After this stanza, the MS. has the following four stanzas, now omitted:

"The thoughtless world to Majesty may bow,
Exalt the brave, and idolize success;
But more to innocence their safety owe
Than Pow'r, or Genius, e'er conspir'd to bless.

"And thou who, mindful of the unhonour'd Dead,
Dost in these notes their artless tale relate,
By night and lonely contemplation led
To wander in the gloomy walks of fate:

"Hark! how the sacred Calm, that breathes around,
Bids every fierce tumultuous passion cease;
In still small accents whisp'ring from the ground
A grateful earnest of eternal peace.

"No more, with reason and thyself at strife,
Give anxious cares and endless wishes room;
But through the cool sequester'd vale of life
Pursue the silent tenor of thy doom."5

5 We follow Mason (ed. 1778) in the text of these stanzas. The North American Review has "Power and Genius" in the first, and "linger in the lonely walks" in the second.

The second of these stanzas has been remodelled and used as the 24th of the present version. Mason thought that there was a pathetic melancholy in all four which claimed preservation. The third he considered equal to any in the whole Elegy. The poem was originally intended to end here, the introduction of "the hoary-headed swain" being a happy after-thought.

In the [19th stanza], the MS. has "never learn'd to stray."

In the [21st stanza], "fame and epitaph," etc.

In the [23d stanza], the last line reads,

"And buried ashes glow with social fires."

"Social" subsequently became "wonted," and other changes were made (see [above], foot-note) before the line took its present form.