Mrs. Grant. Easy—easy.
Mr. Hubert. And by “contact with him,” of course, I mean—you know—telephone, letters, messages?
Mrs. Grant. No; he came in—he told me that he knows people at Mercury Records and that if I send in the song he was going to make it, and truthfully, I was glad when he came in, when he left, for more reasons than one. We don’t discuss his background or anything.
Mr. Hubert. Now, that’s over a year ago—certainly.
Mrs. Grant. It has been so long—I say a year and a half—the airlines would know quicker than I know because he said he just flew in and he was just there for the evening and going back out, at least that’s what he told me. I don’t discuss his background or anything like that—at least, that’s what he told me.
Mr. Hubert. Do you know a man by the name of Taylor Crossley?
Mrs. Grant. What is the first name?
Mr. Hubert. Taylor [spelling] T-a-y-l-o-r.
Mrs. Grant. I know a lot of Taylors here but that is the last name.
Mr. Hubert. No; Crossley. John Melton, and Morris Melton [spelling] M-e-l-t-o-n?