"It wors the prame of summerer tame,
An even-ing ca-alm and kheoule,
When-er fower-and-twenty happy baies
Cam trouping out of skheoule."
The boys shifted uneasily on their seats; their master looked anxious, as though something personal was coming; and when the drama reached its height we timid ones in front were fain to pinch each other in a stress of nervous excitement. The tragical conclusion was marked by a simultaneous, low, long, agricultural whistle, which did duty as a sigh, and the audience first stared into each other's faces and then gave a roar of applause, amidst which the vicar announced that the penny readings were established from that night; that books containing suitable pieces for recitation could be obtained at the circulating library; and that practice nights for efficient members would be held on Wednesday evenings.
But everybody went away impressed with Mr. Petifer's sudden accession of dramatic power.
"That comes of the play-house, mark me if it do'ent," said Farmer Shorter, as he buttoned his coat. "Folk do'ent go up to London for notheng, an' curat's been to the tradigy—that's where he's a'been."
This first meeting of our "Penny Reading" Society gave a decided tone to our subsequent proceedings, but we had made but slow progress, and there was still some difficulty in inducing many of the readers to meet the audible remarks, the half-concealed mirth, and even the exaggerated applause of their audiences, when the vicar one evening announced his intention of leaving Chewton for a fortnight on a visit to London, and coming back in time to prepare a grand entertainment at the school-room.
In a few days the vicar returned, and told his sister to have the guest's room got ready, as he expected a professional gentleman from London to visit him in a day or two.
It was on the Wednesday that the idlers about the old coach-yard of the George and Gate woke up from their usual expressionless stare at things in general to notice a stranger who came along at a brisk rate, carrying a small portmanteau, and looking sharply and with a quick penetrating glance at them and the sign and the bar of the tap, where he called for a glass of ale and inquired his way to the vicarage. He was a well-knit, active man of about forty-five, with dark, glossy hair, just beginning to gray; a dark, short moustache; shaven cheeks and chin, with a blue tinge where the beard and whiskers would have been; and he wore well-fitting but rather shabby clothes, which scarcely seemed to be in keeping with the big (false or real) diamond ring on his right hand and a huge breast-pin in his satin stock.
These were the remarks some of us made about him when he appeared on the low platform at our penny reading the next evening, and was introduced by the vicar as "My friend Mr. Walter De Montfort, a gentleman connected with the dramatic profession in London, who has consented to favour us with a reading and to contribute to our improvement as well as to our entertainment."
A good many of us thought we had never heard reading, or rather recitation, till that evening; there was such a keen, bright, intense look in the man's face; such a rich, flexible, sonorous roll in his voice; such a conscious appropriateness in his rather exaggerated gestures, that when he commenced with what I have since learned was a peculiarly stagey expression the poem of "King Robert of Sicily and the Angel," and began to tell us how—
"King-ar-Rroberut of Sissurlee"