Mr. Hubert. With a circle.
Mr. Turner. And, I was standing up at the front of point “4”, on the left side of the camera, which was right next to the column. Jack Beers from the Dallas Morning News, who took the picture before he was shot—not the picture after he shot him, was immediately—I was touching him with my left arm, and I had mentioned to Jack, I said, “Jack, when I swing around for them to load him into the truck up there, well, I’ll hit you on the knee, if—and would you get out of the way?”
And Jack said, “Yes.” So—this all took place so quick from now on. And then after I got through talking with Jack, I was—Tom was trying to attract my attention. I happened to glance up and this was at the same time the car drove out of the—I’m not sure. I couldn’t—that right down where the ramp it hit—the——
Mr. Hubert. Level part?
Mr. Turner. Level part. I saw Mr. Ruby coming in.
Mr. Hubert. Now, had you ever seen him before?
Mr. Turner. No, sir; I certainly hadn’t. Let me mark “10” as the point where I actually saw Mr. Ruby.
Mr. Hubert. Now, in order to get it right, would you look at the mockup first, and then place it.
Mr. Turner. I was right here [indicating], and he was somewhere in this locality when—it is beyond the second column.
Mr. Hubert. Will you mark a line, and mark it “A” and “B” straight across at the beginning on the right?