CHAPTER III
MILTON’S ASTRONOMICAL KNOWLEDGE
It would be reasonable to imagine that Milton’s knowledge of astronomy was comprehensive and accurate, and superior to that possessed by most scientific men of his age. His scholarly attainments, his familiarity with ancient history and philosophy, his profound learning, and the universality of his general knowledge, would lead one to conclude that the science which treats of the mechanism of the heavens, and especially the observational part of it—which at all times has been a source of inspiration to poets of every degree of excellence—was to him a study of absorbing interest, and one calculated to make a deep impression upon his devoutly poetical mind. The serious character of Milton’s verse, and the reverent manner in which celestial incidents and objects are described in it, impress one with the belief that his contemplation of the heavens, and of the orbs that roll and shine in the firmament overhead, afforded him much enjoyment and meditative delight. For no poet, in ancient or in modern times, has introduced into his writings with such frequency, or with such pleasing effect, so many passages descriptive of the beauty and grandeur of the heavens. No other poet, by the creative effort of his imagination, has soared to such a height; nor has he ever been excelled in his descriptions of the celestial orbs, and of the beautiful phenomena associated with their different motions.
In his minor poems, which were composed during his residence at Horton, a charming rural retreat in Buckinghamshire, where the freshness and varied beauty of the landscape and the attractive aspects of the midnight sky were ever before him, we find enchanting descriptions of celestial objects, and especially of those orbs which, by their brilliancy and lustre, have always commanded the admiration of mankind.
For example, in ‘L’Allegro’ there are the following lines:—
Right against the eastern gate
Where the great Sun begins his state,
Robed in flames and amber light,
The clouds in thousand liveries dight;
and in ‘Il Penseroso’—
To behold the wandering Moon,
Riding near her highest noon,
Like one that had been led astray
Through the heaven’s wide pathless way,
And oft as if her head she bowed,
Stooping through a fleecy cloud.
In the happy choice of his theme, and by the comprehensive manner in which he has treated it, Milton has been enabled by his poetic genius to give to the world in his ‘Paradise Lost’ a poem which, for sublimity of thought, loftiness of imagination, and beauty of expression in metrical verse, is unsurpassed in any language.
It is, however, our intention to deal only with those passages in the poem in which allusion is made to the heavenly bodies, and to incidents and occurrences associated with astronomical phenomena. In the exposition and illustration of these it has been considered desirable to adopt the following general classification:—