"Convenience, as well as safety, seems to have pointed out the lofty situation of Amarathia as a fit place for the residence of the herdsmen of this part of the island from the earliest ages. A small source of water is a treasure in these climates; and if the inhabitants of Ithaca now select a rugged and elevated spot, to secure them from the robbers of the Echinades, it is to be recollected that the Taphian pirates were not less formidable, even in the days of Ulysses, and that a residence in a solitary part of the island, far from the fortress, and close to a celebrated fountain, must at all times have been dangerous, without some such security as the rocks of Korax. Indeed, there can be no doubt that the house of Eumæus was on the top of the precipice; for Ulysses, in order to evince the truth of his story to the swineherd, desires to be thrown from the summit if his narration does not prove correct.
"Near the bottom of the precipice is a curious natural gallery, about seven feet high, which is expressed in the plate. It may be fairly presumed, from the very remarkable coincidence between this place and the Homeric account, that this was the scene designated by the poet as the fountain of Arethusa, and the residence of Eumæus; and, perhaps, it would be impossible to find another spot which bears, at this day, so strong a resemblance to a poetic description composed at a period so very remote. There is no other fountain in this part of the island, nor any rock which bears the slightest resemblance to the Korax of Homer.
"The stathmos of the good Eumæus appears to have been little different, either in use or construction, from the stagni and kalybea of the present day. The poet expressly mentions that other herdsmen drove their flocks into the city at sunset,—a custom which still prevails throughout Greece during the winter, and that was the season in which Ulysses visited Eumæus. Yet Homer accounts for this deviation from the prevailing custom, by observing that he had retired from the city to avoid the suitors of Penelope. These trifling occurrences afford a strong presumption that the Ithaca of Homer was something more than the creature of his own fancy, as some have supposed it; for though the grand outline of a fable may be easily imagined, yet the consistent adaptation of minute incidents to a long and elaborate falsehood is a task of the most arduous and complicated nature."
After this long extract, by which we have endeavoured to do justice to Mr. Gell's argument, we cannot allow room for any farther quotations of such extent; and we must offer a brief and imperfect analysis of the remainder of the work.
In the third chapter, the traveller arrives at the capital, and in the fourth, he describes it in an agreeable manner. We select his account of the mode of celebrating a Christian festival in the Greek church:—
"We were present at the celebration of the feast of the Ascension, when the citizens appeared in their gayest dresses, and saluted each other in the streets with demonstrations of pleasure. As we sate at breakfast in the house of Zignor Zavo, we were suddenly roused by the discharge of a gun, succeeded by a tremendous crash of pottery, which fell on the tiles, steps, and pavements, in every direction. The bells of the numerous churches commenced a most discordant jingle; colours were hoisted on every mast in the port, and a general shout of joy announced some great event. Our host informed us that the feast of the Ascension was annually commemorated in this manner at Bathi, the populace exclaiming [Greek: anesê o Chrisos, alêthinos o Theos,] Christ is risen, the true God."
In another passage, he continues this account as follows:—"In the evening of the festival, the inhabitants danced before their houses; and at one we saw the figure which is said to have been first used by the youths and virgins of Delos, at the happy return of Theseus from the expedition of the Cretan Labyrinth. It has now lost much of that intricacy which was supposed to allude to the windings of the habitation of the Minotaur," &c. &c. This is rather too much for even the inflexible gravity of our censorial muscles. When the author talks, with all the reality (if we may use the expression) of a Lempriere, on the stories of the fabulous ages, we cannot refrain from indulging a momentary smile; nor can we seriously accompany him in the learned architectural detail by which he endeavours to give us, from the Odyssey, the ground-plot of the house of Ulysses.—of which he actually offers a plan in drawing! "showing how the description of the house of Ulysses in the Odyssey may be supposed to correspond with the foundations yet visible on the hill of Aito!"—Oh, Foote! Foote! why are you lost to such inviting subjects for your ludicrous pencil!—In his account of this celebrated mansion, Mr. Gell says, one side of the court seems to have been occupied by the Thalamos, or sleeping apartments of the men, &c. &c.; and, in confirmation of this hypothesis, he refers to the 10th Odyssey, line 340. On examining his reference, we read,
[Greek: Es thalamon t ienai, kai sês epibêmenai eunês.]
where Ulysses records an invitation which he received from Circe to take a part of her bed. How this illustrates the above conjecture, we are at a loss to divine: but we suppose that some numerical error has occurred in the reference, as we have detected a trifling mistake or two of the same nature.
Mr. G. labours hard to identify the cave of Dexia near Bathi (the capital of the island), with the grotto of the Nymphs described in the 13th Odyssey. We are disposed to grant that he has succeeded: but we cannot here enter into the proofs by which he supports his opinion; and we can only extract one of the concluding sentences of the chapter, which appears to us candid and judicious:—