico should habitually carry such a thing about with him? Is there any unlikelihood that the girl may have had such a thing about her; Amico mio Pietro," said the lawyer, in conclusion, tapping his fingers on the Commissary's coat-sleeve as he spoke, "that Venetian girl is the murderess! The deed was done under the influence of maddening jealousy."
"How on earth could that old woman come to you with a budget of such damning facts against her friend? Do you think she—the old woman—has any guilty knowledge of the crime?"